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This paper addresses the migration theme as an embodied experience performed by myself in two installation pieces, which serve as examples to explore the notions of displacement and territory in phenomenology and semiotic of culture points of view. A mode of performed narrative within moving images attempts to imagine other existences, through cognition and body studies. Presence and politics in ageless aesthetic forms amplify a performativity experience in body and image, related to Greekdoi:10.2478/lf-2021-0011 fatcat:5vdislt37beqnattousgk6oexe