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Several formal models of internal representation of music have been developed. The models by Deutsch & Feroe and by Lerdahl & J ackendoff are criticized for several reasons: 1. lt is doubtful whether a parallel between language and musical grammar can be established; 2. the representation of musical material is being described in terms of not generally accepted, even contradictory music-theoretical descriptions instead of in terms of a psychological theory; 3. the models are limited to tonaldoi:10.23668/psycharchives.3221 fatcat:dnijz5i3yvglfhz3ha2myttbvi