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The text presents a reflection on the actor's training and its implications, virtues and contributions to the professional formation of actors. It starts from the experience that the author has assimilated as teacher and director, but mainly as an active actor, that appeals to his body as a work tool. From this perspective, the relationships between exercise, system and rehearsal are analyzed. Performance is not an esoteric and mystic act propitiated by the gods, it is a work that requiresdoaj:51b8a43ac1614ccb9455a01f216580ea fatcat:uszfdqnyordsnese5zhlxoh2qu