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Similar Scenes arouse Similar Emotions: Parallel Data Augmentation for Stylized Image Captioning [article]

Guodun Li, Yuchen Zhai, Zehao Lin, Yin Zhang
2021 pre-print
We begin with the observation that people may recall similar emotions when they are in similar scenes, and often express similar emotions with similar style phrases, which underpins our data augmentation  ...  for the current scene.  ...  Our work begins with the real experience during social interactions, where people arouse similar emotions when they are facing similar scenes, which is called the "context effect" [1, 7, 9] in psychology  ... 
doi:10.1145/3474085.3475662 arXiv:2108.11912v1 fatcat:e77pbrxm2rhobj7e3dxjd7kpru

From Theories on Styles to their Transfer in Text: Bridging the Gap with a Hierarchical Survey [article]

Enrica Troiano and Aswathy Velutharambath and Roman Klinger
2022 arXiv   pre-print
Moreover, we summarize the methods employed for different stylistic families, hinting researchers towards those that would be the most fitting for future research.  ...  They can, for instance, re-phrase a formal letter in an informal way, convey a literal message with the use of figures of speech or edit a novel by mimicking the style of some well-known authors.  ...  Not evaluated to date, this dataset could be useful for future research. Additional data can be found in the CAPTIONS corpus (Gan et al. 2017) , which provides humorous captions describing images.  ... 
arXiv:2110.15871v4 fatcat:zqzpmd6ennhqzhwedwdlqizf7y

Deep Image Synthesis from Intuitive User Input: A Review and Perspectives [article]

Yuan Xue, Yuan-Chen Guo, Han Zhang, Tao Xu, Song-Hai Zhang, Xiaolei Huang
2021 arXiv   pre-print
This paper reviews recent works for image synthesis given intuitive user input, covering advances in input versatility, image generation methodology, benchmark datasets, and evaluation metrics.  ...  In many applications of computer graphics, art and design, it is desirable for a user to provide intuitive non-image input, such as text, sketch, stroke, graph or layout, and have a computer system automatically  ...  Built upon the similar idea of inferring scene structure for image generation, Hong et al.  ... 
arXiv:2107.04240v2 fatcat:ticrsi27nzhozmw7dp7wwja2ni

Deep image synthesis from intuitive user input: A review and perspectives

Yuan Xue, Yuan-Chen Guo, Han Zhang, Tao Xu, Song-Hai Zhang, Xiaolei Huang
2021 Computational Visual Media  
This paper reviews recent works for image synthesis given intuitive user input, covering advances in input versatility, image generation methodology, benchmark datasets, and evaluation metrics.  ...  AbstractIn many applications of computer graphics, art, and design, it is desirable for a user to provide intuitive non-image input, such as text, sketch, stroke, graph, or layout, and have a computer  ...  National Natural Science Foundation of China (Project Nos. 61521002 and 61772298), a Research Grant of Beijing Higher Institution Engineering Research Center, and the Tsinghua-Tencent Joint Laboratory for  ... 
doi:10.1007/s41095-021-0234-8 fatcat:ot6dyrrrsnakxob4jzw4zld7zu

Multi-Modal Music Information Retrieval: Augmenting Audio-Analysis with Visual Computing for Improved Music Video Analysis [article]

Alexander Schindler
2020 arXiv   pre-print
This thesis focuses on the information provided by the visual layer of music videos and how it can be harnessed to augment and improve tasks of the MIR research domain.  ...  In all of these experiments the audio-based results serve as benchmark for the visual and audio-visual approaches.  ...  These models are trained for image captioning and visual scene understanding [180] .  ... 
arXiv:2002.00251v1 fatcat:6cz6rivc3fbg7fahdsnokxfrk4

Bringing the Illusion of Reality Inside Museums—A Methodological Proposal for an Advanced Museology Using Holographic Showcases

Eva Pietroni, Daniele Ferdani, Massimiliano Forlani, Alfonsina Pagano, Claudio Rufa
2019 Informatics  
Why emotional involvement is so relevant for experiencing cultural goods in museum spaces? Technology is a mean which help us shaping the sense of involvement in the digitally augmented reality.  ...  The narrative approach is partly similar to the one used for the Kunàgota sword, but more classical.  ... 
doi:10.3390/informatics6010002 fatcat:57qg45ypdnbdxkq4pdno6zgxsm

Seeing America: Women Photographers between the Wars

Elspeth Brown, Melissa A. McEuen
2001 Journal of American History  
Most of her captions are brief, such as "A beach scene" or "A street scene" or, more frequently, "A typical scene."  ...  These images were strikingly similar to those she created for the FSA and others she made while working on An American Exodus.  ... 
doi:10.2307/2674852 fatcat:bgxqsdvoozd6xbmvctxcej75py

Encountering Imagery: Materialities, Perceptions, Relations

John Robb
2014 Norwegian Archaeological Review  
and Heritage for assistance with access to Old Man's Hat and accommodation at Middle Head and the Mawland Group for access to the Quarantine Station.  ...  As always, thank you Milton and Per for the best support there is.  ...  Similar scenes of struggle without attributes can be found in adult tombs, too.  ... 
doi:10.1080/00293652.2014.956790 fatcat:mhdnwgsgvvgcta2zdzhajfrlbu

"Money Talks, Wealth Whispers" Real Housewives' Legacy: Class Ambivalence and Emotional Camping

Evie Psarras
2020
The most comprehensive analysis of RH to date, this work introduces an inventive strategy for studying reality TV, and is one [...]  ...  a gendered and classist neoliberalism, which works to reinforce beliefs in class advancement. 4) The women on the series engage in a particular type of labor across platforms, conceptualized here as emotional  ...  This does not mean that Emotional camping foregoes managing emotions. These women must manage how to effectively appear to lose control of the emotions that are required for a scene.  ... 
doi:10.25417/uic.13475199.v1 fatcat:37dm7pkfznf4np2ao5vhpud6hu

Women's Experimental Cinema: critical frameworks

M. Carmen Gomez-Galisteo
2010 Historical Journal of Film, Radio and Television  
.; 16mm Arabesque for Kenneth Anger, 1961 (4 min.): sd., col.; 16mm Bagatelle for Willard Maas, 1961 (5 min.): sd., col.; 16mm Moonplay, 1962 (5 min.): sd., b&w; 16mm Mood Mondrian, 1963 (5 ∞ Janine  ...  Ω Emotion as the Origin of the Visual Image For most filmmakers, the personal place where a film is born is not so much an idea as an image or an emotion.  ...  For a similar conception of Journeys from Berlin/1971, see Noël Carroll, ''Interview with a Woman Who.'' 14 Banes, ''Dance, Emotion, Film.'' 15 It is true that Rainer explored emotional material in  ... 
doi:10.1080/01439680903577466 fatcat:b3hlz7kxffgyrh6jaxsdkjgqya

The Roman salute: cinema, history, ideology

2009 ChoiceReviews  
From parallel scenes on imperial roman coins depicting from ancient texts).  ...  drama, showed a stylized figure of 20.  ... 
doi:10.5860/choice.46-6705 fatcat:k2mlk7bw5nf27i3lbsdfixyeia

Truth & Beauty Bombs: The personal/political/poetics of online communication in #archaeology. #PATC Keynote, April 27th 2017

Colleen Morgan
2017 Epoiesen: A Journal for Creative Engagement in History and Archaeology  
In the case of film, he describes the viewer as distracted by the rapid succession of scenes, as simultaneously entranced and aroused by the mediation of film.  ...  What else is striptease, in fact, but a highly stylized structure for gazing at women?  ...  We already noted that when Jaroo Lanier war, asked to characterize this new technology, he pointed to new possibilities for emotional involvement: experiencing "what it's like" to be a dinosaur or even  ... 
doi:10.22215/epoiesen/2017.12 fatcat:imta2rayurctllvmv4gelwai2u

Refract Journal, Volume 3: Hauntings and Traces Full Issue

Refract Journal Editorial Board
2020 Refract An Open Access Visual Studies Journal  
The original caption, written in white ink, indicates that the scene is of an execution for the murder of farmers (Strafgericht an einem Farmermörder). 62 The use of Strafgericht, which translates to  ...  The failure to defend Liuyang aroused panic and chaos in Changsha.  ...  This is the scene of Jean Tinguely's Study for an End of the World No. 2, a kinetic artwork whose autodestruction at Jean Dry Lake in the Mojave Desert was recorded by cameramen on March 21, 1962 , and  ... 
doi:10.5070/r73151195 fatcat:o33zpdsrova5xkjdv6admxnroe

Why We Fought: America's Wars in Film and History

Blaine T. Browne, Peter C. Rollins, John E. O'Connor
2009 Journal of American History  
A parallel scene of the home front depicts a projectionist cranking a movie projector for a theater full of middle-class filmgoers.  ...  Throughout the D-day film, the technique of parallel action-used for the first time by D. W.  ... 
doi:10.2307/27694855 fatcat:yoj33muxejh3xdvorzjxmcg4ou

Rock art regionalism and identity: case studies from Trans-Pecos Texas and Mpumalanga Province, South Africa

Jamie Hampson
2011 Azania  
In Mpumalanga, I concentrate on images in 49 hunter-gatherer San (Bushman) rock art sites in and around Kruger National Park.  ...  The parallels between the two regions are enlightening: both are cultural 'crossroads' with complex histories of migrations, group interactions, and colonial settlements.  ...  My third goal -which underscores the first two -is to augment rock art data sets for both these regions.  ... 
doi:10.1080/0067270x.2011.609608 fatcat:zdbcxlg7f5a6ffc55ha4vrj5zm
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