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Orientation judgment for abstract paintings
2015
Multimedia tools and applications
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This encourages us to deal with the problem of orientation judgment for abstract paintings through machine learning. ...
This is the first work of orientation judgment for abstract paintings through computer simulation, and the results demonstrate the validity of abstract art theories used for feature definition. ...
As painting orientation is a factor that has relationship with aesthetic value, the judgment and analysis of orientation for abstract paintings help artists to better understand why their paintings are ...
doi:10.1007/s11042-015-3104-5
fatcat:6t63bivxafcrbdtksjgo34foz4
A deep-learning framework for human perception of abstract art composition
2021
Journal of Vision
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Humans can perform this task, even for abstract paintings. ...
Interestingly, the more abstract the painting, the more our model relies on extended spatial integration of cues, a property supported by deeper layers. ...
For example, when we say that model performance matches human performance for orienting abstract art, we mean that out of 100 abstract paintings, the model responds on average as correctly as the human ...
doi:10.1167/jov.21.5.9
pmid:33974037
pmcid:PMC8114002
fatcat:zecf7pmnkbgizg3wxtkf5737am
An Oblique Effect in Aesthetics: Homage to Mondrian (1872–1944)
2000
Perception
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This extends an earlier study by Lindauer (1969) who found a preference for the original orientation in a set of rotated abstract paintings by artists (Davis, De Kooning, and Pollock) with a much less ...
Figure 2 shows the mean ratings for each orientation of the paintings. ...
doi:10.1068/p2352
pmid:11145089
fatcat:4caehbm73nd37gtqf7ow7y54pi
Perceptual, semantic and affective dimensions of experience of abstract and representational paintings
2011
Psihologija
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In this study the difference between representational and abstract paintings in judgments on perceptual, semantic and affective dimensions was investigated. ...
On the other hand, abstract paintings have higher judgments on the perceptual dimension of Color, the semantic dimensions of Construction of Reality (the opposite pole of the Illusion of Reality) and Expression ...
Some of these studies were focused on the perceptual aspect of the experience of abstract and representational paintings, such as the sensitivity for the paintings orientation or mirror inversion (Hekkert ...
doi:10.2298/psi1103191m
fatcat:djy57acifvetfoxtd6gapggco4
Page 455 of Psychological Abstracts Vol. 40, Issue 5
[page]
1966
Psychological Abstracts
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Judgments of “correct” were chiefly based on whether the painting had minimal familiarity, i.e., had been unchanged in orientation on the Ist 2 showings. ...
On 3rd showing, Ss judged whether a painting was in the “correct” artist- intended orientation. ...
Page 1099 of Psychological Abstracts Vol. 68, Issue 5
[page]
1982
Psychological Abstracts
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Painting judgments were little affected by the presence of music. ...
Music judgments were, however, more affected by the presence of paintings, especially by the complex paintings with high activity levels that were possibly acting as significant distractors. (9 ref) —Journal ...
The world can look better: enhancing beauty experience with brain stimulation
2013
Social Cognitive and Affective Neuroscience
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Aesthetic appreciation is part of our everyday life: it is a subjective judgment we make when looking at a painting, a landscape, orin factat another person. ...
Neuroimaging and electrophysiological evidence suggests that the left dorsolateral prefrontal cortex (DLPFC) plays a critical role in aesthetic judgments. ...
The lower panel shows abstract exemplars (from left to right: an abstract painting and an abstract design. ...
doi:10.1093/scan/nst165
pmid:24132459
pmcid:PMC4221210
fatcat:boymykcsprfktiss7rysgxdjj4
Page 62 of Psychological Abstracts Vol. 41, Issue 1
[page]
1967
Psychological Abstracts
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Newcomb’s theory of “‘co-orientation” is criticized for suggesting that empirical study might furnish more data about co-orientation as a property of the universe manifest in communicative acts. ...
—An empirical test was made of the relation of self-consistency to strength of the esthetic value in determining esthetic judgments. 25 under- graduate Ss responded to 24 paintings. ...
The Dark Tetrad and aesthetic preferences: The role of the dark side of personality in the aesthetic preference for paintings
2021
Primenjena psihologija
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(religious, abstract, oriental, violence, and landscape). ...
It was shown, based on looking at zero-order correlations that only narcissism positively correlates with the preference for paintings with violent motives. ...
Preference for abstract paintings - 2. Preference for landscape paintings .42 ** - 3. Preference for religious paintings .14 .26 ** - 4. Preference for oriental paintings .37 ** .49 ** .42 ** - 5. ...
doi:10.19090/pp.2021.4.443-463
fatcat:gcmqtwetanbm3c3voo2hkjonsu
The differential power of extraneous influences to modify aesthetic judgments of biological and artifactual stimuli
2020
PsyCh Journal
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paintings with no recognizable objects (which sit in the artifactual category). ...
the extent to which external information is capable of modifying aesthetic ratings given to two different categories of stimuli-images of faces (which belong to the biological category) and those of abstract ...
We tried to minimize the latter by restricting our category of artifactual objects to modern abstract paintings, and ask subjects to give their rating on the basis of the whole painting. ...
doi:10.1002/pchj.415
pmid:33295099
fatcat:fpix3ow7urfprkha4cbxti2p2y
Page 652 of Psychological Abstracts Vol. 48, Issue 4
[page]
1972
Psychological Abstracts
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—Studied the perception of abstract art using 54 paintings by Davis, Pollock, and DeKooning. In Study I, artists and nonartists indicated their preferred orien- tation for the paintings. ...
Also discussed are technological require- ments for operational ranging devices and future plans for an inflight evaluation of methods for flare range estimation.—Journal abstract.
6149. ...
Prediction of beauty and liking ratings for abstract and representational paintings using subjective and objective measures
2018
PLoS ONE
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Prediction was much better for our subjective than objective predictors, and much better for our representational than abstract paintings. ...
For abstract paintings, liking ratings were much more predictable than beauty ratings. Implications and directions for future research are discussed. ...
Why is the prediction of aesthetic judgments better for subjective ratings than for objective measures? Why is prediction better for representational paintings than for abstract paintings? ...
doi:10.1371/journal.pone.0200431
pmid:29979779
pmcid:PMC6034882
fatcat:4onckffvvrayph3kjyvqssq6ju
Page 526 of Psychological Abstracts Vol. 38, Issue 4
[page]
1964
Psychological Abstracts
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of the paintings. ...
—Journal abstract.
986. Unger, Sentend M. (National Inst. Health, Bethesda, Md.) Habituation of the vaso- constrictive orienting reaction. Journal of Expei
al Ps\ holoq\ 1964, 67(1 ), 11-18. ...
Kandinsky or Me? How Free Is the Eye of the Beholder in Abstract Art?
2019
i-Perception
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The perceived lateral position of the balance point systematically affected the left-right orientation preference for a given painting. ...
For spatial perception, we asked participants (a) to determine the "balance point" of an artwork and (b) to indicate their preferences for the original or left-right reversed orientation of previously ...
We also thank all our participants for their careful judgments; Florian Schiller for technical support; Annelie G€ ohler for help with testing; Jing Chen and Jing Huan for their assistance to contact Chinese ...
doi:10.1177/2041669519867973
pmid:31565211
pmcid:PMC6755862
fatcat:rrhhrt6a7jftvownafrqeqe6bm
Kandinsky or me? How free is the eye of the beholder in abstract art?
2017
Journal of Vision
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The perceived lateral position of the balance point systematically affected the left-right orientation preference for a given painting. ...
For spatial perception, we asked participants (a) to determine the "balance point" of an artwork and (b) to indicate their preferences for the original or left-right reversed orientation of previously ...
We also thank all our participants for their careful judgments; Florian Schiller for technical support; Annelie G€ ohler for help with testing; Jing Chen and Jing Huan for their assistance to contact Chinese ...
doi:10.1167/17.10.1178
fatcat:4rb74c264nh3rcgtpn3rdxc46y
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