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This study intends to analyze discursive marks in the gender discursive dramatization. Such a study bases on the theories proposed by Bakhtin (1992), Halliday (1885), Koch (1993), Marcuschi (2003), Rojo (2004), Schneuwly (1997), Dolz (1997), Castilho (1998), which share the idea, that the man transforms the world through the use of the language.doi:10.5902/1516849228312 fatcat:kd2p5ybs3ng6rp3yxqn3r4kxee