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Instrumental infrastructure: Sheet materials, gesture andmusical performance
Thin sheets of material are suspended and placed around the space: tracing paper, silver acetate and aluminium panels. Smaller aluminium panels rest on low plinths, overlapping but not touching one another, surrounded by layers of tracing paper laid beneath them. Before being sounded they are still, flat, bright. The flat panels are first activated by rice dropped in single grains, and then cascades. The paper is touched with fingertips and nails, swept and rustled, before being scrunched anddoi:10.34727/2022/isbn.978-3-85448-047-1_2 fatcat:tmhyj2zz7reenmpwt6entz2zyq