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Score-Informed Voice Separation For Piano Recordings

Sebastian Ewert, Meinard Müller
2011 Zenodo  
In [6] , a score-informed system for the elimination of the solo instrument from polyphonic audio recordings is presented.  ...  So far, score-informed sound separation has received only little attention in the literature.  ... 
doi:10.5281/zenodo.1417580 fatcat:3keejast6vhkpp6yfu2vhfsbae

The Editing and Arrangement of Conlon Nancarrow's Studies for Disklavier and Synthesizers

Robert Willey
2014 Music Theory Online  
While Nancarrow approved of multi-timbral synthesis, separating the voices of his Studies and assigning them unique timbres changes the listener's experience of the "resultant," Tenney's term for the fusion  ...  The musical information necessary to do this can be obtained from his published scores, the punching scores that reveal the planning behind the compositions, copies of the rolls, or the punched rolls themselves  ...  The timing information on the punching score was not accurate. You see the pencil marks for all the voices on the paper roll.  ... 
doi:10.30535/mto.20.1.8 fatcat:berfwtefjrgipklgkenxfxmn34

Joint Estimation of Note Values and Voices for Audio-to-Score Piano Transcription

Yuki Hiramatsu, Eita Nakamura, Kazuyoshi Yoshii
2021 Zenodo  
This paper describes an essential improvement of a state-of-the-art automatic piano transcription (APT) system that can transcribe a human-readable symbolic musical score from a piano recording.  ...  A previous study has revealed that (i) the pitches and onset times of notes are useful but the performed note durations are less informative for estimating the note values and that (ii) the note values  ...  The error rates of note values and voice labels are still high compared to the other metrics.  ... 
doi:10.5281/zenodo.5624411 fatcat:h2gyymfra5f2dn7qd2zfduvlii

Automatic alignment of a musical score to performed music

Yoram Meron, Keikichi Hirose
2001 Acoustical Science and Technology  
This paper presents several methods for the alignment of a music score (given in MIDI form) to a human performance of the same musical piece.  ...  Next, a method for MIDI-to-audio alignment is presented, incorporating spectral data into the DP method. Experiments on a music database showed the effectiveness of the alignment algorithms.  ...  In [9] , an experimental system was built which extracts expressive information from a performance (recording) of a piano score (without voice).  ... 
doi:10.1250/ast.22.189 fatcat:67bqy2rq5vh7pjhayfm3xd7b4a

An Amicable Divorce: Programmatic Derivation of Faceted Data from Library of Congress Subject Headings for Music

Casey A. Mullin
2018 Cataloging & Classification Quarterly  
LCMPT is suitable for both notated music (e.g., scores, parts, etc.) and performed music resources (e.g. sound recordings, video recordings, etc.).  ...  for each separable movement in addition to a statement for the work as a whole.  ... 
doi:10.1080/01639374.2018.1516709 fatcat:e6zxpnqvl5c5flz6elte6dbmt4

Transcribing Human Piano Performances Into Music Notation

Andrea Cogliati, David Temperley, Zhiyao Duan
2016 Zenodo  
Moreover, MIDI representations of piano performances can be recorded from a MIDI keyboard, or from a piano with key sensors.  ...  In the second bar, two streams are assigned to the same staff, so two separate monophonic voices must be created for proper rendering.  ... 
doi:10.5281/zenodo.1416465 fatcat:cbtby4uigzaaxicvdswzlr3p3q

Joint Multi-Pitch Detection and Score Transcription for Polyphonic Piano Music

Lele Liu, Veronica Morfi, Emmanouil Benetos
2021 ICASSP 2021 - 2021 IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP)  
In this paper, we propose a method for joint multi-pitch detection and score transcription for polyphonic piano music.  ...  We also create a new synthesized dataset for score transcription research. Experimental results show that the joint model outperforms a single-task model in score transcription.  ...  /offset detection, such as meter estimation, rhythm quantisation, note duration estimation and voice separation.  ... 
doi:10.1109/icassp39728.2021.9413601 fatcat:wflznncpvjh3djkypfvspoklgi

Freischutz digital: A multimodal scenario for informed music processing

Meinard Muller, Thomas Pratzlich, Benjamin Bohl, Joachim Veit
2013 2013 14th International Workshop on Image Analysis for Multimedia Interactive Services (WIAMIS)  
recordings.  ...  In this paper, we give an overview of various informed approaches to music processing, where the availability of multiple sources of music-related information is used for supporting and improving the analysis  ...  Even though good progress has been achieved for certain restricted scenarios (e. g. piano music), one still faces numerous challenges in score-informed source separation (not to speak of blind source separation  ... 
doi:10.1109/wiamis.2013.6616168 dblp:conf/wiamis/MullerPBV13 fatcat:4df323zvs5hzng2y6fuhr2zteu

Something in the Way She Sings

Michael W. Weiss, Sandra E. Trehub, E. Glenn Schellenberg
2012 Psychological Science  
Adults listened to unfamiliar folk melodies, with some presented in familiar timbres (voice and piano) and others in less familiar timbres (banjo and marimba).  ...  Factors underlying the advantage for vocal melodies remain to be determined.  ...  For the real-instrument condition, each melody was recorded in two common timbres, voice and piano, and two less common timbres, banjo and marimba.  ... 
doi:10.1177/0956797612442552 pmid:22894936 fatcat:gth7h7eoq5bzrh3nyfxdtebsze

The NES Music Database: A multi-instrumental dataset with expressive performance attributes [article]

Chris Donahue, Huanru Henry Mao, Julian McAuley
2018 arXiv   pre-print
For each song, the dataset contains a musical score for four instrument voices as well as expressive attributes for the dynamics and timbre of each voice.  ...  In this paper, we introduce the Nintendo Entertainment System Music Database (NES-MDB), a large corpus allowing for separate examination of the tasks of composition and performance.  ...  ACKNOWLEDGEMENTS We would like to thank Louis Pisha for invaluable advice on the technical details of this project.  ... 
arXiv:1806.04278v1 fatcat:wvckmh7ijjgmdh2al5crch3noa

The NES Music Database: A multi-instrumental dataset with expressive performance attributes

Chris Donahue, Huanru Henry Mao, Julian McAuley
2018 Zenodo  
For each song, the dataset contains a musical score for four instrument voices as well as expressive attributes for the dynamics and timbre of each voice.  ...  In this paper, we introduce the Nintendo Entertainment System Music Database (NES-MDB), a large corpus allowing for separate examination of the tasks of composition and performance.  ...  ACKNOWLEDGEMENTS We would like to thank Louis Pisha for invaluable advice on the technical details of this project.  ... 
doi:10.5281/zenodo.1492455 fatcat:wt6nrmpeojcodnohn4a7tbtrjq

Learning Domain-Adaptive Latent Representations of Music Signals Using Variational Autoencoders

Yin-Jyun Luo, Li Su
2018 Zenodo  
Furthermore, a preliminary experiment on singing voice source separation, by regarding the mixture and the voice as two distinct domains, also demonstrates the capability to solve music processing problems  ...  system having domaindependent information.  ...  The authors would like to thank the anonymous reviewers for their valuable comments and suggestions to improve the quality of the paper.  ... 
doi:10.5281/zenodo.1492500 fatcat:tce334f26fdaddds5f2xn2th7q

Score-Informed Source Separation for Music Signals

Sebastian Ewert, Meinard Müller, Marc Herbstritt
2012 Dagstuhl Publications  
In particular, additional note information as specified by a musical score or a MIDI file has been employed to support various audio processing tasks such as source separation, audio parameterization,  ...  In this contribution, we provide an overview of approaches for scoreinformed source separation and illustrate their potential by discussing innovative applications and interfaces.  ...  Acknowledgment We would like to express our gratitude to Björn Schuller, Joan Serrà, and Steve Tjoa for their helpful and constructive feedback.  ... 
doi:10.4230/dfu.vol3.11041.73 dblp:conf/dagstuhl/EwertM12 fatcat:eobsimoinjf5vcnpg4leewbctm

Musically Informed Audio Decomposition [chapter]

Meinard Müller
2015 Fundamentals of Music Processing  
F0 F0 estimation Original audio Score-Informed Source Separation Application: Voice separation and editing Original audio Separated voice Score-Informed Source Separation Application:  ...  Voice separation and editing Amplified vibrato Separated voice Original audio Score-Informed Source Separation Application: Voice separation and editing Pitch shift Separated voice Amplified  ... 
doi:10.1007/978-3-319-21945-5_8 fatcat:nurxfgovvbe3pegszbzjojmm2y

Melody lead in piano performance: Expressive device or artifact?

Werner Goebl
2001 Journal of the Acoustical Society of America  
As reported in the recent literature on piano performance, an emphasized voice ͑the melody͒ tends to be played not only louder than the other voices, but also about 30 ms earlier ͑melody lead͒.  ...  It remains unclear whether pianists deliberately apply melody lead to separate different voices, or whether it occurs because the melody is played louder ͑velocity artifact͒.  ...  From this, finger-key asynchronies were calculated, again between voice 1 and all other voices separately for all nominally simultaneous events in the score.  ... 
doi:10.1121/1.1376133 pmid:11508980 fatcat:q4k75udyybbjzjledq2huba7wy
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