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QSketcher

Steven Abrams, Joe Smith, Ralph Bellofatto, Robert Fuhrer, Daniel Oppenheim, James Wright, Richard Boulanger, Neil Leonard, David Mash, Michael Rendish
2002 Proceedings of the fourth conference on Creativity & cognition - C&C '02  
We describe QSketcher, a new environment for composing music for film.  ...  The main design focus is the support of the early stages of the creative workflow, from idea conception through realization, rather than the mere order and synchronization of musical fragments with film  ...  The result is QSketcher, an environment designed to allow composers to move fluidly between dichotomous modes (inspiration/perspiration, capture/manipulate, and macro/micro editing levels), while directly  ... 
doi:10.1145/581710.581734 dblp:conf/candc/AbramsBFOWBLMRS02 fatcat:phxgzyfgzzhrrdj4qpkz6wcl4i

Resolving ambiguity of scope in remote collaboration

Julien Phalip, David Jean, Ernest Edmonds
2008 Proceedings of the 20th Australasian Conference on Computer-Human Interaction Designing for Habitus and Habitat - OZCHI '08  
In this paper we report on a qualitative study aiming to support online and asynchronous collaboration between stakeholders of the film scoring industry.  ...  We then present evaluations conducted with two composers and a filmmaker to test the prototype's design principles.  ...  [1] have also investigated film composers' cognitive processes, resulting in the development of a prototype: QSketcher.  ... 
doi:10.1145/1517744.1517817 dblp:conf/ozchi/PhalipJE08 fatcat:yskqxolskbcntaibqlx76zvbmy

Alleviating communication challenges in film scoring

Julien Phalip, Matthew Morphett, Ernest Edmonds
2007 Proceedings of the 2007 conference of the computer-human interaction special interest group (CHISIG) of Australia on Computer-human interaction: design: activities, artifacts and environments - OZCHI '07  
Film Scoring is a creative and collaborative activity that involves several practitioners, in particular music specialists (film composers) and non specialists (filmmakers).  ...  We then propose and discuss an interaction design approach to progress towards appropriate computer-based solutions.  ...  ACKNOWLEDGEMENTS We are extremely grateful to all the composers and filmmakers who have graciously contributed to this research.  ... 
doi:10.1145/1324892.1324895 dblp:conf/ozchi/PhalipME07 fatcat:co4sxgs265felhswjbobt2tfja

Supporting remote creative collaboration in film scoring

Julien Phalip, Ernest A. Edmonds, David Jean
2009 Proceeding of the seventh ACM conference on Creativity and cognition - C&C '09  
for distant communication.  ...  This paper reports on research supporting online and asynchronous collaboration between stakeholders in the film scoring industry.  ...  ACKNOWLEDGEMENTS We are extremely grateful to the participants of this study as well as all the composers and filmmakers who have graciously contributed to this research.  ... 
doi:10.1145/1640233.1640266 dblp:conf/candc/PhalipEJ09 fatcat:rxxsdbbppfdf5b6y5dhdzkx4bu

Thema: A Music Notation Software Package With Integrated And Automatic Data Collection

Peter McCulloch
2015 Zenodo  
In 2013, a study was conducted of ten graduate-level composers using Thema, and the dataset from this study was used to develop new analytical tools for examining compositional data.  ...  This paper introduces Thema, a custom music notation software environment designed to automatically and transparently capture quantitative data into a relational database.  ...  Acknowledgments Thanks to Robert Rowe, Juan Pablo Bello, Elizabeth Hoffman, Panayotis Mavromatis, and Sarah Marlowe for their help, as well as to the composers who gave of their time and talents in the  ... 
doi:10.5281/zenodo.923839 fatcat:2b4piteuenf7tegdqrrc62yu6y

Fifty years of electronic music in Israel

ROBERT J. GLUCK
2005 Organised Sound  
The institutional and political dynamics of the field in this country are explored, with a focus on the challenges of building an audience and institutional support, as well as prospects for the future  ...  The history of electronic music composition, technologies and institutions is traced from the founding of the State of Israel in 1948.  ...  the history of electronic music.  ... 
doi:10.1017/s1355771805000798 fatcat:jszh7mk5bjdspm3o2bengwqn7a

Inksplorer : Exploring Musical Ideas On Paper And Computer

Jérémie Garcia, Theophanis Tsandilas, Carlos Agon, Wendy E. Mackay
2011 Zenodo  
We conducted three studies with contemporary music composers at IRCAM.  ...  We found that even highly computer-literate composers use an iterative process that begins with expressing musical ideas on paper, followed by active parallel exploration on paper and in software, prior  ...  ACKNOWLEDGMENTS We thank the composers and researchers at IRCAM, especially Mathieu Bonilla, for their willingness to share their creative process with us.  ... 
doi:10.5281/zenodo.1178026 fatcat:j6kfuegumvcvfc65fm7ioyql3m

Page 499 of IBM Systems Journal Vol. 45, Issue 3 [page]

IBM Systems Journal  
Rendish, “QSketcher: An Environment for Composing Music for Film,” Proceedings of the Fourth Conference on Creativity and Cognition, Loughborough University, U.K., 2002, ACM Press, New York, pp. 157-164  ...  Specific areas in which he has worked include: parallel systems, operating systems, debuggers, performance tools, software visualization, software development environments, and technologies for specifying  ... 

Creativity and Information Systems in a Hypercompetitive Environment: A Literature Review

Sune Dueholm Muller, Frank Ulrich
2013 Communications of the Association for Information Systems  
For that purpose, we use Rhodes' 4-Ps model (1961) distinguishing between creative environments (called press), people, products, and processes.  ...  Managers are advised to advance creativity and ideation processes, for example by building virtual environments that strengthen collaboration and creativity across organizational boundaries.  ...  As Couger et al. [1993] ) argue: "… it is helpful for employees to have ways to measure their creativity results" (p. 379).  ... 
doi:10.17705/1cais.03207 fatcat:jyl5blhnajdwzlbo2zpyb5tv2i

IMAGINATION FROM EVALUATION [article]

Frank Ulrich
2016 Ph.d.-serien for Det Teknisk-Naturvidenskabelige Fakultet, Aalborg Universitet  
: An Environment for Composing Music for Film Press Gero, 2002 Computational Models of Creative Designing Based on Situated Cognition Person Table C - C 1: Articles Reviewed Sorted by Journal  ...  point to the Apple iPod as an example of such business opportunities. The iPod revolutionized the music industry.  ...  However, creativity requires information systems (IS) artifacts that supports its chaotic and sensitive nature in the structured environment within an organization.  ... 
doi:10.5278/vbn.phd.engsci.00021 fatcat:l7h4zscgnbel3pxe7ipagbjnra

Aalborg Universitet IMAGINATION FROM EVALUATION

Frank Ulrich
unpublished
: An Environment for Composing Music for Film Press Gero, 2002 Computational Models of Creative Designing Based on Situated Cognition Person Table C - C 1: Articles Reviewed Sorted by Journal  ...  point to the Apple iPod as an example of such business opportunities. The iPod revolutionized the music industry.  ...  However, creativity requires information systems (IS) artifacts that supports its chaotic and sensitive nature in the structured environment within an organization.  ... 
fatcat:cl2e7xabznhibme3o5ttwfk72a