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A framework for virtual storytelling using the traditional shadow play

Jessica Chee May Kim, Abdullah Zawawi Talib
2006 2006 International Conference on Computing & Informatics  
The virtual environment technology has emerged as a great structure for virtual storytelling with the support of multimedia interaction.  ...  In this paper we explore and investigate the possibility of developing a virtual storyteller that integrates the elements of the traditional shadow play in a virtual storytelling environment.  ...  Architecture of Papous virtual storyteller However, the Papous system reflects the differences in approach that two very varied schools of thought hold on virtual storyteller.  ... 
doi:10.1109/icoci.2006.5276544 fatcat:f347qciaybg2bhii6d6wj3zqeq

Real-Time Visual Simulation And Interactive Animation Of Shadow Play Puppets Using Opengl

Tan Kian Lam, Abdullah Zawawi Bin Haji Talib, Mohd. Azam Osman
2008 Zenodo  
Special effects such as lighting and blurring effects for virtual shadow play environment are also developed.  ...  Based on the experiments and the survey that were carried out, the respondents involved are very satisfied with the outcomes of these techniques.  ...  Papous [6] , Virtual Storyteller [7] - [8] and CONFUCIUS [9] are the examples of digital storytelling systems.  ... 
doi:10.5281/zenodo.1333856 fatcat:uxrsmebcsjaczoaf2awlhqekcm

Tell Me That Bit Again... Bringing Interactivity to a Virtual Storyteller [chapter]

André Silva, Guilherme Raimundo, Ana Paiva
2003 Lecture Notes in Computer Science  
This paper focuses on how to bring interactivity to a virtual storyteller by allowing users to influence the story.  ...  The storyteller is a synthetic 3D granddad that uses voice, gestures and facial expressions to convey the story content to be told.  ...  Acknowledgements Thanks to Fernando Rebelo for the design of Papous. Thanks to the GAIPS team for their comments and criticisms during the development of this system.  ... 
doi:10.1007/978-3-540-40014-1_19 fatcat:d2i2ml53vjbelc7ihhwrefitby

A Story About Gesticulation Expression [chapter]

Celso de Melo, Ana Paiva
2006 Lecture Notes in Computer Science  
Gesticulation is essential for the storytelling experience thus, virtual storytellers should be endowed with gesticulation expression.  ...  In both cases, the idea consisted of comparing the narration of the Portuguese traditional story "The White Rabbit" by a human storyteller with a version by a virtual storyteller.  ...  First Study The first study was conducted in the scope of the Papous project at Inesc-ID.  ... 
doi:10.1007/11821830_22 fatcat:cd5gzle7sfhzpouxcjmyoamiou

Emotion-based digital storytelling for risk education: empirical evidences from the ALICE project

Giuseppina Rita Mangione, Anna Pierri, Nicola Capuano
2014 International Journal of Continuing Engineering Education and Life-Long Learning  
The educational technology considers research on construction of digital storytelling as an educational challenge.  ...  the learning process.  ...  Acknowledgements This research has been supported by the European Commission under the Collaborative Project 'Adaptive Learning via an Intuitive, interactive, Collaborative, Emotional system', ALICE, VII  ... 
doi:10.1504/ijceell.2014.060161 fatcat:viy6v3bi6beitorscxtrxrtzxi

Evaluation of a Virtual Narrator's Expressiveness in Terms of Suspense Signaling [chapter]

Norbert Braun, Thomas Rieger
2004 Lecture Notes in Computer Science  
In this paper, we describe the results of the evaluation of a Virtual Character, used as a human-like, automated narrator with focus on the signaling of suspenseful situations within stories to the Virtual  ...  It indicates these points to an expressiveness module, which assigns expressiveness states to the Virtual Narrator.  ...  The system is able to control the narrative expressiveness of a Virtual Narrator by the usage of three suspense categories (suspense progression, narrative conflict and narrative relevance).  ... 
doi:10.1007/978-3-540-27797-2_12 fatcat:vxctp6rbxnel5hn75ufdwftdeu

Facial Expressions of Appraisals Displayed by a Virtual Storyteller for Children [chapter]

Nesrine Fourati, Adeline Richard, Sylvain Caillou, Nicolas Sabouret, Jean-Claude Martin, Emilie Chanoni, Celine Clavel
2016 Lecture Notes in Computer Science  
We discuss the impact of facial expressions of appraisals on children's memorization of story events, their perception of characters' appraisals, their subjective perception of the virtual storyteller  ...  In this paper, we present a framework for an expressive virtual storyteller for children. Our virtual storyteller displays facial expressions of appraisals related to story events.  ...  The authors would like to thank Matthieu Courgeon for his help in the development of our virtual storyteller.  ... 
doi:10.1007/978-3-319-47665-0_21 fatcat:ngps2ncyorhrfce5ppycaoroxi

Emotional Storytelling using Virtual and Robotic Agents [article]

Sandra Costa, Alberto Brunete, Byung-Chull Bae, Nikolaos Mavridis
2016 arXiv   pre-print
In order to create effective storytelling agents three fundamental questions must be answered: first, is a physically embodied agent preferable to a virtual agent or a voice-only narration?  ...  The results of two specially designed studies indicate that the physically embodied robot produces more attention to the listener as compared to a virtual embodiment, that a human voice is preferable over  ...  [11] , [12] presented Papous, a virtual storyteller using a synthetic 3D person model with affective speech and affective facial/body expression.  ... 
arXiv:1607.05327v1 fatcat:vdoslefse5bcxf7sldulqnkoga

Multimodal expression in virtual humans

Celso de Melo, Ana Paiva
2006 Computer Animation and Virtual Worlds  
Finally, three studies, involving a total of 197 subjects, evaluated the model in storytelling contexts and produced promising results.  ...  This work proposes a real-time virtual human multimodal expression model.  ...  In both cases, the idea consisted of comparing the narration of the Portuguese traditional story "The White Rabbit" by a human storyteller with a version by a virtual storyteller.  ... 
doi:10.1002/cav.127 fatcat:zszuextzq5c25nmu63xnq2ufo4

A situation-based multi-agent architecture for handling misunderstandings in interactions

Thao Phuong Pham, Mourad Rabah, Pascal Estraillier
2015 International Journal of Applied Mathematics and Computer Science  
In order to organize and control interactions, the situation contextualizes interactions and activity of the system's actors.  ...  Scenario structuring is based on the notion of a situation that is an elementary building block dividing the interactions between systems' actors into contextual scenes.  ...  PAPOUS manages the inconsistency between a virtual storyteller and the audience decisions in a simple way: the storyteller ignores missing or inadequate inputs and chooses the next StoryBit according to  ... 
doi:10.1515/amcs-2015-0033 fatcat:6f23synd7zfdnntyzucgtdijgu

Smart Feedback and the Challenges of Virtualisation

C.J. James-Reynolds, E. Currie
2015 EAI Endorsed Transactions on Future Intelligent Educational Environments  
We also explore this in the context of strategies for the deployment of virtual agents in the provision of feedback.  ...  When audio feedback is recorded by a human tutor, the recording contains not only the text of the feedback, but also additional information associated with the intonation and manner of delivery of the  ...  An example is Papous the Virtual Storyteller [19] , in which the use of emotion tags allows a virtual storyteller to express a range of emotions.  ... 
doi:10.4108/fiee.1.2.e6 fatcat:gkytfoouz5d6beb5k3holvdel4

Telling Stories with a Synthetic Character: Understanding Inter-modalities Relations [chapter]

Guilherme Raimundo, João Cabral, Celso Melo, Luís C. Oliveira, Ana Paiva, Isabel Trancoso
Verbal and Nonverbal Communication Behaviours  
Can we create a virtual storyteller that is expressive enough to convey in a natural way a story to an audience? What are the most important features for creating such character?  ...  Furthermore, when we used the synthetic voice, the facial expressions of both characters (the virtual and the real) were rated worse than with the real voice.  ...  Voice -We needed to create a synthetic voice that would be synchronized with the real storyteller (and the virtual of course).  ... 
doi:10.1007/978-3-540-76442-7_27 dblp:conf/cost/RaimundoCMOPT07 fatcat:j44bwywi4zgyrfezkr4eq5lzpq

Pylyp Orlyk sam pro sebe

Walentyna Sobol
2021 Studia Polsko-Ukraińskie  
This article explores various forms of self-presentation of the hetman on the path of self-knowledge in the conditions of hopelessness caused by emigration.  ...  He orders two or three services at once for the children on their birthdays, for the health of his wife Anna of the Hercyk family.  ...  Indeed, Vsevolod Nestayko succeeded in creating the "primal harmony" of the virtual "idyll" of childhood, which is something children of Ukraine actually needed and still need.  ... 
doi:10.31338/2451-2958spu.8.6 fatcat:uimhnk4kbrgnrgos4jdf3zxvuu

Navigating (in)visibility : the everyday lives of African women in crisis Greece

Viki Zaphiriou-Zarifi
2017
As another woman explained: The men, the young boys, even the old men, the papous [granddads] with the wife, they will just come to meet you -they are just coming to abuse you.  ...  The affectivity of home is, for all of us, bound up with the temporality of home ; we all engage in acts of storytelling that connect our present to our pasts and to our futures.  ... 
doi:10.25501/soas.00026655 fatcat:a3vmb6luqfdh3dddxdogkdbbnm

Antoine Édouard Foleÿ's Eki (Paris: 1874): a critical bilingual edition [article]

Colin Kelly, University Of Canterbury
2010
, to describe the world from the point of view of a Maori woman.  ...  References cited in the text or footnotes are listed at the end.  ...  New Caledonian women are seen as more advanced than "la noire Papoue" and less advanced than "la blanche Mahourie" (679).  ... 
doi:10.26021/4321 fatcat:4oninwiogvaahbtigvvrovsdyy
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