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Charcoal Matter with Memory: Images of Movement, Time and Duration in the animated films of William Kentridge
2013
Film-Philosophy
In his temporal philosophy based on the writing of Henri Bergson, Gilles Deleuze describes duration (durée) as a becoming that endures in time. Reifications of this complex philosophical concept become artistically expressed, I argue, through the form and content of South African artist William Kentridge's charcoal 'drawings for projection ' (Moins 1998 , Lai 2008 . Indeed, Kentridge's animated works open up attenuated spaces that enfold and unfold different signifiers and images of time and
doi:10.3366/film.2013.0023
fatcat:3bd6evdnorfxzmseszghg2jzse