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Score-Informed Voice Separation For Piano Recordings
2011
Zenodo
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In [6] , a score-informed system for the elimination of the solo instrument from polyphonic audio recordings is presented. ...
So far, score-informed sound separation has received only little attention in the literature. ...
doi:10.5281/zenodo.1417580
fatcat:3keejast6vhkpp6yfu2vhfsbae
The Editing and Arrangement of Conlon Nancarrow's Studies for Disklavier and Synthesizers
2014
Music Theory Online
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While Nancarrow approved of multi-timbral synthesis, separating the voices of his Studies and assigning them unique timbres changes the listener's experience of the "resultant," Tenney's term for the fusion ...
The musical information necessary to do this can be obtained from his published scores, the punching scores that reveal the planning behind the compositions, copies of the rolls, or the punched rolls themselves ...
The timing information on the punching score was not accurate. You see the pencil marks for all the voices on the paper roll. ...
doi:10.30535/mto.20.1.8
fatcat:berfwtefjrgipklgkenxfxmn34
Joint Estimation of Note Values and Voices for Audio-to-Score Piano Transcription
2021
Zenodo
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This paper describes an essential improvement of a state-of-the-art automatic piano transcription (APT) system that can transcribe a human-readable symbolic musical score from a piano recording. ...
A previous study has revealed that (i) the pitches and onset times of notes are useful but the performed note durations are less informative for estimating the note values and that (ii) the note values ...
The error rates of note values and voice labels are still high compared to the other metrics. ...
doi:10.5281/zenodo.5624411
fatcat:h2gyymfra5f2dn7qd2zfduvlii
Automatic alignment of a musical score to performed music
2001
Acoustical Science and Technology
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This paper presents several methods for the alignment of a music score (given in MIDI form) to a human performance of the same musical piece. ...
Next, a method for MIDI-to-audio alignment is presented, incorporating spectral data into the DP method. Experiments on a music database showed the effectiveness of the alignment algorithms. ...
In [9] , an experimental system was built which extracts expressive information from a performance (recording) of a piano score (without voice). ...
doi:10.1250/ast.22.189
fatcat:67bqy2rq5vh7pjhayfm3xd7b4a
An Amicable Divorce: Programmatic Derivation of Faceted Data from Library of Congress Subject Headings for Music
2018
Cataloging & Classification Quarterly
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LCMPT is suitable for both notated music (e.g., scores, parts, etc.) and performed music resources (e.g. sound recordings, video recordings, etc.). ...
for each separable movement in addition to a statement for the work as a whole. ...
doi:10.1080/01639374.2018.1516709
fatcat:e6zxpnqvl5c5flz6elte6dbmt4
Transcribing Human Piano Performances Into Music Notation
2016
Zenodo
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Moreover, MIDI representations of piano performances can be recorded from a MIDI keyboard, or from a piano with key sensors. ...
In the second bar, two streams are assigned to the same staff, so two separate monophonic voices must be created for proper rendering. ...
doi:10.5281/zenodo.1416465
fatcat:cbtby4uigzaaxicvdswzlr3p3q
Joint Multi-Pitch Detection and Score Transcription for Polyphonic Piano Music
2021
ICASSP 2021 - 2021 IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP)
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In this paper, we propose a method for joint multi-pitch detection and score transcription for polyphonic piano music. ...
We also create a new synthesized dataset for score transcription research. Experimental results show that the joint model outperforms a single-task model in score transcription. ...
/offset detection, such as meter estimation, rhythm quantisation, note duration estimation and voice separation. ...
doi:10.1109/icassp39728.2021.9413601
fatcat:wflznncpvjh3djkypfvspoklgi
Freischutz digital: A multimodal scenario for informed music processing
2013
2013 14th International Workshop on Image Analysis for Multimedia Interactive Services (WIAMIS)
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recordings. ...
In this paper, we give an overview of various informed approaches to music processing, where the availability of multiple sources of music-related information is used for supporting and improving the analysis ...
Even though good progress has been achieved for certain restricted scenarios (e. g. piano music), one still faces numerous challenges in score-informed source separation (not to speak of blind source separation ...
doi:10.1109/wiamis.2013.6616168
dblp:conf/wiamis/MullerPBV13
fatcat:4df323zvs5hzng2y6fuhr2zteu
Something in the Way She Sings
2012
Psychological Science
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Adults listened to unfamiliar folk melodies, with some presented in familiar timbres (voice and piano) and others in less familiar timbres (banjo and marimba). ...
Factors underlying the advantage for vocal melodies remain to be determined. ...
For the real-instrument condition, each melody was recorded in two common timbres, voice and piano, and two less common timbres, banjo and marimba. ...
doi:10.1177/0956797612442552
pmid:22894936
fatcat:gth7h7eoq5bzrh3nyfxdtebsze
The NES Music Database: A multi-instrumental dataset with expressive performance attributes
[article]
2018
arXiv
pre-print
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For each song, the dataset contains a musical score for four instrument voices as well as expressive attributes for the dynamics and timbre of each voice. ...
In this paper, we introduce the Nintendo Entertainment System Music Database (NES-MDB), a large corpus allowing for separate examination of the tasks of composition and performance. ...
ACKNOWLEDGEMENTS We would like to thank Louis Pisha for invaluable advice on the technical details of this project. ...
arXiv:1806.04278v1
fatcat:wvckmh7ijjgmdh2al5crch3noa
The NES Music Database: A multi-instrumental dataset with expressive performance attributes
2018
Zenodo
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For each song, the dataset contains a musical score for four instrument voices as well as expressive attributes for the dynamics and timbre of each voice. ...
In this paper, we introduce the Nintendo Entertainment System Music Database (NES-MDB), a large corpus allowing for separate examination of the tasks of composition and performance. ...
ACKNOWLEDGEMENTS We would like to thank Louis Pisha for invaluable advice on the technical details of this project. ...
doi:10.5281/zenodo.1492455
fatcat:wt6nrmpeojcodnohn4a7tbtrjq
Learning Domain-Adaptive Latent Representations of Music Signals Using Variational Autoencoders
2018
Zenodo
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Furthermore, a preliminary experiment on singing voice source separation, by regarding the mixture and the voice as two distinct domains, also demonstrates the capability to solve music processing problems ...
system having domaindependent information. ...
The authors would like to thank the anonymous reviewers for their valuable comments and suggestions to improve the quality of the paper. ...
doi:10.5281/zenodo.1492500
fatcat:tce334f26fdaddds5f2xn2th7q
Score-Informed Source Separation for Music Signals
2012
Dagstuhl Publications
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In particular, additional note information as specified by a musical score or a MIDI file has been employed to support various audio processing tasks such as source separation, audio parameterization, ...
In this contribution, we provide an overview of approaches for scoreinformed source separation and illustrate their potential by discussing innovative applications and interfaces. ...
Acknowledgment We would like to express our gratitude to Björn Schuller, Joan Serrà, and Steve Tjoa for their helpful and constructive feedback. ...
doi:10.4230/dfu.vol3.11041.73
dblp:conf/dagstuhl/EwertM12
fatcat:eobsimoinjf5vcnpg4leewbctm
Musically Informed Audio Decomposition
[chapter]
2015
Fundamentals of Music Processing
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F0
F0 estimation
Original audio
Score-Informed Source Separation
Application: Voice separation and editing
Original audio
Separated voice
Score-Informed Source Separation
Application: ...
Voice separation and editing
Amplified vibrato
Separated voice
Original audio
Score-Informed Source Separation
Application: Voice separation and editing
Pitch shift
Separated voice
Amplified ...
doi:10.1007/978-3-319-21945-5_8
fatcat:nurxfgovvbe3pegszbzjojmm2y
Melody lead in piano performance: Expressive device or artifact?
2001
Journal of the Acoustical Society of America
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As reported in the recent literature on piano performance, an emphasized voice ͑the melody͒ tends to be played not only louder than the other voices, but also about 30 ms earlier ͑melody lead͒. ...
It remains unclear whether pianists deliberately apply melody lead to separate different voices, or whether it occurs because the melody is played louder ͑velocity artifact͒. ...
From this, finger-key asynchronies were calculated, again between voice 1 and all other voices separately for all nominally simultaneous events in the score. ...
doi:10.1121/1.1376133
pmid:11508980
fatcat:q4k75udyybbjzjledq2huba7wy
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