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In a way, we could consider that the main scaffolding of the theoretical discourse of architectural photography -particularly on what regards to the Modern Movement-has already been profiled by the specialized historians and researchers. International research projects promoted by several universities and also by museums, archives, and other private or public institutions worldwide are currently strengthening this historical and documentary corpus, on the one hand, but also working on some newdoi:10.24840/2183-8976_2017-0002_0001_02 fatcat:s3hvqo7y7jcpzkswdwh45iphte