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Are orchestral musicians artists or crafts(wo)men? This article offers a principal discussion of the concepts of artist and crafts(wo)man, as well as the relation between these concepts, from a philosophical point of view. We discuss the concept of 'the crafts(wo)man' based on Richard Sennett's discussions of this concept, in which Hannah Arendt's thinking plays an important role. Then, we turn our attention to Aristotle's distinction between poiesis and praxis, as well as his concept ofdoi:10.5281/zenodo.3940997 fatcat:tyyk75u4ifdw3czyvkign2jjgq