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Visualising data in digital cinema studies

Deb Verhoeven, Pierluigi Ercole, Daniela Treveri Gennari, Silvia Dibeltulo, Lies Van de Vijver
2016 Alphaville: Journal of Film and Screen Media  
"big data" studies of contemporary cultural diffusion.  ...  The article reflects on work undertaken in the Kinomatics Project, a multidisciplinary study that explores, analyses and visualises the industrial geometry of motion pictures and which is one of the first  ...  of motion”) and is one of the first big data studies of contemporary cultural distribution.  ... 
doi:10.33178/alpha.11.06 fatcat:xbdgy5a46ncenfcwhumagrja5m

Cinema heritage in Europe

Pierluigi Ercole, Daniela Treveri Gennari, Silvia Dibeltulo, Lies Van de Vijver, Pierluigi Ercole, Daniela Treveri Gennari, Silvia Dibeltulo, Lies Van de Vijver
2016 Alphaville: Journal of Film and Screen Media  
The author focuses on work undertaken in The Kinomatics Project, a multidisciplinary study and one of the first big data studies of contemporary cultural diffusion that explores, analyses and visualises  ...  The corpus of data on European cinema culture is very heterogeneous.  ... 
doi:10.33178/alpha.11.00 fatcat:escgkhzb65fk3cmcva7d55oueq

Mapping Flat, Deep, and Slow: On the 'Spirit of Place' in New Cinema History

Jeffrey Klenotic
2020 Tijdschrift voor Mediageschiedenis  
New Cinema History is conceptualised as a place continually produced in and through its interactions with the heterogeneous multiplicities of situated audiences and experiences of cinema that form the  ...  This essay engages in a creative, heuristic, and reflexive consideration of the 'localities' of cinema audiences by exploring New Cinema History as a place.  ...  , and artistic endeavor.' 93 The Kinomatics Project, which explores intersections of New Cinema History, the creative industries, digital humanities, and big data, has been particularly innovative in  ... 
doi:10.18146/tmg.789 fatcat:utp6hbcapza4hd2tafjwfd72gm

Moving Films: Visualising Film Flow in Three European Cities in 1952

Clara Pafort-Overduin, Kathleen Lotze, Åsa Jernudd, Thunnis Van Oort
2020 Tijdschrift voor Mediageschiedenis  
The objective is to test an approach for making transnational comparisons of distribution and exhibition based on film programming data.  ...  Our aim is to show how these visualisations can be helpful in characterising and comparing cinema markets in an attempt to answer the question of how films move through a city from one cinema to the other  ...  data; Jaap Boter for his help on a first version of the maps; and John Sedgwick for his insightful comments on an earlier version.  ... 
doi:10.18146/tmg.790 fatcat:xe53y5fuwrafbdycv53ei7tt2a

Visualising Data in Digital Cinema Studies: More than Just Going through the Motions?

Deb Verhoeven
unpublished
"big data" studies of contemporary cultural diffusion.  ...  The article reflects on work undertaken in the Kinomatics Project, a multidisciplinary study that explores, analyses and visualises the industrial geometry of motion pictures and which is one of the first  ...  Acknowledgments The author would like to acknowledge members of the Kinomatics research team who contributed to the work on which this article is based: Colin Arrowsmith, Bronwyn Coate, Alwyn Davidson,  ... 
fatcat:5p6hg4zlo5cmdk22yciqmse5oe

Writing Cinema Histories with Digital Databases: The Case of Cinema Context

Julia Noordegraaf, Kathleen Lotze, Jaap Boter
2018
Cinema Context is a relational database and research instrument for studying the history of film culture in the Netherlands.  ...  In this article, we review the online database Cinema Context (www.cinemacontext.nl) and its impact on the study of historical film cultures.  ...  Dutch film culture.' 11 In this study, we review Cinema Context and how it relates to, and shapes, the study of historical film cultures.  ... 
doi:10.18146/2213-7653.2018.369 fatcat:kxr2nhmxwbalfhk2kdepdycgqy

The Current Landscape of Film Archiving and How Study Programs Can Contribute

Adelheid Heftberger
Institutionalizing Moving Image Archival Training   unpublished
Therefore, I see the graduates of these programs as managers in the best sense: people with a love of film and an understanding of film material in every shape and form, but with the ability to lobby for  ...  the safeguarding and promotion of audiovisual heritage, and to develop collaborative strategies in order to better achieve this goal.  ...  automated sharing of rich cultural data and metadata among software platforms.  ... 
fatcat:4ngxgonpibfhxcjmljg6rrhxje

Zeitschrift für Medienwissenschaft. Heft 23: Zirkulation

(:Unkn) Unknown, Mediarep.Org, Gesellschaft Für Medienwissenschaft
2020 Zeitschrift für Medienwissenschaft  
strategy of the study is conventional and efficient, with a first two-dimension analysis of the ocean flow around the boom and the skirt, and a particle model to have a first idea of the plastic parts  ...  Then two 3D studies are completed to analyze the effect of the boom angles on the flow and the catch probability.  ...  and nourishment, to which the men would return at the end of each hot, sweaty day.  ... 
doi:10.25969/mediarep/14830 fatcat:pruw5vrvbjek3emrfj25ga6waq

Medienindustrien. Aktuelle Perspektiven aus der deutschsprachigen Medienwissenschaft [article]

(:Unkn) Unknown, Mediarep, Philipps Universität Marburg, Florian Krauß, Skadi Loist
2019
Workshop- und Konferenzthemen, Forschungsprojekte sowie Verzahnungen mit Media Industry Studies in weiteren Sprachräumen und Ländern sind deutliche Indizien.  ...  Bordwell u.a.: The Classical Hollywood Cinema, S. xiii. ANDY RÄDER Szczepanik: »The State-Socialist Mode of Production and the Political History of Production Culture«.  ...  (Hrsg.): Cultural Industries and the Production of 84 Vgl. Wulff: »Introducing the Anthropologist as Writer«. Culture (Routledge Studies in International Business and the World Economy 85 Vgl.  ... 
doi:10.25969/mediarep/3532 fatcat:uvg2twp75vfhzmc44shsnmr4hy