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Recent Research and Development at IRCAM
1999
Computer Music Journal
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The Apple Macintosh has been the main target of software development in the past decade, although high-end workstations, like the IRCAM Signal Processing Workstation (ISPW) or more recently workstations ...
and Gerzso 1986; Favreau et al. 1986 ) and the IRCAM Musical Workstation (Lindemann et al. 1991 (Puckette 1995) , and various modules that perform pitch following and score recognition (Vercoe and ...
doi:10.1162/014892699559850
fatcat:2pe4wnyb3rfvrekbqq4oiytcd4
The Virgo Project
[chapter]
1997
Astrophysics and Space Science Library
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Using this model and some simple extensions, it is possible to understand the transfer of power from large to small scales and the behaviour of higher order correlation functions. ...
The gravitational clustering of collisionless particles in an expanding universe is modelled using some simple physical ideas. ...
The physical architecture, based on a 3-tier architecture, is shown in Figure 6 . ...
doi:10.1007/978-94-011-5812-1_6
fatcat:st7mcxo7lfe5zktbpgmewwscfe
Real-time spatial processing of sounds for music, multimedia and interactive human-computer interfaces
1999
Multimedia Systems
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The advantages of this approach are illustrated in practical contexts, including professional audio, computer music, multimodal immersive simulation systems, and architectural acoustics. ...
It allows reproducing and controlling the localization of sound sources in three dimensions and the reverberation of sounds in an existing or virtual space. ...
Acknowledgments The perceptual approach adopted in this project is derived from research on the characterization of room acoustical quality carried out at IRCAM under the direction of Jean-Pascal Jullien ...
doi:10.1007/s005300050111
fatcat:ffalpyyghvfbri6vo5gyi742mm
A New Implementation Of Spat In Max
2018
Proceedings of the SMC Conferences
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Thanks to the new OSCbased architecture, several spat⇠ modules have been successfully inserted into the Open Music [30] and o7 [16] frameworks. ...
The spat⇠ software library is integrated in many environments: Matlab 3 , Spat Revolution 4 , Ircam Tools plugins 5 , Open Music [9] , Pure Data 6 , etc. ...
doi:10.5281/zenodo.1422552
fatcat:x67gjlmv6vcjnlhekadfsfqo34
Novars Research Centre, University Of Manchester, Uk. Studio Report
2008
Proceedings of the SMC Conferences
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This studio report covers key aspects of
architectural and acoustic design of the Studios, The massing of the elevational treatment of the building
functionality and existing technology ...
The Centre is instrumental forces in combination with new music
capitalising on the success of Music at the University of technologies. ...
doi:10.5281/zenodo.849543
fatcat:4jx4pcf3xfci3mvifvnz4ra6ku
Max at Seventeen
2002
Computer Music Journal
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Lindemann designed an extremely powerful audio signal processor called the IRCAM Signal Processing Workstation or ISPW [?] . Among its many advances over the 4X, the ISPW offered a jump instruction. ...
By 1991 the time appeared ripe to make Max/FTS available on other architectures besides the ISPW. ...
doi:10.1162/014892602320991356
fatcat:rhmimpeqjze2pn7dlzth4vtcry
Cemfi And Earquake: (Epi-)Centers For Experimental Music, Media And Research
2014
Proceedings of the SMC Conferences
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The studio computer features a large variety of music creation softwares, in particular Logic, Max/MSP, SuperCollider, various Ircam softwares and many other. ...
/photo studio with a blue box, audio studios, and video editing workstations. ...
doi:10.5281/zenodo.851010
fatcat:q2ypohaairc4pelowifmbdemsy
D6.1: Dissemination Plan And Innovation Roadmap
2016
Zenodo
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The document describes the set of actions that will be carried out within ORPHEUS to raise awareness for the objectives, activities and especially the results achieved by the project. ...
This report presents the dissemination plan and innovation road map of Horizon 2020 research project ORPHEUS. ...
IRCAM also wants to develop means for web-based access of its musical repertoire, which makes extensive use of spatial effects. ...
doi:10.5281/zenodo.846267
fatcat:5lex3iysv5c4jdiz7jz3zqhsiy
Holophonic Sound in IRCAM's Concert Hall: Technological and Aesthetic Practices
2016
Computer Music Journal
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First we present the design and implementation of the audio system and discuss the challenges of both hardware and software architectures. ...
This is followed by a discussion of spatial composition techniques, aesthetic approaches, and methodologies for composing computer music for high-density loudspeaker arrays, explored through the paradigmatic ...
Acknowledgments The installation of the spatialization system in Espro was realized with the financial support of the Région Ile-de-France (SESAME, Convention No. ...
doi:10.1162/comj_a_00383
fatcat:xanroqsslvfavps2c42uebjblu
Large-Scale Physical Modeling Synthesis, Parallel Computing, and Musical Experimentation: The NESS Project in Practice
2020
Computer Music Journal
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Severe practical difficulties remain, both at the level of the raw computational resources required, and at the level of user control. ...
developments in musical acoustics and algorithm design. ...
et Coordination Acoustique/Musique (IRCAM), leading ultimately to the IRCAM Music Workstation (Lindemann et al. 1991) , later known as the IRCAM Signal Processing Workstation. ...
doi:10.1162/comj_a_00517
fatcat:w2kvkp5hgnf2zhvzxihos52siq
Animated Notation, Score Distribution and AR-VR Environments for Spectral Mimetic Transfer in Music Composition
2019
Zenodo
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The concept of mimesis is here examined both as a (post) spectral compositional technique and as a common feature of many forms of musical score/representation. ...
musical notation have made more realistic than when it first appeared as a general aesthetic (with composers such as Tristan Murail and Gérard Grisey, or, in the realm of computer music, as with the practice ...
The node.js 11 /websocket architecture of SmartVox will hopefully inspire more composers, researchers and developers to investigate the emerging musical practice of distributed notation. ...
doi:10.5281/zenodo.3373362
fatcat:ksptgwcyhbfodgfvhknhwln7jy
Smartvox. A Web-Based Distributed Media Player As Notation Tool For Choral Practices
2017
Zenodo
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The present paper describes the features and implementation of SmartVox , an application designed to help vocal ensembles learn and perform polyphonic music. ...
It also enables spatial separation of the performers (cori spezzati ), and speeds up the learning process of unfamiliar musical materials (e.g. microtonal tuning, texts in a foreign language). ...
Acknowledgments We are deeply grateful to the following people for their precious support and advice: Andrea Agostini, Julian Anderson, Richard Baker, Eric Daubresse, Stefano Gervasoni, Daniele Ghisi, ...
doi:10.5281/zenodo.924142
fatcat:36i24i3crbdohahqewblykooxe
Wallace: Composing Music For Variable Reverberation
2017
Proceedings of the SMC Conferences
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Acknowledgments Many thanks to CIPEM-Inet-MD, Henrique Portovedo, Miguel Azguime, Miso Music Portugal, Sond'Ar-Te Ensemble, João Vidinha and Rui Penha. ...
That situation changed with Wallace Sabine (1868-1919), an engineer who is considered the father of architectural acoustics. ...
Although many different types of reverberation can be employed in a piece, as well as the possibility of automating its parameters using Digital Audio Workstations (DAWs), the author believes that the ...
doi:10.5281/zenodo.1401944
fatcat:7ivhx4vmdrcuhah2yuywerdyne
The System of Music Education in Azerbaijan: the Role of Sound Engineering and Concert Sound Engineering in the Educational Process
2020
Eurasian music science journal
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the physiology of the auditory system and hearing perception, the physics of musical instruments, musical sound, architectural acoustics. [4.p.11-12]. ...
In 2010, the first project was held between the Conservatory of Tartini (Italy) and IRCAM in Paris. ...
doi:10.52847/eamsj/vol_2020_issue_2/a6
fatcat:soxhwc5j7jf6lhlauecr7tko44
Composing and executing Interactive music using the HipHop.js language
2019
Zenodo
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The music composer creates beforehand musical elements such as melodic patterns, sound patterns, instruments, group of instruments, and a dynamic score that governs the way the basic elements will behave ...
Skini music scores are expressed in terms of constraints that establish relationships between instruments. ...
A Digital Audio Workstation (DAW) such as Reaper or Ableton Live runs the synthesizers. ...
doi:10.5281/zenodo.3672870
fatcat:euirvdtpjfhahagoxgalsgdwqa
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