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Process modeling for new media artworks

Brigitte Kerhervé, Olivier Gerbé, Paul Landon
2008 Multimedia Systems  
This work is a first step towards a process modeling framework for the description and documentation of new media artworks.  ...  In this paper, we present the different stages in the life cycle of new media artworks and we illustrate the use of the canonical processes of media production in this context.  ...  The authors thank Chantal duPont, Mario Côté, Anis Ouali and Nicole Benoît for their contribution to the ideas presented in this paper. Part of this research was funded by NSERC, Hexagram and CIAM.  ... 
doi:10.1007/s00530-008-0133-1 fatcat:li5mol2etvbh5o7xlacgmqb6aq

Experimental and Creative Approaches to Collecting and Distributing New Media Art within Regional Arts Organisations

Georgia Smithson
2019 Arts  
This article is an overview of preliminary research undertaken for the creation of a framework for collecting and distributing new media art within regional art galleries in the U.K.  ...  and process-oriented behaviours.  ...  He also recognises that traditional art museum categorisations for documentation purposes are not always suitable for new media artworks.  ... 
doi:10.3390/arts8030085 fatcat:x34ptpt4h5fpdnvd4r7tsejajq

Design and production of new media artworks

Brigitte Kerhervé, Anis Ouali, Paul Landon
2005 Proceedings of the ACM workshop on Multimedia for human communication from capture to convey - MHC '05  
Through a concrete example, we present the different stages in the life cycle of an adaptive new media artwork and we identify the corresponding canonical processes.  ...  In this paper, we are interested in the design and creation of new media artworks.  ...  PROCESSES FOR ADAPTIVE NEW MEDIA ARTWORKS In this section, we analyze the design, production and exhibition of the The Man of the Crowd.  ... 
doi:10.1145/1099376.1099381 fatcat:kf54k6sqp5b6lfft5xsinbj5c4

e-Installation: Synesthetic Documentation of Media Art via Telepresence Technologies [article]

Jesús Muñoz Morcillo, Florian Faion, Antonio Zea, Uwe D. Hanebeck, Caroline Y. Robertson-von Trotha
2014 arXiv   pre-print
An e-Installation is a virtualized media artwork that reproduces all synesthesia, interaction, and meaning levels of the artwork.  ...  In this paper, a new synesthetic documentation method that contributes to media art conservation is presented.  ...  for sharing their knowledge.  ... 
arXiv:1408.1362v1 fatcat:gsi3pnli6nfbzldb5u3xv6qhci

Interaction Models for Audience-Artwork Interaction: Current State and Future Directions [chapter]

Hanna Schraffenberger, Edwin van der Heide
2012 Lecture Notes of the Institute for Computer Sciences, Social Informatics and Telecommunications Engineering  
In pointing out possible future directions, we identify a need for models describing the relation between the audience's and artwork's actions and reactions as well as the necessity for future research  ...  This paper reviews existing research concerning interaction in interactive art and discusses its applicability for describing and classifying audience-artwork interaction.  ...  The author argues that "a visual taxonomy for New Media Art is an interesting benchmarking device that might be used to establish the parameters of this new genre."  ... 
doi:10.1007/978-3-642-33329-3_15 fatcat:jheuy34ntnbpjkjyy3nuyzqfby

Reconciling Authenticity and Reenactment [chapter]

Amy Brost
2022 Situiertes Wissen und regionale Epistemologie  
The paper offers a brief overview of perspectives on authenticity and discusses various theoretical models that have been developed to conceptualize how media, installation, and performance artworks are  ...  Locating authenticity in artworks that are remade (all or in part) or re-performed over time presents a unique challenge for art conservators, whose activities have traditionally been oriented toward caring  ...  While the score/performance model suggests that perhaps time-based media artworks are allographic, there is no standard notation system for them.  ... 
doi:10.37050/ci-21_19 fatcat:x4w657apg5c43nesvf3fqj7ara

An adaptation framework for new media artworks

Anis Ouali, Brigitte Kerhervé, Paul Landon
2005 Proceedings of the 13th annual ACM international conference on Multimedia - MULTIMEDIA '05  
In this paper, we are interested in adaptation mechanisms for the design, creation and experimentation of adaptive and interactive new media artworks.  ...  We present how we used our adaptation engine to reconstruct and experiment the adaptation model of The Man of the Crowd, an existing adaptive new media installation, where the artist introduces a semantic  ...  In this paper, we propose an adaptation framework for adaptive new media artworks and we illustrate the use of this model for the reconstruction of The Man of the Crowd, an existing adaptive new media  ... 
doi:10.1145/1101149.1101284 dblp:conf/mm/OualiKL05 fatcat:fp6wp4lbrzdfvc3wzlu4gplsra

The Transformation of Archival Philosophy and Practice Through Digital Art

John Charles Ryan
2014 Philosophy Study  
This paper explores the conservation of digital (or "variable media") artworks for the future benefit of culture, with particular reference to creators and viewers of art, as well as participants in interactive  ...  The contingencies of fragile and obsolete media-or what new media theorists refer to as "technological obsolescence" (Ippolito 2003a, 47)-require forward-looking solutions to digital arts preservation.  ...  , to artworks), emulation (using software to allow works to function on new platforms), and recreation (remaking the artwork for new technologies) (Wands 2006, 206) .  ... 
doi:10.17265/2159-5313/2014.05.006 fatcat:46iby7wlkvgexjrocsk6zvck3y

Visual Digitized Artwork for Archiving Model of Sustainable Context

Rafeah Legino, Muhamad Khairi Shamsudin, Farid Raihan Ahmad, Mursyidah Zainal Abidin
2021 Environment-Behaviour Proceedings Journal (E-BPJ)  
The valuable artwork must protect, and therefore a useful archiving technology needs to be engaged for the perpetual digitalized artwork.  ...  This project was able to digitalize for constant archiving of artwork that contains various themes, styles, content and context from a different medium.  ...  Acknowledgements The authors would like to acknowledge the Research Management Center (RMC), Universiti Teknologi MARA, for funding under the grants of the 600-IRMI/DANA 5/3/BESTARI (124/2018) for this  ... 
doi:10.21834/ebpj.v6isi5.2944 fatcat:634rxl6z6fb3tajahk3gepl6ii

Enduring Access to Rich Media Content: Understanding Use and Usability Requirements

Madeleine Casad, Oya Y. Rieger, Desiree Alexander
2015 D-Lib Magazine  
The preservation model developed will apply not merely to new media artworks, but to other rich digital media environments.  ...  The Library's Rose Goldsen Archive of New Media Art provides the testbed for this project.  ...  The preservation model developed will apply not merely to new media artworks, but to other rich digital media environments.  ... 
doi:10.1045/september2015-casad fatcat:f536nhd76rb2xnr72z542dbvha


Rahina Nugrahani, Triyanto, Muhammad Ibnan Syarif, Tjetjep Rohendi Rohidi
2020 Humanities & Social Sciences Reviews  
Novelty/Originality: Building on the insight that illustration artworks by virtual community Hijabographic become a new model to perform da'wah on social media.  ...  members to express it in the form of illustration artworks published through social media.  ...  Each new illustration artworks that are published provide new knowledge for members regarding the techniques and media used to work.  ... 
doi:10.18510/hssr.2020.82e05 fatcat:fvsokcg2zzbppcqwqpvtyygg2y

A Multi-Column Deep Framework for Recognizing Artistic Media

Yang, Min
2019 Electronics  
We present a multi-column structured framework for recognizing artistic media from artwork images. We design the column of our framework using a deep neural network.  ...  for the input artwork image.  ...  From these observations, we can argue that our recognizer can be an evaluation guideline for new techniques that aim to synthesize artwork images by mimicking artistic media.  ... 
doi:10.3390/electronics8111277 fatcat:mmiw23qmkfhdrghtc46l2rlqkq

Rescuing new media art from technological obsolescence

Rene G. Cepeda
2019 DAT Journal  
As time passes and digital technologies become obsolete, more and more new media artworks face the possibility of being lost forever.  ...  As many new media artworks depend on certain technologies, when these technologies are replaced with other or are not available any more, steps should be taken to make older artworks compatible with newer  ...  Unfortunately, they present their own challenges to institutions interested in preserving new media art for the future.  ... 
doi:10.29147/dat.v4i3.145 fatcat:rjalckujkfhz5f2c65udsm6hti

MMArt-ACM 2022: 5th Joint Workshop on Multimedia Artworks Analysis and Attractiveness Computing in Multimedia

Naoko Nitta, Anita Hu, Kensuke Tobitani
2022 Proceedings of the 2022 International Conference on Multimedia Retrieval  
In addition to classical art types like paintings and sculptures, new types of artworks emerge following the advancement of deep learning, social platforms, media capturing devices, and media processing  ...  Novel multimedia artworks, therefore, emerge rapidly in the era of social media and big data.  ...  The new types of artworks can be photos/illustrations/comics/animations/music created by different media capturing devices or media processing tools.  ... 
doi:10.1145/3512527.3531442 fatcat:zb76jc6jojd4je7d6mcgplymx4

Dismantling the Monolith:

Nora Almeida
2012 Art Documentation  
Some of the ongoing challenges that practitioners face and current practices for preserving and curating born-digital artworks are examined through the lens of "postmedia" theory.  ...  Art that falls under the "new media" paradigm is problematic, or rather, it renders many traditional assumptions about art as problematic.  ...  media artwork.  ... 
doi:10.1086/664932 fatcat:vplcvbduh5fjng57vfqmoxy5du
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