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Dejando los ojos de un venado dormido sobre una lamparita sin voz
2013
POLIANTEA
| 229 POLIANTEA | pp. 225-262 | Volumen VIII | número 15 | julio-diciembre 2012 Palabras clave: arte social, violencia, pop en Colombia, feminismo, democracia. Abstract Taking as a main topic the exhibition done by Colombian artist Beatriz González Carta Furtiva, this research analyzes the possible direct and indirect influences around the artist's commitment as well as the journey through each one of the works in the exhibition as a token of a form of art that still holds a social function and
doi:10.15765/plnt.v8i15.80
fatcat:u4nlmxxwrrhrbmdqsnw26a76tq