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A Framework For Distributed Semantic Annotation Of Musical Score: "Take It To The Bridge!"

David M. Weigl, Kevin R. Page
2017 Zenodo  
ACKNOWLEDGEMENTS This work is undertaken as part of the Fusing Audio and Semantic Technologies for Intelligent Music Production and Consumption project, funded by the UK Engineering and Physical Sciences  ...  Particularly, we thank David Lewis for guidance and insight during the development of the MELD framework, and his collaboration in extending our approach to applications in musicological scholarship; Graham  ...  data sets 10 DBPedia publishes Wikipedia information as structured Linked Data  ... 
doi:10.5281/zenodo.1415893 fatcat:u6b454tkhjbfvety56557cdxmy

Using Note-Level Music Encodings to Facilitate Interdisciplinary Research on Human Engagement with Music

Johanna Devaney
2020 Transactions of the International Society for Music Information Retrieval  
The encoding of human response data explicitly in relation to musical notes facilitates the study of the ways humans engage with music as performers and listeners.  ...  Music encoding can link disparate types of musical data for the purposes of archiving and search.  ...  Music Encoding conference.  ... 
doi:10.5334/tismir.56 fatcat:cyneu3ldzfdlvmtze36gk3ll7q

A digital library data model for music

Natalia Minibayeva, Jon W. Dunn
2002 Proceedings of the second ACM/IEEE-CS joint conference on Digital libraries - JCDL '02  
In this paper, we introduce a data and metadata model being developed for use in a music digital library system to support search and navigation of music content in multiple formats.  ...  The Instantiation represents a manifestation of a work as a performance or a score.  ...  The differences between the two models arise from the fact that the Variations2 data model has been designed specifically for digitized music information, while the IFLA proposal deals with more general  ... 
doi:10.1145/544220.544249 dblp:conf/jcdl/MinibayevaD02 fatcat:qumxzsr6hnecnora3bcvkmsiwu

A digital library data model for music

Natalia Minibayeva, Jon W. Dunn
2002 Proceedings of the second ACM/IEEE-CS joint conference on Digital libraries - JCDL '02  
In this paper, we introduce a data and metadata model being developed for use in a music digital library system to support search and navigation of music content in multiple formats.  ...  The Instantiation represents a manifestation of a work as a performance or a score.  ...  The differences between the two models arise from the fact that the Variations2 data model has been designed specifically for digitized music information, while the IFLA proposal deals with more general  ... 
doi:10.1145/544247.544249 fatcat:yshen63ejjgbhhdkyieohmmgp4

The Semantic Web MIDI Tape

Albert Meroño-Peñuela, Reinier de Valk, Enrico Daga, Marilena Daquino, Anna Kent-Muller
2018 Proceedings of the 1st International Workshop on Semantic Applications for Audio and Music - SAAM '18  
In this paper, we propose the Semantic Web MIDI Tape, a set of tools and associated interface for interacting with the MIDI Linked Data Cloud by enabling users to record, enrich, and retrieve MIDI performance  ...  Recently, the MIDI Linked Data Cloud has been added to these datasets, representing more than 300,000 pieces in MIDI format as Linked Data, opening up the possibility for linking ne-grained symbolic music  ...  Due to this representation, the MIDI data is ready to be enriched with contextual information and linked to music metadata.  ... 
doi:10.1145/3243907.3243909 dblp:conf/semweb/Merono-PenuelaV18 fatcat:cqwwtgdxkneflpslwhvj2zehai

Online Database Of Scores In The Humdrum File Format

Craig Stuart Sapp
2005 Zenodo  
This example measure of Humdrum data represents the following graphical musical information: DATA ORGANIZATION Musical scores on the website are accessible either by searching for bibliographic information  ...  Every data file has an information page that contains three sections: (1) bibliographic information stored as reference records in the data file, (2) automatic data translation links, and (3) basic online  ...  Input data for Director Musices which is a program for computer-performance of digital scores using performance rules [5] .  ... 
doi:10.5281/zenodo.1417280 fatcat:j36j2kfecvg6dhj6rpn5m6ju2q

Interweaving and Enriching Digital Music Collections for Scholarship, Performance, and Enjoyment

David M. Weigl, Cynthia C. S. Liem, Álvaro Sarasúa, Marcel van Tilburg, Werner Goebl, Tim Crawford, Aggelos Gkiokas, Nicolas F. Gutierrez, Alastair Porter, Patricia Santos, Casper Karreman, Ingmar Vroomen
2019 6th International Conference on Digital Libraries for Musicology on - DLfM '19  
Thus, scholars' annotations provide contextual information to other types of users; while performers' rehearsal recordings and performative annotations, conductors' marked up scores, and enthusiasts' social  ...  The knowledge graph is exposed as Linked Data, adhering to the FAIR principles of making data Findable, Accessible, Interoperable, and Re-usable, and supporting further interlinking, re-interpretation  ...  -Study European heritage, memory, identity, integration and cultural interaction and translation, including its representations in cultural and scientific collections, archives and museums, to better inform  ... 
doi:10.1145/3358664.3358666 dblp:conf/dlfm/WeiglGCGGPSKVLS19 fatcat:es3itob5rrbtxkwwbswlmpxdqi

Classical Music On The Web - User Interfaces And Data Representations

Martin Gasser, Andreas Arzt, Thassilo Gadermaier, Maarten Grachten, Gerhard Widmer
2015 Zenodo  
[13] present an extensive framework for publishing and linking music-related data on the web.  ...  Performance A performance represents a musical piece performed by a musician or an orchestra. Apart from the actual audio file, the performance resource also contains the alignment information.  ... 
doi:10.5281/zenodo.1417716 fatcat:zf4nv3zxsvbwlmwe5p2cxtqiia

On hyperstructure and musical structure

David C. De Roure, Don G. Cruickshank, Danius T. Michaelides, Kevin R. Page, Mark J. Weal
2002 Proceedings of the thirteenth ACM conference on Hypertext and hypermedia - HYPERTEXT '02  
Through the example systems we consider techniques for building hyperstructure from musical structure and, conversely, building musical structure from hyperstructure.  ...  We provide a general overview of the intersection between hypermedia and musical structure, drawing also on ideas from narrative structure.  ...  Musical content was provided from the Norman Del Mar collection, which is one of the University of Southampton Libraries Special Collections, and we are grateful to the archive staff for assistance with  ... 
doi:10.1145/513364.513366 fatcat:g6rb6f6tcvg27mih6acbbao72q

On hyperstructure and musical structure

David C. De Roure, Don G. Cruickshank, Danius T. Michaelides, Kevin R. Page, Mark J. Weal
2002 Proceedings of the thirteenth ACM conference on Hypertext and hypermedia - HYPERTEXT '02  
Through the example systems we consider techniques for building hyperstructure from musical structure and, conversely, building musical structure from hyperstructure.  ...  We provide a general overview of the intersection between hypermedia and musical structure, drawing also on ideas from narrative structure.  ...  Musical content was provided from the Norman Del Mar collection, which is one of the University of Southampton Libraries Special Collections, and we are grateful to the archive staff for assistance with  ... 
doi:10.1145/513338.513366 dblp:conf/ht/RoureCMPW02 fatcat:phf2qhumljdz5gt6ntsz3dbaja

Guest editors' introduction to the special issue on digital libraries for musicology

Kevin R. Page, J. Stephen Downie
2019 International Journal on Digital Libraries  
, bibliographic and metadata for music, intersections with music linked data, and the challenges of working with the multiple representations of music across large-scale digital collections Dissemination  ...  However, there is now an ever more urgent need to specifically support the distinct multiple forms of music, the links between them, and the surrounding scholarly context, as required by the transformed  ...  The authors apply their tool to link digitized scores in the British Library with broadcast data from the BBC.  ... 
doi:10.1007/s00799-019-00268-1 fatcat:d5uadhcrhvdudmorbc3acnmhvm

IEEE 1599: a Multi-layer Approach to Music Description

Luca A. Ludovico
2009 Journal of Multimedia  
In a single file, music symbols, printed scores, audio tracks, computer-driven performances, catalogue metadata, text and graphic contents related to a single music piece are linked and mutually synchronized  ...  The article aims at describing this approach for the description of heterogeneous music-related contents, and providing guidelines to understand key concepts of IEEE 1599 standard.  ...  to represent music scores; DARMS, NIFF and MusicXML are used for score typing and publishing.  ... 
doi:10.4304/jmm.4.1.9-14 fatcat:tcq4rdxrebav3jqxbgtvv4fmnu

Digital Music Objects: Research Objects For Music

David De Roure, Graham Klyne, Kevin Page, John Pybus, Davd M. Weigl, Pip Willcox
2018 Zenodo  
We call these Digital Music Objects—rich representations of music works that are semantically described and can carry information about process and provenance.  ...  In the Fusing Audio and Semantic Technologies project we have been applying a Research Object approach in the context of music recording, production, distribution, consumption, reuse, and archiving.  ...  style) for exchanging information via web-accessible resources; Web Annotations are used to associate musical resources with semantic information; MEI is used to represent fragments of music, and our  ... 
doi:10.5281/zenodo.1473154 fatcat:b6xcfgxzebgbvllxmwitwkdqia

The Music Ontology

Yves Raimond, Samer A. Abdallah, Mark B. Sandler, Frederick Giasson
2007 Zenodo  
The authors acknowledge the support of both the Centre For Digital Music and the Department of Computer Science at Queen Mary University of London for the studentship for Yves Raimond.  ...  This work has been partially supported by the EPSRC-funded ICT project OMRAS-2 (EP/E017614/1), and by the European Community 6th Framework Programme project EASAIER (IST-033902).  ...  This allows an agent interacting with this environment to discover more information, as they browse through linked data [2] . For example, a URI A might represent a music track.  ... 
doi:10.5281/zenodo.1415966 fatcat:vsmfah3xa5df7oeboco4empaqm

MX Navigator: An Application for Advanced Music Fruition

Adriano Barate, Goffredo Haus, Luca Ludovico
2006 2006 Second International Conference on Automated Production of Cross Media Content for Multi-Channel Distribution (AXMEDIS'06)  
Thanks to our music XML format, namely MX (IEEE PAR1599), and to the interface provided by such application, users can enjoy music from different points of view: it is possible to navigate different scores  ...  , video and audio performances of the same piece; besides, each content type can be used as the leading media to keep all the other related contents synchronized.  ...  The authors want to acknowledge researchers and graduate students at LIM, and the members of the IEEE Standards Association Working Group on Music Application of XML (PAR1599) for their cooperation and  ... 
doi:10.1109/axmedis.2006.38 dblp:conf/axmedis/BarateHL06 fatcat:h7da4ltv2ramvihsvarnvmwenq
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