Make Love, Not War?: The Role of the Chorus in Kokoschka's "Murderer Hope of Women"

Susan Russell
2015 Journal of Dramatic Theory and Criticism  
In the summer of 1909, two one-acts by the twenty-three-year-old painter Oskar Kokoschka premiered in Vienna in an outdoor theatre built in the garden adjacent to the art museum as part of the second Kunstschau exhibit. The two Kunstschauen (of 1908 and 1909) were organized by Gustav Klimt and his friends in order "to expose the Viennese public to the most shocking and revolutionary forces in contemporary art," and Kokoschka exhibited in both. The showing of Oskar Kokoschka's art and his plays
more » ... art and his plays cemented his reputation as the most prominent enfant terrible of his day. These exhibitions helped ensure that, by the time he moved to Berlin in 1910, his works would become some of the key contributions to the seminal expressionist journal Der Sturm, gaining Kokoschka a place in the canon of European expressionism.
doi:10.1353/dtc.2015.0030 fatcat:lzr7rshtjnh6bmlers47poktsy