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This paper analyzes Tancrède de Visan's early views on Symbolism as they appear in his foreword to the poetry collection Paysages introspectifs (1904). We put a special emphasis on some Bergsonian key notions, such as intuition or élan vital, and the way Visan uses them in order to distinguish the Parnass' methods from those used by the Symbolists.doaj:7aa84872e45a4df6bc7ccf54aadbcad1 fatcat:r5i6grokjbbbzd5iwm5miyornq