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Konstantin Stanislavski mentioned the concept of prana in one of his works to explain the actor's communication without words on stage. In this article, I present Stanislavski's discourse points, which is possible to identify how the concept of prana energy could be understood theoretically and practically from his studies in Yoga. I present Yoga references from different historical moments, including books that Stanislavski owned in your personal library. I also analyze the respiratorydoi:10.5965/1414573102252015109 fatcat:rjawqxieorbmjnqani46vwllf4