Filters








378 Hits in 8.1 sec

Making a robot dance to diverse musical genre in noisy environments

Joao Lobato Oliveira, Keisuke Nakamura, Thibault Langlois, Fabien Gouyon, Kazuhiro Nakadai, Angelica Lim, Luis Paulo Reis, Hiroshi G. Okuno
<span title="">2014</span> <i title="IEEE"> <a target="_blank" rel="noopener" href="https://fatcat.wiki/container/dmucnarmarh2fj6syg5jyqs7ny" style="color: black;">2014 IEEE/RSJ International Conference on Intelligent Robots and Systems</a> </i> &nbsp;
A robot dance demonstration session confirms the applicability of the proposed integration for genre-adaptive dancing robots in real-world noisy environments.  ...  In this paper we address the problem of musical genre recognition for a dancing robot with embedded microphones capable of distinguishing the genre of a musical piece while moving in a real-world scenario  ...  In this paper, we propose musical genre recognition for a dancing robot in noisy environments. Our long-reaching goal is a robot that can dance to live music or an arbitrary piece of music.  ... 
<span class="external-identifiers"> <a target="_blank" rel="external noopener noreferrer" href="https://doi.org/10.1109/iros.2014.6942812">doi:10.1109/iros.2014.6942812</a> <a target="_blank" rel="external noopener" href="https://dblp.org/rec/conf/iros/OliveiraNLGNLRO14.html">dblp:conf/iros/OliveiraNLGNLRO14</a> <a target="_blank" rel="external noopener" href="https://fatcat.wiki/release/q6uip5cowfdtvdmkuocelop4ry">fatcat:q6uip5cowfdtvdmkuocelop4ry</a> </span>
<a target="_blank" rel="noopener" href="https://web.archive.org/web/20170921222351/http://winnie.kuis.kyoto-u.ac.jp/members/okuno/Public/IROS2014-Oliveira.pdf" title="fulltext PDF download" data-goatcounter-click="serp-fulltext" data-goatcounter-title="serp-fulltext"> <button class="ui simple right pointing dropdown compact black labeled icon button serp-button"> <i class="icon ia-icon"></i> Web Archive [PDF] <div class="menu fulltext-thumbnail"> <img src="https://blobs.fatcat.wiki/thumbnail/pdf/a7/55/a755706dce6390dfef4f7f5bd30bc41c4761b8dc.180px.jpg" alt="fulltext thumbnail" loading="lazy"> </div> </button> </a> <a target="_blank" rel="external noopener noreferrer" href="https://doi.org/10.1109/iros.2014.6942812"> <button class="ui left aligned compact blue labeled icon button serp-button"> <i class="external alternate icon"></i> ieee.com </button> </a>

Crossdressing to Backbeats: The Status of the Electroclash Producer and the Politics of Electronic Music

David Madden
<span title="">2012</span> <i title="Dancecult: Journal of Electronic Dance Music Culture"> <a target="_blank" rel="noopener" href="https://fatcat.wiki/container/kvaxcp2qzzbrjj3inyx4rk3r3y" style="color: black;">Dancecult: Journal of Electronic Dance Music Culture</a> </i> &nbsp;
The genre signals an attempt to reinvigorate dance music with a sense of sexuality, personality and irony.  ...  These changes are discussed in relation to the way electroclash producers Peaches, Le Tigre, Chicks on Speed, and Miss Kittin and the Hacker often used a hybrid approach to production that involves the  ...  I would also like to thank the editors at Dancecult.  ... 
<span class="external-identifiers"> <a target="_blank" rel="external noopener noreferrer" href="https://doi.org/10.12801/1947-5403.2012.04.02.02">doi:10.12801/1947-5403.2012.04.02.02</a> <a target="_blank" rel="external noopener" href="https://fatcat.wiki/release/cpg4efcfxfabzgmt6tmf2uu4cq">fatcat:cpg4efcfxfabzgmt6tmf2uu4cq</a> </span>
<a target="_blank" rel="noopener" href="https://web.archive.org/web/20180603182456/https://dj.dancecult.net/index.php/dancecult/article/download/342/342" title="fulltext PDF download" data-goatcounter-click="serp-fulltext" data-goatcounter-title="serp-fulltext"> <button class="ui simple right pointing dropdown compact black labeled icon button serp-button"> <i class="icon ia-icon"></i> Web Archive [PDF] <div class="menu fulltext-thumbnail"> <img src="https://blobs.fatcat.wiki/thumbnail/pdf/14/ea/14eacf331c9aee8c592d9955ea31e465e5e3951a.180px.jpg" alt="fulltext thumbnail" loading="lazy"> </div> </button> </a> <a target="_blank" rel="external noopener noreferrer" href="https://doi.org/10.12801/1947-5403.2012.04.02.02"> <button class="ui left aligned compact blue labeled icon button serp-button"> <i class="unlock alternate icon" style="background-color: #fb971f;"></i> Publisher / doi.org </button> </a>

Toward Ubimus Philosophical Frameworks

Damián Keller, Luzilei Aliel, Marcos Célio Filho, Leandro Costalonga
<span title="2021-01-01">2021</span> <i title="Walter de Gruyter GmbH"> <a target="_blank" rel="noopener" href="https://fatcat.wiki/container/5433wv3egzf53agy4vv4yhvc4i" style="color: black;">Open Philosophy</a> </i> &nbsp;
We tackle the philosophical implications of post-2020 music practices. To situate our discussion, we address pending issues in current definitions of music-making.  ...  toward a new notion of musicality.  ...  Acknowledgements: We would like to thank the editors for their support throughout the revision process. Conflict of interest: Authors state no conflict of interest.  ... 
<span class="external-identifiers"> <a target="_blank" rel="external noopener noreferrer" href="https://doi.org/10.1515/opphil-2020-0188">doi:10.1515/opphil-2020-0188</a> <a target="_blank" rel="external noopener" href="https://fatcat.wiki/release/4ejfapjlyfcx7n5mx7q3kkqujm">fatcat:4ejfapjlyfcx7n5mx7q3kkqujm</a> </span>
<a target="_blank" rel="noopener" href="https://web.archive.org/web/20211209201319/https://www.degruyter.com/document/doi/10.1515/opphil-2020-0188/pdf" title="fulltext PDF download" data-goatcounter-click="serp-fulltext" data-goatcounter-title="serp-fulltext"> <button class="ui simple right pointing dropdown compact black labeled icon button serp-button"> <i class="icon ia-icon"></i> Web Archive [PDF] <div class="menu fulltext-thumbnail"> <img src="https://blobs.fatcat.wiki/thumbnail/pdf/82/55/825509fa40b3f9e8bba8792ba4191ae39c2a307f.180px.jpg" alt="fulltext thumbnail" loading="lazy"> </div> </button> </a> <a target="_blank" rel="external noopener noreferrer" href="https://doi.org/10.1515/opphil-2020-0188"> <button class="ui left aligned compact blue labeled icon button serp-button"> <i class="unlock alternate icon" style="background-color: #fb971f;"></i> degruyter.com </button> </a>

Music and Brain Today

Mladen Milicevic, Loyola Marymount
<span title="">2013</span> <i title="EJournal Publishing"> <a target="_blank" rel="noopener" href="https://fatcat.wiki/container/px6o5tfvqfemhcybfaj5hr5y7q" style="color: black;">International Journal of Social Science and Humanity</a> </i> &nbsp;
The retrieval of memory from these multiple neural circuits is required in order to reconstruct in our mind the representation of those music patterns.  ...  The most recent research in neuroscience shows that the human brain "deconstructs" music patterns and then takes the elements of that "deconstruction" in order to store them in the brain's multiple memory  ...  The purpose of expectation in a species is to predict events in the environment, and if those predictions are correct that can have a strong survival importance.  ... 
<span class="external-identifiers"> <a target="_blank" rel="external noopener noreferrer" href="https://doi.org/10.7763/ijssh.2013.v3.281">doi:10.7763/ijssh.2013.v3.281</a> <a target="_blank" rel="external noopener" href="https://fatcat.wiki/release/ff2ineuhzbfpzj5rgw7wymyqju">fatcat:ff2ineuhzbfpzj5rgw7wymyqju</a> </span>
<a target="_blank" rel="noopener" href="https://web.archive.org/web/20180720163718/http://www.ijssh.org/papers/281-T00017.pdf" title="fulltext PDF download" data-goatcounter-click="serp-fulltext" data-goatcounter-title="serp-fulltext"> <button class="ui simple right pointing dropdown compact black labeled icon button serp-button"> <i class="icon ia-icon"></i> Web Archive [PDF] <div class="menu fulltext-thumbnail"> <img src="https://blobs.fatcat.wiki/thumbnail/pdf/e4/ac/e4ac4cb6bedad1098349f7242b67a7d9a1ef82b9.180px.jpg" alt="fulltext thumbnail" loading="lazy"> </div> </button> </a> <a target="_blank" rel="external noopener noreferrer" href="https://doi.org/10.7763/ijssh.2013.v3.281"> <button class="ui left aligned compact blue labeled icon button serp-button"> <i class="unlock alternate icon" style="background-color: #fb971f;"></i> Publisher / doi.org </button> </a>

WhoLoDancE: Deliverable 9.7 - First periodic report

Edwin Morley-Fletcher, Mirko De Maldè
<span title="2017-12-01">2017</span> <i title="Zenodo"> Zenodo </i> &nbsp;
The report describes the activity performed in the project in the first reporting period (M1 - M18) and the progress status of the work in respect to the original workplan.  ...  Taking into account the diversity and heterogeneity of dance teaching and learning across genres and contexts, as well as the fact that WhoLoDancE deals with four completely different dance genres, Ballet  ...  suitable to describe emotion in music for dance performances.  ... 
<span class="external-identifiers"> <a target="_blank" rel="external noopener noreferrer" href="https://doi.org/10.5281/zenodo.1069164">doi:10.5281/zenodo.1069164</a> <a target="_blank" rel="external noopener" href="https://fatcat.wiki/release/hu37xwx7zvhpvgdfetuidshuxe">fatcat:hu37xwx7zvhpvgdfetuidshuxe</a> </span>
<a target="_blank" rel="noopener" href="https://web.archive.org/web/20200221070436/https://zenodo.org/record/1069164/files/D9.7%20First%20intermediate%20report.pdf" title="fulltext PDF download" data-goatcounter-click="serp-fulltext" data-goatcounter-title="serp-fulltext"> <button class="ui simple right pointing dropdown compact black labeled icon button serp-button"> <i class="icon ia-icon"></i> Web Archive [PDF] <div class="menu fulltext-thumbnail"> <img src="https://blobs.fatcat.wiki/thumbnail/pdf/bc/d2/bcd2c5d423769fc0e2346ed903b72b904e88b40f.180px.jpg" alt="fulltext thumbnail" loading="lazy"> </div> </button> </a> <a target="_blank" rel="external noopener noreferrer" href="https://doi.org/10.5281/zenodo.1069164"> <button class="ui left aligned compact blue labeled icon button serp-button"> <i class="unlock alternate icon" style="background-color: #fb971f;"></i> zenodo.org </button> </a>

Interactive sonification strategies for the motion and emotion of dance performances

Steven Landry, Myounghoon Jeon
<span title="2020-03-14">2020</span> <i title="Springer Science and Business Media LLC"> <a target="_blank" rel="noopener" href="https://fatcat.wiki/container/hmmcyz2yynhvndfbj74w4a3yxy" style="color: black;">Journal on Multimodal User Interfaces</a> </i> &nbsp;
allows for it to be applied to a variety of data types (input) and music genres (output).  ...  The other three emotion scenarios used a similar pop-electronic musical genre.  ...  Hypothesis Result H1a Dual modality conditions will result in higher emotional accuracy compared to either music only or dance only conditions ✓ H2a Angry will be confused more often with happy than for  ... 
<span class="external-identifiers"> <a target="_blank" rel="external noopener noreferrer" href="https://doi.org/10.1007/s12193-020-00321-3">doi:10.1007/s12193-020-00321-3</a> <a target="_blank" rel="external noopener" href="https://fatcat.wiki/release/wfyunc4uobhpzezaqqc6cdarl4">fatcat:wfyunc4uobhpzezaqqc6cdarl4</a> </span>
<a target="_blank" rel="noopener" href="https://web.archive.org/web/20200320015600/https://digitalcommons.mtu.edu/cgi/viewcontent.cgi?article=1995&amp;context=etdr" title="fulltext PDF download" data-goatcounter-click="serp-fulltext" data-goatcounter-title="serp-fulltext"> <button class="ui simple right pointing dropdown compact black labeled icon button serp-button"> <i class="icon ia-icon"></i> Web Archive [PDF] <div class="menu fulltext-thumbnail"> <img src="https://blobs.fatcat.wiki/thumbnail/pdf/7a/6d/7a6d256311db02ff9c5902106b2f61afea5f4d5d.180px.jpg" alt="fulltext thumbnail" loading="lazy"> </div> </button> </a> <a target="_blank" rel="external noopener noreferrer" href="https://doi.org/10.1007/s12193-020-00321-3"> <button class="ui left aligned compact blue labeled icon button serp-button"> <i class="external alternate icon"></i> springer.com </button> </a>

Artificial Musical Intelligence: A Survey [article]

Elad Liebman, Peter Stone
<span title="2020-06-17">2020</span> <i > arXiv </i> &nbsp; <span class="release-stage" >pre-print</span>
This article provides a definition of musical intelligence, introduces a taxonomy of its constituent components, and surveys the wide range of AI methods that can be, and have been, brought to bear in  ...  Computers have been used to analyze and create music since they were first introduced in the 1950s and 1960s.  ...  Robotic agents are autonomous systems which need to sense their environments, make decisions, and perform complex continuous control in order to achieve their goals.  ... 
<span class="external-identifiers"> <a target="_blank" rel="external noopener" href="https://arxiv.org/abs/2006.10553v1">arXiv:2006.10553v1</a> <a target="_blank" rel="external noopener" href="https://fatcat.wiki/release/2j6i27wrsfawpgcr2unxdgngd4">fatcat:2j6i27wrsfawpgcr2unxdgngd4</a> </span>
<a target="_blank" rel="noopener" href="https://web.archive.org/web/20200620004336/https://arxiv.org/pdf/2006.10553v1.pdf" title="fulltext PDF download" data-goatcounter-click="serp-fulltext" data-goatcounter-title="serp-fulltext"> <button class="ui simple right pointing dropdown compact black labeled icon button serp-button"> <i class="icon ia-icon"></i> Web Archive [PDF] </button> </a> <a target="_blank" rel="external noopener" href="https://arxiv.org/abs/2006.10553v1" title="arxiv.org access"> <button class="ui compact blue labeled icon button serp-button"> <i class="file alternate outline icon"></i> arxiv.org </button> </a>

Survival Research Laboratories: A Dystopian Industrial Performance Art

Nicolas Ballet
<span title="2019-01-29">2019</span> <i title="MDPI AG"> <a target="_blank" rel="noopener" href="https://fatcat.wiki/container/dn3byo2nl5gc3prh4fc6s7g724" style="color: black;">Arts</a> </i> &nbsp;
Ballard, and which in turn revealed the ultimate direction in which all of these artists sensed society to be heading: towards a world in which sex itself has fallen under the mechanical demiurge.  ...  Graeme Revell, and all of whom shared a common interest in the same influences.  ...  specific to the industrial genre.  ... 
<span class="external-identifiers"> <a target="_blank" rel="external noopener noreferrer" href="https://doi.org/10.3390/arts8010017">doi:10.3390/arts8010017</a> <a target="_blank" rel="external noopener" href="https://fatcat.wiki/release/jq4tj6bqvjcklny46arwkeyfoe">fatcat:jq4tj6bqvjcklny46arwkeyfoe</a> </span>
<a target="_blank" rel="noopener" href="https://web.archive.org/web/20190503174727/https://res.mdpi.com/arts/arts-08-00017/article_deploy/arts-08-00017-v2.pdf?filename=&amp;attachment=1" title="fulltext PDF download" data-goatcounter-click="serp-fulltext" data-goatcounter-title="serp-fulltext"> <button class="ui simple right pointing dropdown compact black labeled icon button serp-button"> <i class="icon ia-icon"></i> Web Archive [PDF] <div class="menu fulltext-thumbnail"> <img src="https://blobs.fatcat.wiki/thumbnail/pdf/9b/04/9b0432e2a64b318570475c94504b55d59b568b58.180px.jpg" alt="fulltext thumbnail" loading="lazy"> </div> </button> </a> <a target="_blank" rel="external noopener noreferrer" href="https://doi.org/10.3390/arts8010017"> <button class="ui left aligned compact blue labeled icon button serp-button"> <i class="unlock alternate icon" style="background-color: #fb971f;"></i> mdpi.com </button> </a>

Noisy Fields: Interference and Equivocality in the Sonic Legacies of Information Theory

Nicholas A. Knouf
<span title="">2015</span> <i title="MIT Press - Journals"> <a target="_blank" rel="noopener" href="https://fatcat.wiki/container/yoanb4kkfnexxgd4hwdu5ganfy" style="color: black;">Leonardo: Journal of the International Society for the Arts, Sciences and Technology</a> </i> &nbsp;
Noise tends to bring diverse disciplinary approaches together, interfering in their constitution and their dynamics.  ...  Finally, I listen to the electronic vocal manipulations of Maja Ratkje and Holly Herndon iv to consider a micropolitics of the noisy voice.  ...  In this sense, then, Herndon is already upsetting the formulas of genred dance music by incorporating the voice within a genre not accustomed to it⁸⁰.  ... 
<span class="external-identifiers"> <a target="_blank" rel="external noopener noreferrer" href="https://doi.org/10.1162/leon_a_01110">doi:10.1162/leon_a_01110</a> <a target="_blank" rel="external noopener" href="https://fatcat.wiki/release/ufx4ddxx3bel3dsbpxo4h4aw4i">fatcat:ufx4ddxx3bel3dsbpxo4h4aw4i</a> </span>
<a target="_blank" rel="noopener" href="https://web.archive.org/web/20190429150751/https://ecommons.cornell.edu/bitstream/handle/1813/39023/nak44.pdf;jsessionid=EE9A1765007B8EB624E19A131D89BB91?sequence=2" title="fulltext PDF download" data-goatcounter-click="serp-fulltext" data-goatcounter-title="serp-fulltext"> <button class="ui simple right pointing dropdown compact black labeled icon button serp-button"> <i class="icon ia-icon"></i> Web Archive [PDF] <div class="menu fulltext-thumbnail"> <img src="https://blobs.fatcat.wiki/thumbnail/pdf/51/c6/51c6db7c8303710fefe7f08b93062589f0cef4d4.180px.jpg" alt="fulltext thumbnail" loading="lazy"> </div> </button> </a> <a target="_blank" rel="external noopener noreferrer" href="https://doi.org/10.1162/leon_a_01110"> <button class="ui left aligned compact blue labeled icon button serp-button"> <i class="external alternate icon"></i> mitpressjournals.org </button> </a>

Designing Mechatronic Musical Instruments: The Guitar

Dale A. Carnegie, Jim W. Murphy, Juan Pablo Yepez Placencia
<span title="">2020</span> <i title="Institute of Electrical and Electronics Engineers (IEEE)"> <a target="_blank" rel="noopener" href="https://fatcat.wiki/container/q7qi7j4ckfac7ehf3mjbso4hne" style="color: black;">IEEE Access</a> </i> &nbsp;
However, factors such as the ubiquitous acceptance of the microcontroller led to a resurgent interest in this field.  ...  In the same manner that there is not one best way to play a guitar and no best guitar design, so too is there no "best" chordophone design.  ...  They also wish to acknowledge the incredible project work undertaken by the various groups in our Advanced Music Mechatronics course at Victoria University of Wellington.  ... 
<span class="external-identifiers"> <a target="_blank" rel="external noopener noreferrer" href="https://doi.org/10.1109/access.2020.2981052">doi:10.1109/access.2020.2981052</a> <a target="_blank" rel="external noopener" href="https://fatcat.wiki/release/mn3v2ifeo5hhdi3p4q4fe3k3sm">fatcat:mn3v2ifeo5hhdi3p4q4fe3k3sm</a> </span>
<a target="_blank" rel="noopener" href="https://web.archive.org/web/20201107232105/https://ieeexplore.ieee.org/ielx7/6287639/8948470/09037315.pdf" title="fulltext PDF download" data-goatcounter-click="serp-fulltext" data-goatcounter-title="serp-fulltext"> <button class="ui simple right pointing dropdown compact black labeled icon button serp-button"> <i class="icon ia-icon"></i> Web Archive [PDF] <div class="menu fulltext-thumbnail"> <img src="https://blobs.fatcat.wiki/thumbnail/pdf/83/3f/833f88990623bbd5d8f6f3dbd76613a01803f364.180px.jpg" alt="fulltext thumbnail" loading="lazy"> </div> </button> </a> <a target="_blank" rel="external noopener noreferrer" href="https://doi.org/10.1109/access.2020.2981052"> <button class="ui left aligned compact blue labeled icon button serp-button"> <i class="unlock alternate icon" style="background-color: #fb971f;"></i> ieee.com </button> </a>

11. Continuity and Reinvention [chapter]

Sille Kapper
<span title="">2020</span> <i title="Open Book Publishers"> Waltzing Through Europe </i> &nbsp;
She also refers in brief to the folk-dance movement.  ...  She surveys round dance forms described or referred to as part of this information, and discusses the relationship between round dances and other dances in a local community, particularly if that community  ...  An engineer is able to make a robot that dances the Minuet and the Waltz in a splendid way, but he cannot make one for the Hungarian dance and cannot compose such music. […] The facial expressions of these  ... 
<span class="external-identifiers"> <a target="_blank" rel="external noopener noreferrer" href="https://doi.org/10.11647/obp.0174.11">doi:10.11647/obp.0174.11</a> <a target="_blank" rel="external noopener" href="https://fatcat.wiki/release/ljw7bdkcojdv5h3zu366n3jwuq">fatcat:ljw7bdkcojdv5h3zu366n3jwuq</a> </span>
<a target="_blank" rel="noopener" href="https://web.archive.org/web/20200914092100/https://www.openbookpublishers.com/10.11647/OBP.0174.pdf" title="fulltext PDF download" data-goatcounter-click="serp-fulltext" data-goatcounter-title="serp-fulltext"> <button class="ui simple right pointing dropdown compact black labeled icon button serp-button"> <i class="icon ia-icon"></i> Web Archive [PDF] </button> </a> <a target="_blank" rel="external noopener noreferrer" href="https://doi.org/10.11647/obp.0174.11"> <button class="ui left aligned compact blue labeled icon button serp-button"> <i class="unlock alternate icon" style="background-color: #fb971f;"></i> Publisher / doi.org </button> </a>

Strategies for spatial music performance: the practicalities and aesthetics of responsive systems design

Ricky Graham, Brian Bridges
<span title="">2015</span> <i title="University of Huddersfield Press"> <a target="_blank" rel="noopener" href="https://fatcat.wiki/container/deo7todgr5gmbiorfuxim3w2bu" style="color: black;">Divergence Press</a> </i> &nbsp;
A total of 358 submissions were made in all categories of the call. All submissions in the paper and art tracks were subject to a single-blind peer review process by a group of international experts.  ...  Reviewed submissions in the art track were programmed by a senior curator.  ...  entering the dance floor and thereby makes music the most prominent parameter in terms of attracting dance floor activity.  ... 
<span class="external-identifiers"> <a target="_blank" rel="external noopener noreferrer" href="https://doi.org/10.5920/divp.2015.33">doi:10.5920/divp.2015.33</a> <a target="_blank" rel="external noopener" href="https://fatcat.wiki/release/xbb7altyobafvfiidg2adzn7l4">fatcat:xbb7altyobafvfiidg2adzn7l4</a> </span>
<a target="_blank" rel="noopener" href="https://web.archive.org/web/20180722002813/http://www.l--l.dk/downloadables/re-new_2013_conference_proceeding.pdf" title="fulltext PDF download" data-goatcounter-click="serp-fulltext" data-goatcounter-title="serp-fulltext"> <button class="ui simple right pointing dropdown compact black labeled icon button serp-button"> <i class="icon ia-icon"></i> Web Archive [PDF] </button> </a> <a target="_blank" rel="external noopener noreferrer" href="https://doi.org/10.5920/divp.2015.33"> <button class="ui left aligned compact blue labeled icon button serp-button"> <i class="unlock alternate icon" style="background-color: #fb971f;"></i> Publisher / doi.org </button> </a>

Report on WEMIS 2009

Nicola Orio, Andreas Rauber, David Rizo
<span title="">2009</span> <i title="CNRI Acct"> <a target="_blank" rel="noopener" href="https://fatcat.wiki/container/ugbiirfvufgcjkx33r3cmemcuu" style="color: black;">D-Lib Magazine</a> </i> &nbsp;
We would like to express our sincere gratitude to the ECDL' 09 organizers, and specially to the members of the program committee for ensuring a high quality proceedings. This document can be found at:  ...  This document contains the 13 papers presented at WEMIS 2009, held in Corfu, Greece, October 1-2 , 2009.  ...  ACKNOWLEDGEMENTS We would like to thank all the participants in our research for providing us with briefs and being so free with their valuable time.  ... 
<span class="external-identifiers"> <a target="_blank" rel="external noopener noreferrer" href="https://doi.org/10.1045/november2009-orio">doi:10.1045/november2009-orio</a> <a target="_blank" rel="external noopener" href="https://fatcat.wiki/release/zel4p7ushfhc7edqcafbryjlvu">fatcat:zel4p7ushfhc7edqcafbryjlvu</a> </span>
<a target="_blank" rel="noopener" href="https://web.archive.org/web/20180721065838/http://www.dlsi.ua.es/wemis09/proceedingswemis2009.pdf" title="fulltext PDF download" data-goatcounter-click="serp-fulltext" data-goatcounter-title="serp-fulltext"> <button class="ui simple right pointing dropdown compact black labeled icon button serp-button"> <i class="icon ia-icon"></i> Web Archive [PDF] <div class="menu fulltext-thumbnail"> <img src="https://blobs.fatcat.wiki/thumbnail/pdf/6b/9c/6b9c91c2894dff04d085063699238babdcb5ac0b.180px.jpg" alt="fulltext thumbnail" loading="lazy"> </div> </button> </a> <a target="_blank" rel="external noopener noreferrer" href="https://doi.org/10.1045/november2009-orio"> <button class="ui left aligned compact blue labeled icon button serp-button"> <i class="unlock alternate icon" style="background-color: #fb971f;"></i> dlib.org </button> </a>

Laptop Performers, Compact Disc Designers, and No-Beat Techno Artists in Japan: Music from Nowhere

Emmanuelle Loubet
<span title="">2000</span> <i title="MIT Press - Journals"> <a target="_blank" rel="noopener" href="https://fatcat.wiki/container/ukib5uxsv5exvpt6ucd3qkadia" style="color: black;">Computer Music Journal</a> </i> &nbsp;
Acknowledgments I would like to acknowledge the following for their collaboration through interviews: Masami Akita, Tokiwa Hibiki, Sunao Inami, Kimitaka Matsumae, Masahiro Miwa, Sachiko M., Hifumi Nakajima  ...  His music is a meta-music made of original recreations of diverse genres mixed into a constant flow, though guided by a profound sense of the unity of sonic time and place.  ...  In techno, one can observe this new digital music scene in a truly genuine manner; not the techno of the dance floor, but that created by DJs for listening.  ... 
<span class="external-identifiers"> <a target="_blank" rel="external noopener noreferrer" href="https://doi.org/10.1162/014892600559498">doi:10.1162/014892600559498</a> <a target="_blank" rel="external noopener" href="https://fatcat.wiki/release/5563vdhxmzcbvdi47vcbgoltza">fatcat:5563vdhxmzcbvdi47vcbgoltza</a> </span>
<a target="_blank" rel="noopener" href="https://web.archive.org/web/20210410102253/https://watermark.silverchair.com/014892600559498.pdf?token=AQECAHi208BE49Ooan9kkhW_Ercy7Dm3ZL_9Cf3qfKAc485ysgAAAqQwggKgBgkqhkiG9w0BBwagggKRMIICjQIBADCCAoYGCSqGSIb3DQEHATAeBglghkgBZQMEAS4wEQQMTnkB0cm3SoO4SpjnAgEQgIICVwP564h1OQ10tvXvX_vkPP9jziBd_HP4j6STrbtfsV9V_q9NU9SEB1qPuLW2CZ3xQ-tjAp0Fod11hZ_HGoNYDJgXPCPjZ0cbeeQoEivZo7UCagE22vqBzlxWtfsdQ1XyxRdsYqAPJcSoxfjDXNcBK7KDrBg1TjgCw3d4XP5Af8K9A2jtNDBZXuMirc5IOK7KxAAV4VumHJjU0mCswWZ9bQuEE5V2mDpC1r-k6N-eQYoHHgjkxz6b7M3OWIrSj3svxPVgx3znCJJvw9PGZO6-BB7Irgd8FG19o1yHcWcWil0NSPGaprP_hQI8ovDUBnojlF3Q8ZygH8ZZdTV2Dw5RGmL5h2Alovhso_TEYZ_GaCDj3v8vuy0JAj1yaq2s_2YKEUaQRLqNugzoeadPGO5a_sgFFDEPKOmnEDGw0GKrEPBV5CiQdgtuic2ryQLfJhBkD-20B-jIRGnBYMh5DBHMUzPBQHYqG5W-dfUOHk1RhxYDaxC7VcDkTWaSAXcnCpV4d3ihOvqySeCZj6VDPNwvG8luR_jGQ_uXReAXvzn07rPdapYl9leCjYAqMVcuW2f7nacUxjhWpU-XK1cfnxFwDqBc5NEh-0CJREjetwGHXnFW0OW_WNz9skRTGRNRa_ZpUBVr7LEZb9YO5Gn-RTuixKsbZuA4LR1l2n6SPbELi23Ldvr6J2FWu2Cjq-w5HXv1CH3EjK2Jox72RGgpn1_68vpU7VYyLFd8xTor8qiO76upz7-g9hrmUz4eoeShSYg-yx7jv8FjTcVNIYQVtbP7LcYAHRhFemvv" title="fulltext PDF download" data-goatcounter-click="serp-fulltext" data-goatcounter-title="serp-fulltext"> <button class="ui simple right pointing dropdown compact black labeled icon button serp-button"> <i class="icon ia-icon"></i> Web Archive [PDF] <div class="menu fulltext-thumbnail"> <img src="https://blobs.fatcat.wiki/thumbnail/pdf/ad/72/ad72b72ee48cf1bfe25ed4dc56b8f28a221b6346.180px.jpg" alt="fulltext thumbnail" loading="lazy"> </div> </button> </a> <a target="_blank" rel="external noopener noreferrer" href="https://doi.org/10.1162/014892600559498"> <button class="ui left aligned compact blue labeled icon button serp-button"> <i class="external alternate icon"></i> mitpressjournals.org </button> </a>

Avant-Garde Glitch: Red Noise, Purple Haze, Black Box [chapter]

<span title="2019-12-17">2019</span> <i title="University of California Press"> High-Tech Trash: Glitch, Noise, and Aesthetic Failure </i> &nbsp;
Both are connected to a noisy signal passing through a sound circuit.  ...  as a trademark of the genre.  ... 
<span class="external-identifiers"> <a target="_blank" rel="external noopener noreferrer" href="https://doi.org/10.1525/luminos.83.c">doi:10.1525/luminos.83.c</a> <a target="_blank" rel="external noopener" href="https://fatcat.wiki/release/nchzhtlxdzeazom473v2lhbvyu">fatcat:nchzhtlxdzeazom473v2lhbvyu</a> </span>
<a target="_blank" rel="noopener" href="https://web.archive.org/web/20200507060435/https://www.luminosoa.org/site/chapters/10.1525/luminos.83.c/download/3886/" title="fulltext PDF download" data-goatcounter-click="serp-fulltext" data-goatcounter-title="serp-fulltext"> <button class="ui simple right pointing dropdown compact black labeled icon button serp-button"> <i class="icon ia-icon"></i> Web Archive [PDF] <div class="menu fulltext-thumbnail"> <img src="https://blobs.fatcat.wiki/thumbnail/pdf/89/fa/89fa553b10226cbb06235646ec8f9464ee130665.180px.jpg" alt="fulltext thumbnail" loading="lazy"> </div> </button> </a> <a target="_blank" rel="external noopener noreferrer" href="https://doi.org/10.1525/luminos.83.c"> <button class="ui left aligned compact blue labeled icon button serp-button"> <i class="external alternate icon"></i> Publisher / doi.org </button> </a>
&laquo; Previous Showing results 1 &mdash; 15 out of 378 results