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This paper is about the interaction of electroacoustic music with visual elements, (mostly) outside real-time hypothesis. The article focuses on works from the past to the present, showing the rich development that «audio-visual acousmatic composition» or, more generally, «multimedia or intermedia works (1)» had in about half a century: to describe this evolution, various authors are quoted for analytical purposes, from the past to younger generations: M. Adkins, M. Avantaggiato, M. Chion, F.doi:10.5281/zenodo.3714514 fatcat:5tn3jcnnfza6zkowswbv6wmqbq