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Composing with Schizo-narratives and Sonic Chorographies: The Territory of Disembodied Voices and the Perception of Acousmatic Identities
2016
This PhD focusses on the body of work that has emerged from the author's compositional practice between 2008 and 2015. It tackles a range of issues including (dark) tourism, identity and remembrance, and the tensions between history, narrative and myth; from folklore practices to postwar Eastern Europe and the Holocaust. Three extended projects using field recordings and interviews as their primary source material are examined: a soundscape study of Padstow, a composition dealing with the
doi:10.25602/gold.00017033
fatcat:awqjkgsvfvda5b5lz77dudunsi