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Students' Projects Of Interactive Media-Installations In Suac
2006
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projectsin the framework of NIME related courses". ...
I will introduce the production cases withinteractive media-installations by SUAC students' projectsfrom the aspect "experiences with novel interfaces ineducation and entertainment" and "reports on students ...
NIME 06 , 06 June 4-8, 2006, Paris, France. Copyright remains with the author(s). ...
doi:10.5281/zenodo.1176977
fatcat:jt3dyqyjozfsddp4ma5ap57cvi
Using The Augmented Trombone In "I Will Not Kiss Your F.Ing Flag"
2006
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This paper deals with the first musical usage of anexperimental system dedicated to the optical detection ofthe position of a trombone's slide. ...
--a receiver made up of two photo-electric diodes o n the fixed part (figure 2)
NIME 06 , 06 June 4-8, 2006, Paris, France. Copyright remains with the author(s). ...
Beginning of the piece Proceedings of the 2006 International Conference on New Interfaces for Musical Expression (NIME06), Paris, France ...
doi:10.5281/zenodo.1176962
fatcat:2uw4sa4ycjdgtmtv4f4xoboqhy
Auditory Illusion And Violin: Demonstration Of A Work By Jean-Claude Risset Written For Mari Kimura
2006
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Proceedings of the 2006 International Conference on New Interfaces for Musical Expression (NIME06), Paris, France
Figure 3 : 3 Excerpt from Tchaikovsky's Violin Concerto. ...
NIME 06, June 4-8, 2006 , Paris, France Copyright remains with the author(s). Digital echoes and reverberation build up a contrapuntal and harmonic fabric which extends the violin melodies." ...
doi:10.5281/zenodo.1176938
fatcat:yn57vtn5wrghvk52atoklecjha
Sensorwiki.Org: A Collaborative Resource For Researchers And Interface Designers
2006
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It was created at the Input Devices and Music Interaction Laboratory with the aim of promoting and supporting the construction of new musical interfaces. ...
In this paper, the internal framework and categorization scheme for the Wiki is profiled, and each section is introduced. ...
NIME 06, June 4-8, 2006 , Paris, France Copyright remains with the author(s). The largest Wiki by all measurements is the Wikipedia, an online collaborative encyclopedia project [4] . ...
doi:10.5281/zenodo.1177015
fatcat:c3lco5dqyfg5lgr7dyjmsfwi2m
Microphone As Sensor In Mobile Phone Performance
2008
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Using simple feature extraction methods,parameters can be found that sensibly map to synthesis algorithms to allow expressive and interactive performance.For example blowing noise can be used as a wind ...
The microphone Musical Expression (NIME), Paris, France, 2006.
is particularly interesting for picking up performance types [9] T. Jehan, T. Machover, and M. Fabio. ...
In NIME ’06: Proceedings of
playback in a way that would be difficult if the samples to the 2006 conference on New Interfaces for Musical
play were not recorded in advance. ...
doi:10.5281/zenodo.1179485
fatcat:7gws4ltry5huxedhvcngaxdiva
Two Shared Rapid Turn Taking Sound Interfaces For Novices
2012
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In an experiment with a pen tablet interface as the music instrument, users aged 10-13 were to tap tones and continue each other's melody. ...
Finally it proposes a new approach to the design of collaborative and shared music environments that is based on "listening applications". ...
France, June 4-8, 2006). ...
doi:10.5281/zenodo.1178275
fatcat:lp3u6tf4sfa4xaeqedw5yhqpuq
Synthesis And Control On Large Scale Multi-Touch Sensing Displays
2006
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In this paper, we describe our experience in musical interface design for a large scale, high-resolution, multi-touch display surface. ...
We provide an overview of historical and presentday context in multi-touch audio interaction, and describe our approach to analysis of tracked multi-finger, multi-hand data for controlling live audio synthesis ...
NIME 06, June 4-8, 2006, Paris, France. Copyright remains with the author(s). ...
doi:10.5281/zenodo.1176889
fatcat:fvoa4lzxwrchxi6iceo4fq5w2e
The A20 : Musical Metaphors For Interface Design
2008
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The A20 helped users toenact scenarios of everyday mobile music player use and togenerate new design ideas. ...
We combine two concepts, the musical instrument as metaphorand technology probes, to explore how tangible interfaces canexploit the semantic richness of sound. ...
Proceedings of the 2008 Conference on New Interfaces for Musical Expression (NIME08), Genova, Italy
3.2 INSTRUMENT METAPHORS FOR 4. ...
doi:10.5281/zenodo.1179489
fatcat:y47k3exxprefzbzfbfxhzivb6i
The Zkm Klangdom
2006
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It is made up of 39 Meyer Sound loudspeakers hung on four sliding tracks, allowing for easy re-configuration of the speaker setup. ...
The audience sits inside the Klangdom, which can be controlled either directly via a mixer, by externally developed software, or by a sequencer for sound movement, Zirkonium, developed at the ZKM. ...
Nime' 06 , 06 June 4-8, 2006, Paris, France. Copyright remains with the author(s). ...
doi:10.5281/zenodo.1176991
fatcat:ujbowl3a5nfwlhdtcmeov7d3ma
Managing Gesture And Timbre For Analysis And Instrument Control In An Interactive Environment
2006
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A single simple framework is used to manage gestural and timbral information extracted from analysis, and for expressive control of virtual instruments in a free improvisation context. ...
In addition to musical parameters such as pitch and loudness, our system is able to analyze timbral characteristics of the saxophone tone in real-time, and use timbral information to guide the generation ...
ACKNOWLEDGEMENTS Thanks to Miller Puckette,Tristan Jehan and Pantelis Vassilakis for source code and detailed discussions. ...
doi:10.5281/zenodo.1176926
fatcat:7kuoxfdtoraxjat5evt3parsxi
Mary Had A Little Scoretable* Or The Reactable* Goes Melodic
2006
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This paper introduces the scoreTable*, a tangible interactive music score editor which started as a simple application for demoing "traditional" approaches to music creation, using the reacTable* technology ...
After a brief discussion on the role of pitch in music, we present a brief overview of related tangible music editors, and discuss several paradigms in computer music creation, contrasting synchronous ...
Nime'06, June 4-8, 2006, Paris, France. Copyright remains with the author(s). pitch whereas the duration of each note is predetermined by the objects themselves. ...
doi:10.5281/zenodo.1176854
fatcat:pcgitesov5el7bfmdskp2tkcp4
Jamspace: Designing A Collaborative Networked Music Space For Novices
2006
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These include technologicallymediated ways of restoring casual social interactions to the domain of music creation and the preservation of anonymity and privacy for amateur musicians in a group setting ...
An interactive music environment to support real-time jamming by novices and amateur musicians over a network is described. ...
NIME 06, June 4-8, 2006 , Paris, France Copyright remains with the author(s). using technology. ...
doi:10.5281/zenodo.1176914
fatcat:kpgu4o67i5gtbf2jfiubyfg4fi
Creating Ad Hoc Instruments With Pin\&Play\&Perform
2006
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Keywords Ad hoc instruments, Pin&Play, physical interfaces, music performance, new interfaces for musical expression. ...
We conclude b y discussing ad hoc instruments in relationship to physical interfaces, live coding, 'living scores', and issues i n contemporary music performance. ...
ACKNOWLEDGEMENTS JB thanks the UK's Engineering and Physical Sciences Research Council (EPSRC) for a Research Fellowship which supported his contribution to the work reported here. ...
doi:10.5281/zenodo.1176880
fatcat:7yvwgtvwcnfydgeukp2wjovzs4
Non Haptic Control Of Music By Video Analysis Of Hand Movements: 14 Years Of Experience With The `Cam\'{E}Ra Musicale'
2006
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Keywords Musical Camera, camera musicale, non haptic instrument interface, musical hand's mappings, Jacques Rémus'sound sculptures and mechanical musical machines. ...
The "Caméra Musicale" is an interface which allows a musical practice based on the movement of hands and fingers under a camera. ...
NIME 06, June 4-8, 2006 , Paris, France. ...
doi:10.5281/zenodo.1176989
fatcat:4snw3way75dwzgmvv6be4txg3m
Beyond 0-5{V}: Expanding Sensor Integration Architectures
2006
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As well as supporting existing analog sensorarrays a new architecture allows for easy integration of thenew generation of low-cost digital sensors used in computermusic performance instruments and installation ...
A new sensor integration system and its first incarnation i sdescribed. ...
NIME 06 , 06 June 4-8, 2006, Paris, France. Copyright remains with the author(s). ...
doi:10.5281/zenodo.1176902
fatcat:mxlg4dntrvak5ovlgmyhshvufe
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