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The director's lens

Christophe Lino, Marc Christie, Roberto Ranon, William Bares
2011 Proceedings of the 19th ACM international conference on Multimedia - MM '11  
We present the Director's Lens, an intelligent interactive assistant for crafting virtual cinematography using a motiontracked hand-held device that can be aimed like a real camera.  ...  The system employs an intelligent cinematography engine that can compute, at the request of the filmmaker, a set of suitable camera placements for starting a shot.  ...  Our system aims at improving Virtual Moviemaking processes by introducing, for the first time, the combination of manual control of the virtual camera with an intelligent assistant.  ... 
doi:10.1145/2072298.2072341 dblp:conf/mm/LinoCRB11 fatcat:4x2pwbqqoffzjg73vwnbwvynoq

Designing an Adpative Assisting Interface for Learning Virtual Filmmaking

Qiu-Jie Wu, Chih-Hsuan Kuo, Hui-Yin Wu, Tsai-Yen Li
2020 Eurographics Workshop on Intelligent Cinematography and Editing  
In this paper, we present an adaptive assisting interface for learning virtual filmmaking.  ...  The system was developed on an existing virtual filmmaking setup. We conducted a study with 24 participants, who were asked to operate the film set with or without our adaptive assisting interface.  ...  Conclusion We have proposed an adaptive assisting interface for learning virtual filmmaking based on the scaffolding theory.  ... 
doi:10.2312/wiced.20201126 dblp:conf/wiced/WuKWL20 fatcat:z5jwtxoogzbtjbxfbpy7el2e44

A smart assistant for shooting virtual cinematography with motion-tracked cameras

Christophe Lino, Marc Christie, Roberto Ranon, William Bares
2011 Proceedings of the 19th ACM international conference on Multimedia - MM '11  
Our system, called Director's Lens, uses an intelligent cinematography engine to compute, at the request of the filmmaker, a set of suitable camera placements for starting a shot that represent semantically  ...  This demonstration shows how an automated assistant encoded with knowledge of cinematography practice can offer suggested viewpoints to a filmmaker operating a hand-held motion-tracked virtual camera device  ...  Our Director's Lens system introduces a novel workflow that combines the creative human intelligence with the computational power of an automated cinematography system, to enable a filmmaker to explore  ... 
doi:10.1145/2072298.2072481 dblp:conf/mm/LinoCRB11a fatcat:gcj247r2qreq7ptyl4pnqq2stu

Film Ties: An Architecture for Collaborative Data-driven Cinematography [article]

William Bares, Donald Schwartz, Cristovam Segundo, Santoshi Nitya, Sydney Aiken, Clinton Medbery
2015 Eurographics Workshop on Intelligent Cinematography and Editing  
The stored compositions and suggested edits also serve as an educational resource for junior filmmakers and film students.  ...  Despite the growing use of virtual cinematography in the film production pipeline, existing tools to manage digital assets are unable to harness the knowledge inherent in the creative composition and editing  ...  We thank Elaina Cole for video editing and video narration, Clinton Medbery for video editing and coding the animated blimp scene, Malik Moore and Marcos Senna for acting, and Ian Dilling for assisting  ... 
doi:10.2312/wiced.20151081 dblp:conf/wiced/BaresSSNAM15 fatcat:omwi5ny6rvbi7bgrxfh6ccr22e

A Computational Framework for Vertical Video Editing [article]

Vineet Gandhi, Rémi Ronfard
2015 Eurographics Workshop on Intelligent Cinematography and Editing  
Drawing on working practices in traditional cinematography, the system acts as a virtual camera assistant to the film editor, who can call novel shots in the edit room with a combination of high-level  ...  In this paper, we present a general framework for automatically computing a variety of cinematically plausible shots from a single input video suitable to the special case of live performances.  ...  In traditional filmmaking, the choice of framing is considered to be an essential element of cinematography, and is controlled by a dedicated camera assistant, with a good knowledge of the rules of cinematography  ... 
doi:10.2312/wiced.20151075 dblp:conf/wiced/GandhiR15 fatcat:rda2j3qtabendo724vbvfjyn5u

Director-Oriented Shot Assessment and Evaluation in Virtual Cinematography

Shakil A. Hannan, Daisuke Endou, Masanobu Yamamoto
2005 The Journal of The Institute of Image Information and Television Engineers  
Traditional storyboards are considered the blueprints of live action movie shooting for narrative storytelling,  ...  Toru Tamaki for his significant contribution during an earlier phase of this work. We also extend our thanks to Mr. Hidaka Uchida, Ms. Rie Ochiai and Mr. Wataru Yamaizumi.  ...  As for virtual cinematography, we analyze the paper of He et al.1). In this paper, the authors emphasize to the basic grammar of film language than to a director's talent.  ... 
doi:10.3169/itej.59.592 fatcat:ln65xmz6hjhk3ndqxxds7dnqyu

Planning animation cinematography and shot structure to communicate theme and mood

Kevin Kennedy, Robert E. Mercer
2002 Proceedings of the 2nd international symposium on Smart graphics - SMARTGRAPH '02  
The final output is an animation that is intended to produce a viewer impression to support the animator's description of the mood and theme of the narrative.  ...  Our work focusses on achieving the communication of moods and themes solely through the application of well-known cinematography techniques.  ...  The cinematography planning system can augment the visual vocabulary of an animator by acting as an expert assistant in the domain of cinematography technique.  ... 
doi:10.1145/569005.569006 fatcat:s2tepyyyybaadjiwnbmrfydg6m

The Discourse Community's Cut [chapter]

Bernard Perron, Hugo Montembeault, Andréane Morin-Simard, Carl Therrien
2019 Intermedia Games—Games Inter Media  
. 77 Through this lens, the comparison of two different forms of appropriations of fi lm montage theory for the study of video games is useful for two main reasons.  ...  It's done with an artistic fl air that refl ects an attention to detail rivaling commercial cinematography. 68 You play [ Alone in the Dark ] from a third-person perspective that's switched constantly  ... 
doi:10.5040/9781501330520.ch-002 fatcat:7nraxk3i25gepnmdrwkoo7ofui

Hacking the Border: Undocumented Migration and Technologies of Resistance in Alex Rivera's Sleep Dealer and Digital Media

Paula Straile-Costa
2020 Theory in Action  
[Article copies available for a fee from The Transformative Studies Institute.  ...  working for justice.  ...  Naturally, the Zapatista Electronic movement is a top priority for analysis and surveillance for Military and Intelligence research (Digital Zapatismo). The U.S.  ... 
doi:10.3798/tia.1937-0237.2021 fatcat:3sbywjlhizcrrja7stt25ytlhy

Storeoboard

Rorik Henrikson, Bruno De Araujo, Fanny Chevalier, Karan Singh, Ravin Balakrishnan
2016 Proceedings of the 2016 CHI Conference on Human Factors in Computing Systems - CHI '16  
The resurgence of stereoscopic media has motivated filmmakers to evolve a new stereo-cinematic vocabulary, as many principles for stereo 3D film are unique.  ...  Storeoboard augments sketch-based storyboards with stereoscopic 3D planes for a fluid and flexible authoring of stereoscopic storyboards.  ...  Acknowledgementsa special thanks to our participants for their valuable feedback, the reviewers for their insightful suggestions and our colleagues of the DGP lab at the University of Toronto.  ... 
doi:10.1145/2858036.2858079 dblp:conf/chi/HenriksonACSB16 fatcat:owcz7lwoijhrpoizosf5tvr6jy

An Interactive Camera Planning System for Automatic Cinematographer

Tsai-Yen Li, Xiang-Yan Xiao
11th International Multimedia Modelling Conference  
The system uses parameterized cinematographic idioms in the three modules to determine the best camera configurations for an animation script.  ...  However, an automated cinematography system cannot be made practical without taking idiosyncrasy and the distinct role of each member in a filmmaking team into account.  ...  Although it remains a challenge to automate the filmmaking process for computer animations, we believe that the virtual cinematography system proposed in this paper will help to provide an assisting tool  ... 
doi:10.1109/mmmc.2005.19 dblp:conf/mmm/LiX05 fatcat:hnbsy2vhhfd5dihr3rvqidm6ua

Derivation and application of a model of lens meaning

Michael John Emme
1991
Application of the model permitted conclusions to be drawn on the extent to which current issues of an ideological and sociopolitical nature were addressed by these programs.  ...  It was concluded that the model achieved the purposes required of it and that it may be of further utility for educators.  ...  Bazin's comments suggest an emphasis on mise en scene over cinematography.  ... 
doi:10.14288/1.0101107 fatcat:4e64wn3alfbkdk5yersnvatzmi

DIGITAL AESTHETIC WAR MACHINES IN SOCIETIES OF CONTROL: PERRIN AND CLUZAUD'S OCEANS (2009)

Adrian Konik, Inge Konik
2017 Phronimon  
Examples provided, drawn from Deleuze and Guattari's work, include the minor literature of Franz Kafka, the intensity art of Francis Bacon, the becoming-animal music of Olivier Messiaen, and what Deleuze  ...  Also thematised is Deleuze's theorisation of film, particularly its transgressive potential, in Cinema 1: The Movement-Image and Cinema 2: The Time-Image.  ...  For example, the cinematography was ultimately only accomplished through the assistance of engineers who collaborated with the filmmakers to provide suitable housings for the digital cameras for underwater  ... 
doi:10.25159/2413-3086/1962 fatcat:6bl4qgtu7vctjmij43jaucfcee

Digital aesthetic war machines in societies of control: Perrin and Cluzaud's Oceans (2009)

Adrian Konik
2016 Phronimon  
Examples provided, drawn from Deleuze and Guattari's work, include the minor literature of Franz Kafka, the intensity art of Francis Bacon, the becoming-animal music of Olivier Messiaen, and what Deleuze  ...  Also thematised is Deleuze's theorisation of film, particularly its transgressive potential, in Cinema 1: The Movement-Image and Cinema 2: The Time-Image.  ...  For example, the cinematography was ultimately only accomplished through the assistance of engineers who collaborated with the filmmakers to provide suitable housings for the digital cameras for underwater  ... 
doi:10.17159/2413-3086/2016/1962 fatcat:jrpto7myo5a5foc7dcnoqyrsry

Gesamt-PDF [chapter]

Luisa Feiersinger, Kathrin Friedrich, Moritz Queisner, Luisa Feiersinger, Kathrin Friedrich, Moritz Queisner
2018 Image – Action – Space  
Lenses should be a matched pair (as close as possible), lens mapping helps with and aberrations in the physical elements, and using wider lenses is preferred to long lenses as zooming compresses space,  ...  Although the lens marking may denote a particular focal length, the optical reality of 50 mm being exactly the same on different lenses is very improbable.  ...  Instead of merely viewing an art work from an outside view, virtual  ... 
doi:10.1515/9783110464979-017 fatcat:yhdltksvejaylooyfkjyrwxoiy
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