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Students' Projects Of Interactive Media-Installations In Suac

Yoichi Nagashima
2006 Zenodo  
projectsin the framework of NIME related courses".  ...  I will introduce the production cases withinteractive media-installations by SUAC students' projectsfrom the aspect "experiences with novel interfaces ineducation and entertainment" and "reports on students  ...  NIME 06 , 06 June 4-8, 2006, Paris, France. Copyright remains with the author(s).  ... 
doi:10.5281/zenodo.1176977 fatcat:jt3dyqyjozfsddp4ma5ap57cvi

Using The Augmented Trombone In "I Will Not Kiss Your F.Ing Flag"

Serge Lemouton, Marco Stroppa, Benny Sluchin
2006 Zenodo  
This paper deals with the first musical usage of anexperimental system dedicated to the optical detection ofthe position of a trombone's slide.  ...  --a receiver made up of two photo-electric diodes o n the fixed part (figure 2) NIME 06 , 06 June 4-8, 2006, Paris, France. Copyright remains with the author(s).  ...  Beginning of the piece Proceedings of the 2006 International Conference on New Interfaces for Musical Expression (NIME06), Paris, France  ... 
doi:10.5281/zenodo.1176962 fatcat:2uw4sa4ycjdgtmtv4f4xoboqhy

Auditory Illusion And Violin: Demonstration Of A Work By Jean-Claude Risset Written For Mari Kimura

Mari Kimura, Jean-Claude Risset
2006 Zenodo  
Proceedings of the 2006 International Conference on New Interfaces for Musical Expression (NIME06), Paris, France Figure 3 : 3 Excerpt from Tchaikovsky's Violin Concerto.  ...  NIME 06, June 4-8, 2006 , Paris, France Copyright remains with the author(s). Digital echoes and reverberation build up a contrapuntal and harmonic fabric which extends the violin melodies."  ... 
doi:10.5281/zenodo.1176938 fatcat:yn57vtn5wrghvk52atoklecjha

Sensorwiki.Org: A Collaborative Resource For Researchers And Interface Designers

Marcelo M. Wanderley, David Birnbaum, Joseph Malloch, Elliot Sinyor, Julien Boissinot
2006 Zenodo  
It was created at the Input Devices and Music Interaction Laboratory with the aim of promoting and supporting the construction of new musical interfaces.  ...  In this paper, the internal framework and categorization scheme for the Wiki is profiled, and each section is introduced.  ...  NIME 06, June 4-8, 2006 , Paris, France Copyright remains with the author(s). The largest Wiki by all measurements is the Wikipedia, an online collaborative encyclopedia project [4] .  ... 
doi:10.5281/zenodo.1177015 fatcat:c3lco5dqyfg5lgr7dyjmsfwi2m

Microphone As Sensor In Mobile Phone Performance

Misra Ananya, Georg Essl, Michael Rohs
2008 Zenodo  
Using simple feature extraction methods,parameters can be found that sensibly map to synthesis algorithms to allow expressive and interactive performance.For example blowing noise can be used as a wind  ...  The microphone Musical Expression (NIME), Paris, France, 2006. is particularly interesting for picking up performance types [9] T. Jehan, T. Machover, and M. Fabio.  ...  In NIME06: Proceedings of playback in a way that would be difficult if the samples to the 2006 conference on New Interfaces for Musical play were not recorded in advance.  ... 
doi:10.5281/zenodo.1179485 fatcat:7gws4ltry5huxedhvcngaxdiva

Two Shared Rapid Turn Taking Sound Interfaces For Novices

Anne-Marie Skriver Hansen, Hans Jørgen Andersen, Pirkko Raudaskoski
2012 Zenodo  
In an experiment with a pen tablet interface as the music instrument, users aged 10-13 were to tap tones and continue each other's melody.  ...  Finally it proposes a new approach to the design of collaborative and shared music environments that is based on "listening applications".  ...  France, June 4-8, 2006).  ... 
doi:10.5281/zenodo.1178275 fatcat:lp3u6tf4sfa4xaeqedw5yhqpuq

Synthesis And Control On Large Scale Multi-Touch Sensing Displays

Philip L. Davidson, Jefferson Y. Han
2006 Zenodo  
In this paper, we describe our experience in musical interface design for a large scale, high-resolution, multi-touch display surface.  ...  We provide an overview of historical and presentday context in multi-touch audio interaction, and describe our approach to analysis of tracked multi-finger, multi-hand data for controlling live audio synthesis  ...  NIME 06, June 4-8, 2006, Paris, France. Copyright remains with the author(s).  ... 
doi:10.5281/zenodo.1176889 fatcat:fvoa4lzxwrchxi6iceo4fq5w2e

The A20 : Musical Metaphors For Interface Design

Olivier Bau, Atau Tanaka, Wendy E. Mackay
2008 Zenodo  
The A20 helped users toenact scenarios of everyday mobile music player use and togenerate new design ideas.  ...  We combine two concepts, the musical instrument as metaphorand technology probes, to explore how tangible interfaces canexploit the semantic richness of sound.  ...  Proceedings of the 2008 Conference on New Interfaces for Musical Expression (NIME08), Genova, Italy 3.2 INSTRUMENT METAPHORS FOR 4.  ... 
doi:10.5281/zenodo.1179489 fatcat:y47k3exxprefzbzfbfxhzivb6i

The Zkm Klangdom

Chandrasekhar Ramakrishnan, Joachim Goßman, Ludger Brümmer
2006 Zenodo  
It is made up of 39 Meyer Sound loudspeakers hung on four sliding tracks, allowing for easy re-configuration of the speaker setup.  ...  The audience sits inside the Klangdom, which can be controlled either directly via a mixer, by externally developed software, or by a sequencer for sound movement, Zirkonium, developed at the ZKM.  ...  Nime' 06 , 06 June 4-8, 2006, Paris, France. Copyright remains with the author(s).  ... 
doi:10.5281/zenodo.1176991 fatcat:ujbowl3a5nfwlhdtcmeov7d3ma

Managing Gesture And Timbre For Analysis And Instrument Control In An Interactive Environment

William Hsu
2006 Zenodo  
A single simple framework is used to manage gestural and timbral information extracted from analysis, and for expressive control of virtual instruments in a free improvisation context.  ...  In addition to musical parameters such as pitch and loudness, our system is able to analyze timbral characteristics of the saxophone tone in real-time, and use timbral information to guide the generation  ...  ACKNOWLEDGEMENTS Thanks to Miller Puckette,Tristan Jehan and Pantelis Vassilakis for source code and detailed discussions.  ... 
doi:10.5281/zenodo.1176926 fatcat:7kuoxfdtoraxjat5evt3parsxi

Mary Had A Little Scoretable* Or The Reactable* Goes Melodic

Sergi Jordà, Marcos Alonso
2006 Zenodo  
This paper introduces the scoreTable*, a tangible interactive music score editor which started as a simple application for demoing "traditional" approaches to music creation, using the reacTable* technology  ...  After a brief discussion on the role of pitch in music, we present a brief overview of related tangible music editors, and discuss several paradigms in computer music creation, contrasting synchronous  ...  Nime'06, June 4-8, 2006, Paris, France. Copyright remains with the author(s). pitch whereas the duration of each note is predetermined by the objects themselves.  ... 
doi:10.5281/zenodo.1176854 fatcat:pcgitesov5el7bfmdskp2tkcp4

Jamspace: Designing A Collaborative Networked Music Space For Novices

Michael Gurevich
2006 Zenodo  
These include technologicallymediated ways of restoring casual social interactions to the domain of music creation and the preservation of anonymity and privacy for amateur musicians in a group setting  ...  An interactive music environment to support real-time jamming by novices and amateur musicians over a network is described.  ...  NIME 06, June 4-8, 2006 , Paris, France Copyright remains with the author(s). using technology.  ... 
doi:10.5281/zenodo.1176914 fatcat:kpgu4o67i5gtbf2jfiubyfg4fi

Creating Ad Hoc Instruments With Pin\&Play\&Perform

John Bowers, Nicolas Villar
2006 Zenodo  
Keywords Ad hoc instruments, Pin&Play, physical interfaces, music performance, new interfaces for musical expression.  ...  We conclude b y discussing ad hoc instruments in relationship to physical interfaces, live coding, 'living scores', and issues i n contemporary music performance.  ...  ACKNOWLEDGEMENTS JB thanks the UK's Engineering and Physical Sciences Research Council (EPSRC) for a Research Fellowship which supported his contribution to the work reported here.  ... 
doi:10.5281/zenodo.1176880 fatcat:7yvwgtvwcnfydgeukp2wjovzs4

Non Haptic Control Of Music By Video Analysis Of Hand Movements: 14 Years Of Experience With The `Cam\'{E}Ra Musicale'

Jacques Rémus
2006 Zenodo  
Keywords Musical Camera, camera musicale, non haptic instrument interface, musical hand's mappings, Jacques Rémus'sound sculptures and mechanical musical machines.  ...  The "Caméra Musicale" is an interface which allows a musical practice based on the movement of hands and fingers under a camera.  ...  NIME 06, June 4-8, 2006 , Paris, France.  ... 
doi:10.5281/zenodo.1176989 fatcat:4snw3way75dwzgmvv6be4txg3m

Beyond 0-5{V}: Expanding Sensor Integration Architectures

Adrian Freed, Rimas Avizienis, Matthew Wright
2006 Zenodo  
As well as supporting existing analog sensorarrays a new architecture allows for easy integration of thenew generation of low-cost digital sensors used in computermusic performance instruments and installation  ...  A new sensor integration system and its first incarnation i sdescribed.  ...  NIME 06 , 06 June 4-8, 2006, Paris, France. Copyright remains with the author(s).  ... 
doi:10.5281/zenodo.1176902 fatcat:mxlg4dntrvak5ovlgmyhshvufe
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