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Structure and Interpretation of Rhythm in Music [chapter]

Henkjan Honing
2013 The Psychology of Music  
Existing theories of rhythmic structure are often restricted to music as notated in a score, and as a result are bound to refrain from making statements about music as it is perceived and appreciated by  ...  As such the paper presents a research program that aims to develop a theory of music incorporating both the structural and perceptual aspects of musical time.  ...  (As such this concept differs from the notion of performed rhythm that is measured on a continuous scale).  ... 
doi:10.1016/b978-0-12-381460-9.00009-2 fatcat:kewsblo6jfdx5hz2wycgccbsmi

Logical Representation Of Musical Concepts (For Analysis And Composition Tasks Using Computers)

Somnuk Phon-Amnuaisuk
2004 Proceedings of the SMC Conferences  
Both declarative musical structures and procedural musical pro- cesses are hierarchical in nature. They may be constructed from many lower level structures and/or processes.  ...  The main activities in music studies concern defin- We discuss the idea of concepts and their represen- ing structures and studying relationships among them.  ... 
doi:10.5281/zenodo.849190 fatcat:hjwklptgona5toxcjvndw66mia

Conceptual Representations for Computational Concept Creation

Ping Xiao, Alexandre Miguel Pinto, Alberto Díaz, Virginia Francisco, Pablo Gervás, Raquel Hervás, Carlos León, Jamie Forth, Matthew Purver, Geraint A. Wiggins, Dragana Miljković, Hannu Toivonen (+16 others)
2019 ACM Computing Surveys  
Computational creativity seeks to understand computational mechanisms that can be characterized as creative. The creation of new concepts is a central challenge for any creative system.  ...  For every representation reviewed, we cover the inference it affords, the computational means of building it, and its application in concept creation.  ...  There exist collections of evaluation ratings estimated by computational methods, called affect lexicons, such as General Inquirer, 3 WordNet-AFFECT (Strapparava and Valitutti 2004) , SentiWord-Net (  ... 
doi:10.1145/3186729 fatcat:yhsrmlj2w5af3iy7opexxh22hm

Three Conceptions of Musical Distance [chapter]

Dmitri Tymoczko
2009 Communications in Computer and Information Science  
This paper considers three conceptions of musical distance (or inverse "similarity") that produce three different musico-geometrical spaces: the first, based on voice leading, yields a collection of continuous  ...  quotient spaces or orbifolds; the second, based on acoustics, gives rise to the Tonnetz and related "tuning lattices"; while the third, based on the total interval content of a group of notes, generates  ...  different conceptions of pitch distance: from a voice leading perspective, the semitone is smaller than the perfect fifth, whereas from the acoustical perspective the perfect fifth is smaller than the  ... 
doi:10.1007/978-3-642-02394-1_24 fatcat:p5kmym4zfrfkbfluqgq7kngtei

Concept-Oriented Deep Learning: Generative Concept Representations [article]

Daniel T. Chang
2018 arXiv   pre-print
concept representations, particularly for concepts whose data are sequences, structured data or graphs.  ...  We discuss probabilistic and generative deep learning, which generative concept representations are based on, and the use of variational autoencoders and generative adversarial networks for learning generative  ...  From the perspective of deep learning, there are two types of uncertainty: model uncertainty and data uncertainty [3, 4] .  ... 
arXiv:1811.06622v1 fatcat:lib4mdlo5vfk3cek4sr2ubsb4m

The Analysis of Choreographic Concept in Merce Cunningham's Creation

Cristina Todi
2020 Theatrical Colloquia  
This emulation intends to create a total show but can still give birth to some artistic experiments where the accent is placed on the very visual interpretation with an excess of body movement and with  ...  Choreography migrates towards theater and music and theater and music strongly infiltrate into choreography.  ...  Each dancer is free to choose -right in the middle of a show -from a certain number of sentences, the one or those he wishes to interpret.  ... 
doi:10.2478/tco-2020-0008 fatcat:r4ix5dojbja3xgdr4zhvhrbx6e

A Processual Concept of Media Generation

Andreas Hepp, Matthias Berg, Cindy Roitsch
2017 Nordicom Review  
With a focus on elderly people this article puts forward a concept of media generation as a thickening of one or more age groups of people who in their media appropriation share a specific experience space  ...  of mediatization and subsequently, based on their personal media biographies, develop a shared self-image as a media generation.  ...  Hence, our processual concept of media generation entails understanding media generations not as static phenomena, but rather in each case as a partial aspect of the biography and life course from the  ... 
doi:10.1515/nor-2017-0395 fatcat:fm7enra4tjhihc6jkiedkmiami

Mental Images and the Architecture of Concepts [chapter]

Johann A. Makowsky
1995 Computerkultur  
It is argued that our current model of computability abstracts too much from the issue of architecture of concepts to provide us with a workable theory of interactive computing and data transfer.  ...  We use the term mental images for the internal data structure of human thinking and formal concept for an externalized data structure associated with it.  ...  Acknowledgments: I wish to thank J.Tal for all he has taught me in music during our joint research on notational systems for electro-acoustic music, R.Herken, J.B.Neidhart and O.Wiener, for their continuous  ... 
doi:10.1007/978-3-7091-6597-3_20 fatcat:iudc7klyqrcyhkzozeohqhsaca

A concept to facilitate musical expression

Chika Oshima, Kazushi Nishimoto, Yohei Miyagawa, Takashi Shirosaki
2002 Proceedings of the fourth conference on Creativity & cognition - C&C '02  
In addition, we discuss an essential feature of musical performance and the role of a facilitating system for musical performance.  ...  In this paper, we propose a concept for helping performers to freely demonstrate their musical expression.  ...  We asked the subjects to evaluate each of the performances from the perspective of whether it is musical (1: not musical to 5: very musical).  ... 
doi:10.1145/581710.581728 dblp:conf/candc/OshimaNMS02 fatcat:ijzjott6s5dwjdfdhyliya3skm

From Artificial Neural Networks to Deep Learning for Music Generation – History, Concepts and Trends [article]

Jean-Pierre Briot
2020 arXiv   pre-print
The motivation is in using the capacity of modern deep learning techniques to automatically learn musical styles from arbitrary musical corpora and then to generate musical samples from the estimated distribution  ...  After a short introduction to the topic illustrated by a recent exemple, the paper analyzes some early works from the late 1980s using artificial neural networks for music generation and how their pioneering  ...  support; and the various participants of our course on the topic 65 for their feedback.  ... 
arXiv:2004.03586v2 fatcat:tbuskpczorf37llv35xlhpavsa

Essential Characteristics and Content of the Concept of Contemporary Pop Vocal-Performing Thesaurus

Tatiana Kulaha, Natalia Segeda
2021 Knowledge organization  
We note that the artistic-figurative and interpretive components are fully demonstrated in the co-connection of all other components, and reflect the specificity of our concept.  ...  ", highlighted its structure, and represented the thesaurus in the form of an ontology.  ...  The above positions, from our perspective, are fundamental for the characterization of the CPVPT in the context of the organization of the value-oriented musical activity of the pop vocalist.  ... 
doi:10.5771/0943-7444-2021-2-140 fatcat:62lqg73wxbacppldwhmn5xljdm

Modernist Composer and Mahler Conductor: Changing Conceptions of Performativity in Boulez

Erling E. Guldbrandsen
2006 Studia Musicologica Norvegica  
act of interpreting a score by playing it. 38 Applied to Boulezian serial composition, this idea involves a fundamental shift in perspective, from regarding the work as a fixed result, to regarding it  ...  The performative perspective can shed light on his surprisingly free-hand application of serial rules and techniques from the 1950s on, and on his surprisingly organic way of conceiving musical form and  ...  With this interpretation of the concept on my part, the distinction between Boulezian "serialism" and "post-serialism" becomes largely unnecessary.  ... 
doi:10.18261/issn1504-2960-2006-01-10 fatcat:ot3odubpnrdf7nb3kuvr4i4og4

Reflections on the concept of musical development

Graham F. Welch
2022 British Journal of Music Education  
It is also an opportunity to reflect on the antecedents for the article's underlying concepts, as well as how our understanding of children and young people's musical behaviours and development has evolved  ...  Abstract'The Sequence of Musical Development' by Swanwick and Tillman was published in the British Journal of Music Education (BJME) in 1986.  ...  Webster (2016) offers a recent summary of such technology and provides several examples from real-life situations of children and young people using computer-based technology for musical creation.  ... 
doi:10.1017/s0265051721000310 fatcat:agcx67nxozev3imomnnjv37rxe

Towards on the MOOCs Knowledge Discovery Based on Concept Lattice

Junfeng Gao, Jingye Qu, Zhong Xin
2015 International Journal of Multimedia and Ubiquitous Engineering  
This paper puts forward the methods on MOOCs knowledge organization and discovery, adopts the method of Formal Concept Analysis, uses concept lattice as the support tool, and selects the data from "Coursera  ...  knowledge structure is unusual in various fields when choosing the courses, so as to promote the development and improvement of the MOOCs websites by the knowledge organization and knowledge discovery  ...  ]184)and is also granted by the Jilin Province social science fund project " Research on the Service Methods of Digital Library Knowledge Based on Concept Lattice" (No.2014B62).  ... 
doi:10.14257/ijmue.2015.10.5.26 fatcat:pyaeejsaljeubjdiojorvxjeiq

Musical Sense-Making and the Concept of Affordance: An Ecosemiotic and Experiential Approach

Mark Reybrouck
2012 Biosemiotics  
research, it elaborates on the concepts of experiential and enactive cognition as applied to music.  ...  In order to provide an operational description of this approach, it introduces some conceptual tools from the domain of cybernetics with a major focus on the concept of circularity, which links perception  ...  Semiosis and the concept of interpretant: an operational approach Music is a sound-time phenomenon.  ... 
doi:10.1007/s12304-012-9144-6 fatcat:niksme74wbbf5gfajcuyi5totq
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