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Perception of Harmonic and Inharmonic Sounds: Results from Ear Models [chapter]

Albrecht Schneider, Klaus Frieler
<span title="">2009</span> <i title="Springer Berlin Heidelberg"> <a target="_blank" rel="noopener" href="https://fatcat.wiki/container/2w3awgokqne6te4nvlofavy5a4" style="color: black;">Lecture Notes in Computer Science</a> </i> &nbsp;
We report on experiments in which musically relevant harmonic and inharmonic sounds have been fed into computer-based ear models (or into modules which at least simulate parts of the peripheral auditory  ...  With musical sounds from instruments (carillon, gamelan) which represent different degrees of inharmonicity, the performance of the modules reflects difficulties in finding correct spectral and/or virtual  ...  Acknowledgements We would like to thank Aimé Lombaert (Brugge) and Marc Leman (Ghent) for support in recording the bells at Brugge used in this analysis, and Rolf Bader (Hamburg) for providing some of  ... 
<span class="external-identifiers"> <a target="_blank" rel="external noopener noreferrer" href="https://doi.org/10.1007/978-3-642-02518-1_2">doi:10.1007/978-3-642-02518-1_2</a> <a target="_blank" rel="external noopener" href="https://fatcat.wiki/release/hw3cwjhmbzafzpk4dldsdwrc2y">fatcat:hw3cwjhmbzafzpk4dldsdwrc2y</a> </span>
<a target="_blank" rel="noopener" href="https://web.archive.org/web/20190214121415/http://www.mu-on.org:80/frieler/docs/schneider_frieler_inharmsound_final.pdf" title="fulltext PDF download" data-goatcounter-click="serp-fulltext" data-goatcounter-title="serp-fulltext"> <button class="ui simple right pointing dropdown compact black labeled icon button serp-button"> <i class="icon ia-icon"></i> Web Archive [PDF] <div class="menu fulltext-thumbnail"> <img src="https://blobs.fatcat.wiki/thumbnail/pdf/53/a6/53a631781f7ada1e544dc9249b94ab1a5c79cc43.180px.jpg" alt="fulltext thumbnail" loading="lazy"> </div> </button> </a> <a target="_blank" rel="external noopener noreferrer" href="https://doi.org/10.1007/978-3-642-02518-1_2"> <button class="ui left aligned compact blue labeled icon button serp-button"> <i class="external alternate icon"></i> springer.com </button> </a>

Imagine the Sounds: An Intuitive Control of an Impact Sound Synthesizer [chapter]

Mitsuko Aramaki, Charles Gondre, Richard Kronland-Martinet, Thierry Voinier, Sølvi Ystad
<span title="">2010</span> <i title="Springer Berlin Heidelberg"> <a target="_blank" rel="noopener" href="https://fatcat.wiki/container/2w3awgokqne6te4nvlofavy5a4" style="color: black;">Lecture Notes in Computer Science</a> </i> &nbsp;
In this paper we describe a synthesizer to be used both for virtual reality and musical purposes, based on an additive synthesis model, and that offers an intuitive control of impact sounds.  ...  , while the bottom layer is directly linked to the parameters of the synthesis model.  ...  Finally, the mapping between the top and middle layers is based on results from previous studies on the perception of the physical characteristics of the sound source (i.e., perception of material, object  ... 
<span class="external-identifiers"> <a target="_blank" rel="external noopener noreferrer" href="https://doi.org/10.1007/978-3-642-12439-6_21">doi:10.1007/978-3-642-12439-6_21</a> <a target="_blank" rel="external noopener" href="https://fatcat.wiki/release/g4rqvhgrn5aavo33h5axwem2ya">fatcat:g4rqvhgrn5aavo33h5axwem2ya</a> </span>
<a target="_blank" rel="noopener" href="https://web.archive.org/web/20170808114203/http://www.lma.cnrs-mrs.fr/%7Ekronland/Categorization/Aramaki_ICAD09.pdf" title="fulltext PDF download" data-goatcounter-click="serp-fulltext" data-goatcounter-title="serp-fulltext"> <button class="ui simple right pointing dropdown compact black labeled icon button serp-button"> <i class="icon ia-icon"></i> Web Archive [PDF] <div class="menu fulltext-thumbnail"> <img src="https://blobs.fatcat.wiki/thumbnail/pdf/e2/ba/e2ba81adac737989aaf1bfe8b545812a2d34a49b.180px.jpg" alt="fulltext thumbnail" loading="lazy"> </div> </button> </a> <a target="_blank" rel="external noopener noreferrer" href="https://doi.org/10.1007/978-3-642-12439-6_21"> <button class="ui left aligned compact blue labeled icon button serp-button"> <i class="external alternate icon"></i> springer.com </button> </a>

Psychoacoustic evaluation of musical sounds

Ernst Terhardt
<span title="">1978</span> <i title="Springer Nature"> <a target="_blank" rel="noopener" href="https://fatcat.wiki/container/icivrhnmgzcdjerqdqvofcj4xa" style="color: black;">Perception &amp; Psychophysics</a> </i> &nbsp;
Selected examples illustrate how psychoacoustic results can contribute to the evaluation of musical sounds and to the understanding of the perception of music.  ...  intervals, roughness, and the pitch qualities of complex sounds.  ...  Moreover, the results were almost independent of sound pressure level and tone (or sound) spectrum (cf. also Schutte, 1978a Schutte, , 1978b .  ... 
<span class="external-identifiers"> <a target="_blank" rel="external noopener noreferrer" href="https://doi.org/10.3758/bf03199523">doi:10.3758/bf03199523</a> <a target="_blank" rel="external noopener" href="https://www.ncbi.nlm.nih.gov/pubmed/683832">pmid:683832</a> <a target="_blank" rel="external noopener" href="https://fatcat.wiki/release/4vr56q4fkrhnlkx7k6pan66y2a">fatcat:4vr56q4fkrhnlkx7k6pan66y2a</a> </span>
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The Effect Of Harmonic And Inharmonic Frequency Components On The Perception Of Loudness And Annoyance In Complex Sounds

Ann Carroll
<span title="">1970</span>
between the perception of inharmonic and harmonic complexes.  ...  Therefore, inharmonic-harmonic relation ships are important in the perception of loudness and annoyance of sounds.  ...  The sounds occur in pairs; the first sound in every pair is always the same throughout the entire experiment and has been arbitrarily assigned the number 50 on a loudness scale running from I to 100.  ... 
<span class="external-identifiers"> <a target="_blank" rel="external noopener noreferrer" href="https://doi.org/10.21220/s2-8v42-3h86">doi:10.21220/s2-8v42-3h86</a> <a target="_blank" rel="external noopener" href="https://fatcat.wiki/release/szq4wtlgxbbyxgaxiw3jmrlcmu">fatcat:szq4wtlgxbbyxgaxiw3jmrlcmu</a> </span>
<a target="_blank" rel="noopener" href="https://web.archive.org/web/20220114142622/https://scholarworks.wm.edu/cgi/viewcontent.cgi?article=5049&amp;context=etd" title="fulltext PDF download" data-goatcounter-click="serp-fulltext" data-goatcounter-title="serp-fulltext"> <button class="ui simple right pointing dropdown compact black labeled icon button serp-button"> <i class="icon ia-icon"></i> Web Archive [PDF] <div class="menu fulltext-thumbnail"> <img src="https://blobs.fatcat.wiki/thumbnail/pdf/a3/75/a375a8cfc4bbced6429e771f3bea54f5889cad41.180px.jpg" alt="fulltext thumbnail" loading="lazy"> </div> </button> </a> <a target="_blank" rel="external noopener noreferrer" href="https://doi.org/10.21220/s2-8v42-3h86"> <button class="ui left aligned compact blue labeled icon button serp-button"> <i class="external alternate icon"></i> Publisher / doi.org </button> </a>

Hierarchical neurocomputations underlying concurrent sound segregation: Connecting periphery to percept

Gavin M. Bidelman, Claude Alain
<span title="">2015</span> <i title="Elsevier BV"> <a target="_blank" rel="noopener" href="https://fatcat.wiki/container/vtuexoohondejhlk4iamncfka4" style="color: black;">Neuropsychologia</a> </i> &nbsp;
Using computational modeling, scalp-recorded brainstem/cortical ERPs, and human psychophysics, we demonstrate that a primary cue for sound segregation, i.e., harmonicity, is encoded at the auditory nerve  ...  The salience of the resulting percept is then captured in a discrete, categorical-like coding scheme by a late negativity response (N5; $ 500 ms latency), just prior to the elicitation of a behavioral  ...  Acknowledgments Portions of this work were supported by grants from the Canadian Institutes of Health Research (MOP 106619) and the Natural Sciences and Engineering Research Council of Canada (194536)  ... 
<span class="external-identifiers"> <a target="_blank" rel="external noopener noreferrer" href="https://doi.org/10.1016/j.neuropsychologia.2014.12.020">doi:10.1016/j.neuropsychologia.2014.12.020</a> <a target="_blank" rel="external noopener" href="https://www.ncbi.nlm.nih.gov/pubmed/25542675">pmid:25542675</a> <a target="_blank" rel="external noopener" href="https://fatcat.wiki/release/r66bawrfhff57gqseexqf3ck6y">fatcat:r66bawrfhff57gqseexqf3ck6y</a> </span>
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The sound sensation of a pure tone in cochlear implant recipients with single-sided deafness

Jeremy Marozeau, Dan Gnansia, Marine Ardoint, Christine Poncet-Wallet, Diane S. Lazard, Stephen O'Leary
<span title="2020-07-13">2020</span> <i title="Public Library of Science (PLoS)"> <a target="_blank" rel="noopener" href="https://fatcat.wiki/container/s3gm7274mfe6fcs7e3jterqlri" style="color: black;">PLoS ONE</a> </i> &nbsp;
inharmonicity factor of a complex sound (Exp.3).  ...  The listeners had to vary the frequency of a pure tone (Exp.1), the center frequency and the bandwidth of a filter applied to a harmonic complex sound (Exp.2), and the frequency of the components and the  ...  Acknowledgments We would like to thank the listeners for their time and enthusiasm, Bertrand Philippon for helping in the data collection, Thomas Demarcy for the electrode position extraction, and Benoit  ... 
<span class="external-identifiers"> <a target="_blank" rel="external noopener noreferrer" href="https://doi.org/10.1371/journal.pone.0235504">doi:10.1371/journal.pone.0235504</a> <a target="_blank" rel="external noopener" href="https://www.ncbi.nlm.nih.gov/pubmed/32658911">pmid:32658911</a> <a target="_blank" rel="external noopener" href="https://fatcat.wiki/release/nf6avixppzgubm7tgauercyclm">fatcat:nf6avixppzgubm7tgauercyclm</a> </span>
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Spectral Processing and Sound Source Determination [chapter]

Donal G. Sinex
<span title="">2005</span> <i title="Elsevier"> <a target="_blank" rel="noopener" href="https://fatcat.wiki/container/zpggjvvgzzhxpmlz6bxewht76u" style="color: black;">International review of neurobiology</a> </i> &nbsp;
Humans normally listen in mixed environments, in which sounds originating from more than one source overlap in time and in frequency.  ...  The brainstem processing that accomplishes this transformation may contribute to the segregation of competing sounds and ultimately to the identification of sound sources. NIH Public Access  ...  Acknowledgements Supported by DC00341 from the NIDCD. Drs. Susan Nittrouer and Russell Snyder provided helpful comments on a draft of the manuscript.  ... 
<span class="external-identifiers"> <a target="_blank" rel="external noopener noreferrer" href="https://doi.org/10.1016/s0074-7742(05)70011-8">doi:10.1016/s0074-7742(05)70011-8</a> <a target="_blank" rel="external noopener" href="https://www.ncbi.nlm.nih.gov/pubmed/16472640">pmid:16472640</a> <a target="_blank" rel="external noopener" href="https://pubmed.ncbi.nlm.nih.gov/PMC2535849/">pmcid:PMC2535849</a> <a target="_blank" rel="external noopener" href="https://fatcat.wiki/release/cfguqqtgxrahpfg2pdowuzwcle">fatcat:cfguqqtgxrahpfg2pdowuzwcle</a> </span>
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Extracting Vibration Characteristics and Performing Sound Synthesis of Acoustic Guitar to Analyze Inharmonicity

Johnson Clinton, Kiran P. Wani
<span title="">2020</span> <i title="Scientific Research Publishing, Inc."> <a target="_blank" rel="noopener" href="https://fatcat.wiki/container/ycdupr5a35g5td7dpg34efcila" style="color: black;">Open Journal of Acoustics</a> </i> &nbsp;
Identification of fundamentals and overtones of the individual string sounds were carried out prior and after tuning the string.  ...  In this study, the resonance frequencies of the modelled resonance box have been analysed.  ...  Open Journal of Acoustics Conflicts of Interest The authors declare no conflicts of interest regarding the publication of this paper.  ... 
<span class="external-identifiers"> <a target="_blank" rel="external noopener noreferrer" href="https://doi.org/10.4236/oja.2020.103003">doi:10.4236/oja.2020.103003</a> <a target="_blank" rel="external noopener" href="https://fatcat.wiki/release/2bp4kcxa6vh2paosd4nusu7s6i">fatcat:2bp4kcxa6vh2paosd4nusu7s6i</a> </span>
<a target="_blank" rel="noopener" href="https://web.archive.org/web/20210103102755/https://www.scirp.org/pdf/oja_2020123013492940.pdf" title="fulltext PDF download" data-goatcounter-click="serp-fulltext" data-goatcounter-title="serp-fulltext"> <button class="ui simple right pointing dropdown compact black labeled icon button serp-button"> <i class="icon ia-icon"></i> Web Archive [PDF] <div class="menu fulltext-thumbnail"> <img src="https://blobs.fatcat.wiki/thumbnail/pdf/b7/a7/b7a70a98e4cfe764fe53f4455b5460d3fccee497.180px.jpg" alt="fulltext thumbnail" loading="lazy"> </div> </button> </a> <a target="_blank" rel="external noopener noreferrer" href="https://doi.org/10.4236/oja.2020.103003"> <button class="ui left aligned compact blue labeled icon button serp-button"> <i class="unlock alternate icon" style="background-color: #fb971f;"></i> Publisher / doi.org </button> </a>

Sound Source Separation [chapter]

G. Evangelista, S. Marchand, M. D. Plumbley, E. Vincent
<span title="2011-03-10">2011</span> <i title="John Wiley &amp; Sons, Ltd"> DAFX: Digital Audio Effects </i> &nbsp;
Acknowledgements The authors would like to thank Beiming Wang, Harald Viste and Mathieu Lagrange for assistance with some of the figures in this chapter.  ...  However, many musical instruments are not perfectly harmonic, and the template should ideally also depend on the inharminicity factor in case of inharmonic sounds.  ...  The partials are sound structures very important both from the production (acoustics) and perception (psychoacoustics) points of views.  ... 
<span class="external-identifiers"> <a target="_blank" rel="external noopener noreferrer" href="https://doi.org/10.1002/9781119991298.ch14">doi:10.1002/9781119991298.ch14</a> <a target="_blank" rel="external noopener" href="https://fatcat.wiki/release/afqzxgyhzre2znstqgtgdh3uqi">fatcat:afqzxgyhzre2znstqgtgdh3uqi</a> </span>
<a target="_blank" rel="noopener" href="https://web.archive.org/web/20171118172400/https://core.ac.uk/download/pdf/30696441.pdf" title="fulltext PDF download" data-goatcounter-click="serp-fulltext" data-goatcounter-title="serp-fulltext"> <button class="ui simple right pointing dropdown compact black labeled icon button serp-button"> <i class="icon ia-icon"></i> Web Archive [PDF] <div class="menu fulltext-thumbnail"> <img src="https://blobs.fatcat.wiki/thumbnail/pdf/bc/42/bc42dc6ecdd9e1cd43e5c2ab4d362be64d53f19a.180px.jpg" alt="fulltext thumbnail" loading="lazy"> </div> </button> </a> <a target="_blank" rel="external noopener noreferrer" href="https://doi.org/10.1002/9781119991298.ch14"> <button class="ui left aligned compact blue labeled icon button serp-button"> <i class="external alternate icon"></i> wiley.com </button> </a>

Fifty Years Of Digital Sound For Music

Jean-Claude Risset
<span title="2007-07-11">2007</span> <i title="Zenodo"> <a target="_blank" rel="noopener" href="https://fatcat.wiki/container/h2s7lebe3jabxc26f4xp3wkhwa" style="color: black;">Proceedings of the SMC Conferences</a> </i> &nbsp;
Indeed, good simulations of the original tones could be achieved by modeling the sounds as a sum of harmonics, each of which endowed with its own envelope.  ...  PERCEPTION IS SPECIFIC, NOT ARBITRARY Auditory perception of musical sound has features that can appear strange and whimsical, but it is by no means arbitrary.  ... 
<span class="external-identifiers"> <a target="_blank" rel="external noopener noreferrer" href="https://doi.org/10.5281/zenodo.849369">doi:10.5281/zenodo.849369</a> <a target="_blank" rel="external noopener" href="https://fatcat.wiki/release/uo5xmd26afbmhkvwd6fbqndaki">fatcat:uo5xmd26afbmhkvwd6fbqndaki</a> </span>
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Pitch, harmonicity and concurrent sound segregation: Psychoacoustical and neurophysiological findings

Christophe Micheyl, Andrew J. Oxenham
<span title="">2010</span> <i title="Elsevier BV"> <a target="_blank" rel="noopener" href="https://fatcat.wiki/container/ib23p2n3fng3nlyt27dogansua" style="color: black;">Hearing Research</a> </i> &nbsp;
A survey of computational models designed to estimate multiple F0s and segregate concurrent sources is followed by a review of the empirical literature on the perception and neural coding of concurrent  ...  Harmonic complex tones are a particularly important class of sounds found in both speech and music.  ...  Moore for many helpful comments, and to one anonymous reviewer for constructive suggestions on an earlier version of this manuscript.  ... 
<span class="external-identifiers"> <a target="_blank" rel="external noopener noreferrer" href="https://doi.org/10.1016/j.heares.2009.09.012">doi:10.1016/j.heares.2009.09.012</a> <a target="_blank" rel="external noopener" href="https://www.ncbi.nlm.nih.gov/pubmed/19788920">pmid:19788920</a> <a target="_blank" rel="external noopener" href="https://pubmed.ncbi.nlm.nih.gov/PMC2885481/">pmcid:PMC2885481</a> <a target="_blank" rel="external noopener" href="https://fatcat.wiki/release/zw7keb3nzffm7ehnnsirpfagma">fatcat:zw7keb3nzffm7ehnnsirpfagma</a> </span>
<a target="_blank" rel="noopener" href="https://web.archive.org/web/20170811052606/http://apc.psych.umn.edu/assets/pdf/publications/MicheylOxenham_HearRes_2010.pdf" title="fulltext PDF download" data-goatcounter-click="serp-fulltext" data-goatcounter-title="serp-fulltext"> <button class="ui simple right pointing dropdown compact black labeled icon button serp-button"> <i class="icon ia-icon"></i> Web Archive [PDF] <div class="menu fulltext-thumbnail"> <img src="https://blobs.fatcat.wiki/thumbnail/pdf/45/fc/45fc133d6d669716cf878c5c6e169f0bacce586f.180px.jpg" alt="fulltext thumbnail" loading="lazy"> </div> </button> </a> <a target="_blank" rel="external noopener noreferrer" href="https://doi.org/10.1016/j.heares.2009.09.012"> <button class="ui left aligned compact blue labeled icon button serp-button"> <i class="external alternate icon"></i> elsevier.com </button> </a> <a target="_blank" rel="external noopener" href="https://www.ncbi.nlm.nih.gov/pmc/articles/PMC2885481" title="pubmed link"> <button class="ui compact blue labeled icon button serp-button"> <i class="file alternate outline icon"></i> pubmed.gov </button> </a>

Aging and the Perceptual Organization of Sounds: A Change of Scene? [chapter]

Claude Alain, Benjamin J. Dyson, Joel S. Snyder
<span title="">2006</span> <i title="Elsevier"> Handbook of Models for Human Aging </i> &nbsp;
ACKNOWLEDGMENTS The preparation of this chapter was supported by grants from the Canadian Institutes for Health Research, the Natural Sciences and Engineering Research Council of Canada, and the Hearing  ...  Special thanks to Steve Aiken, Lori Bernstein, and Kelly McDonald for helpful comments on earlier versions of this chapter.  ...  perception of the auditory world breaks down as a result of normal aging.  ... 
<span class="external-identifiers"> <a target="_blank" rel="external noopener noreferrer" href="https://doi.org/10.1016/b978-012369391-4/50065-5">doi:10.1016/b978-012369391-4/50065-5</a> <a target="_blank" rel="external noopener" href="https://fatcat.wiki/release/bzi6ng4cobbdbdwbouetdte7ja">fatcat:bzi6ng4cobbdbdwbouetdte7ja</a> </span>
<a target="_blank" rel="noopener" href="https://web.archive.org/web/20170829171854/https://faculty.unlv.edu/jsnyder/documents/Alain_Dyson_Snyder__2006_P369391-Ch64.pdf" title="fulltext PDF download" data-goatcounter-click="serp-fulltext" data-goatcounter-title="serp-fulltext"> <button class="ui simple right pointing dropdown compact black labeled icon button serp-button"> <i class="icon ia-icon"></i> Web Archive [PDF] <div class="menu fulltext-thumbnail"> <img src="https://blobs.fatcat.wiki/thumbnail/pdf/68/66/6866ecb3a8ad6b220daf1b1f15a52ee00efebfdc.180px.jpg" alt="fulltext thumbnail" loading="lazy"> </div> </button> </a> <a target="_blank" rel="external noopener noreferrer" href="https://doi.org/10.1016/b978-012369391-4/50065-5"> <button class="ui left aligned compact blue labeled icon button serp-button"> <i class="external alternate icon"></i> elsevier.com </button> </a>

The Sound Sensation of Apical Electric Stimulation in Cochlear Implant Recipients with Contralateral Residual Hearing

Diane S. Lazard, Jeremy Marozeau, Hugh J. McDermott, Manuel S. Malmierca
<span title="2012-06-19">2012</span> <i title="Public Library of Science (PLoS)"> <a target="_blank" rel="noopener" href="https://fatcat.wiki/container/s3gm7274mfe6fcs7e3jterqlri" style="color: black;">PLoS ONE</a> </i> &nbsp;
Knowing whether the inharmonic nature of the sound was related to the fact that the non-implanted ear was impaired has to be explored in single-sided deafened patients with a contralateral CI.  ...  They also provided a rating of similarity between each acoustic sound they selected and the electric stimulus.  ...  However, some researchers have found that existing simulators are not always accurate models of phoneme perception [8] , and they may not reproduce exactly the sound perceived by CI users [7] .  ... 
<span class="external-identifiers"> <a target="_blank" rel="external noopener noreferrer" href="https://doi.org/10.1371/journal.pone.0038687">doi:10.1371/journal.pone.0038687</a> <a target="_blank" rel="external noopener" href="https://www.ncbi.nlm.nih.gov/pubmed/22723876">pmid:22723876</a> <a target="_blank" rel="external noopener" href="https://pubmed.ncbi.nlm.nih.gov/PMC3378545/">pmcid:PMC3378545</a> <a target="_blank" rel="external noopener" href="https://fatcat.wiki/release/4awemcefhjbavmhzpplkwy4fwm">fatcat:4awemcefhjbavmhzpplkwy4fwm</a> </span>
<a target="_blank" rel="noopener" href="https://web.archive.org/web/20171004011254/http://journals.plos.org/plosone/article/file?id=10.1371/journal.pone.0038687&amp;type=printable" title="fulltext PDF download" data-goatcounter-click="serp-fulltext" data-goatcounter-title="serp-fulltext"> <button class="ui simple right pointing dropdown compact black labeled icon button serp-button"> <i class="icon ia-icon"></i> Web Archive [PDF] <div class="menu fulltext-thumbnail"> <img src="https://blobs.fatcat.wiki/thumbnail/pdf/6a/17/6a1773f4a782bd4c24862cb058191cef4ef2545d.180px.jpg" alt="fulltext thumbnail" loading="lazy"> </div> </button> </a> <a target="_blank" rel="external noopener noreferrer" href="https://doi.org/10.1371/journal.pone.0038687"> <button class="ui left aligned compact blue labeled icon button serp-button"> <i class="unlock alternate icon" style="background-color: #fb971f;"></i> plos.org </button> </a> <a target="_blank" rel="external noopener" href="https://www.ncbi.nlm.nih.gov/pmc/articles/PMC3378545" title="pubmed link"> <button class="ui compact blue labeled icon button serp-button"> <i class="file alternate outline icon"></i> pubmed.gov </button> </a>

Spectromorphology: explaining sound-shapes

DENIS SMALLEY
<span title="">1997</span> <i title="Cambridge University Press (CUP)"> <a target="_blank" rel="noopener" href="https://fatcat.wiki/container/xpu5eh3gcffn3f4wg3gszvnenm" style="color: black;">Organised Sound</a> </i> &nbsp;
sound materials and understanding structural ing of my 'Spectromorphology and structuring processes' in The relationships.  ...  The developwhich classify and relate sounds and structures can ment of spectromorphological thinking owes most to Pierre Schaeffer's Traité des objets musicaux (Schaeffer 1966). be valuable compositional  ...  Harmonicity and inharmonicity While harmonic spectra have a specific intervallic 11.3.  ... 
<span class="external-identifiers"> <a target="_blank" rel="external noopener noreferrer" href="https://doi.org/10.1017/s1355771897009059">doi:10.1017/s1355771897009059</a> <a target="_blank" rel="external noopener" href="https://fatcat.wiki/release/t6auy7hyurabrfjo4cduqpwecu">fatcat:t6auy7hyurabrfjo4cduqpwecu</a> </span>
<a target="_blank" rel="noopener" href="https://web.archive.org/web/20190502053752/https://www.cambridge.org/core/services/aop-cambridge-core/content/view/A18EBE591592836FC22C20FB327D3232/S1355771897009059a.pdf/div-class-title-spectromorphology-explaining-sound-shapes-div.pdf" title="fulltext PDF download" data-goatcounter-click="serp-fulltext" data-goatcounter-title="serp-fulltext"> <button class="ui simple right pointing dropdown compact black labeled icon button serp-button"> <i class="icon ia-icon"></i> Web Archive [PDF] <div class="menu fulltext-thumbnail"> <img src="https://blobs.fatcat.wiki/thumbnail/pdf/99/59/9959e15ff1c5c57961cf41147df01d662ae767b9.180px.jpg" alt="fulltext thumbnail" loading="lazy"> </div> </button> </a> <a target="_blank" rel="external noopener noreferrer" href="https://doi.org/10.1017/s1355771897009059"> <button class="ui left aligned compact blue labeled icon button serp-button"> <i class="external alternate icon"></i> cambridge.org </button> </a>

Analysis of just Noticeable Difference in Spectrum of Church Bell Sound

A. Samolov
<span title="">2010</span> <i title="Telecommunications Society, Academic Mind"> <a target="_blank" rel="noopener" href="https://fatcat.wiki/container/xzcwua34cvajhffvqycix7ytla" style="color: black;">Telfor Journal</a> </i> &nbsp;
These partials arise from modes of vibration of the bell and depend on dimensions and potential irregularities of the bell.  ...  We report results for a just noticeable difference of partial frequency in the range 10-15 cents. Frequency dependence, is also, noticed.  ...  Moore and others, in their work related to the analysis of harmonics inharmonicity detection limits in complex tones, have reached a mean value of 4 Hz, for complex tones whose harmonics have equal amplitudes  ... 
<span class="external-identifiers"> <a target="_blank" rel="external noopener" href="https://doaj.org/article/bffde69573d7458c850bb79c567c808b">doaj:bffde69573d7458c850bb79c567c808b</a> <a target="_blank" rel="external noopener" href="https://fatcat.wiki/release/fetgzuraqvbh5n2sodlyvzhcqm">fatcat:fetgzuraqvbh5n2sodlyvzhcqm</a> </span>
<a target="_blank" rel="noopener" href="https://web.archive.org/web/20171202093933/http://journal.telfor.rs/Published/Vol2No2/Vol2No2_A5.pdf" title="fulltext PDF download" data-goatcounter-click="serp-fulltext" data-goatcounter-title="serp-fulltext"> <button class="ui simple right pointing dropdown compact black labeled icon button serp-button"> <i class="icon ia-icon"></i> Web Archive [PDF] <div class="menu fulltext-thumbnail"> <img src="https://blobs.fatcat.wiki/thumbnail/pdf/dd/1b/dd1b1046000726bcd1f398579c5b36340113de07.180px.jpg" alt="fulltext thumbnail" loading="lazy"> </div> </button> </a>
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