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he discipline currently named "musicology" emphasizes the humanistic study of Western art music, what I call WAM. This makes good sense because the discipline emerged and operates in the West. In parallel fashion, and tinged perhaps with a dose of post-colonial irony, African scholars of African music have suggested the moniker "African musicology" for the scholarly study of their culture's music. According to this logic, the world can support multiple musicologies, each focused on thedoaj:fb3c489f5b8149a7a24b456afcc0bad1 fatcat:wflf27ljnnharlksgoz5xwovii