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Esboços autoficcionais no teatro brasileiro: a escrita do eu andradino
2019
Urdimento
This paper raises some questions that makes us read theory and Jorge Andrade's texts beyond theirs stablished situation: Why resume Andrade's memories to read his texts? Is it possible to read Andrade's oeuvre through autofiction theory? Is it productive to stablish comparison points between narrative and dramatic genres? On this paper we seek to understand the author's memory and personal life as source of poetic imagination to write his texts. Specifically, on Andrade's case, his marriage
doi:10.5965/1414573102352019326
fatcat:hvcyv7h5rncwhj7mdypmntg3ya