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An Introduction to Aspect-Oriented Music Representation
2007
Computer Music Journal
The composition of music in many idioms involves the exploitation of recurrent, recombinant musical fragments. Any given fragment may, as a consequence, appear in arbitrarily many structures, in its original or transformed state. Such a fragment is said to crosscut the musical structure, in the sense that the modification of such a fragment implies that revisions should be made to related structures.
doi:10.1162/comj.2007.31.4.47
fatcat:cj2nzbambjbnvpgugndkleeuy4