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Ian Whalley, Ken Fields
2012 Organised Sound  
Beginning from a wide theoretical discussion in 'Internet2 and Global Electroacoustic Music: Navigating a decision space of production, relationships and languages', Ian Whalley maps a multi-dimensional  ...  Ian Whalley ( Ken Fields ( Downloaded from  ... 
doi:10.1017/s1355771811000586 fatcat:6wxpsu72ozcvhi3gmm2xvyqa6q


Lonce Wyse, Ian Whalley
2014 Organised Sound  
Like several contributors to this issue, Ian Whalley is a composer who has also developed an interactive score system.  ...  Lonce Wyse ( Ian Whalley ( Downloaded from  ... 
doi:10.1017/s1355771814000193 fatcat:spq5sxrpn5dbnligzxesr32tiu

Generative Improv . \& Interactive Music Project (Giimp)

Ian Whalley
2010 Zenodo  
While Paine's conversational model is a useful starting point in advancing interactive music systems research, the limitations have been noted in the literature [see Whalley, 16] , as not all conversations  ... 
doi:10.5281/zenodo.1177923 fatcat:sivgxldrujaqtnbe4bgqz3o6pe

New technology, non-Western instruments and composition

Ian Whalley
2005 Organised Sound  
In the final paper dedicated to the theme, Ian Whalley looks at traditional New Zealand Mäori instruments, composition and digital technology.  ... 
doi:10.1017/s1355771805000610 fatcat:h2ehzsvdhbhnvb7uiglo4qfxcm

Rural coworking: "It's becoming contagious"

2021 Regions Magazine  
The Covid-19 pandemic has sparked many questions about the future of work and employment with increasing rates of remote working expected to persist. The possibility that commuters will spend less time in city centres, has led many industry experts to predict new growth in rural coworking. In this article, we draw on interviews with 15 coworking operators to examine the new
doi:10.1080/13673882.2021.00001096 fatcat:l5fij7qpenalrcqrevo3ezouzm

Applications of system dynamics modelling to computer music

2000 Organised Sound  
Initial work explored alternative methods of scoring in the idiom (Whalley 1999a) .  ...  This was extended to address concerns about a diminishing sense of music as a dramatic art in much current computer music (Whalley 1999b) .  ... 
doi:10.1017/s1355771800005057 fatcat:bpj2vzwhrfcqlo5gb4e24h7opy

What provides cerebral reserve?

Roger T. Staff, Alison D. Murray, Ian J. Deary, Lawrence J. Whalley
2004 Brain  
., 2001; Whalley, 2002) . We have found that bigger brains do not act as a proxy of reserve in terms of the passive model for reserve mediation.  ... 
doi:10.1093/brain/awh144 pmid:15047587 fatcat:g2lgo33rdfgznl2gdvlwh2nnbu

PIWeCS: enhancing human/machine agency in an interactive composition system

2004 Organised Sound  
A high level of expertise is scripted into the MAS based on the author's knowledge and experience of the instruments and their electroacoustic manipulations (Whalley 2002) .  ...  contrast, the ability to create within and extend known archetypes reflects a view where the needs of innovation and communication are more carefully balanced in a creative outcome (see Milicevic 1998; Whalley  ... 
doi:10.1017/s135577180400024x fatcat:5yfmj2rapvfshdfqnxf3mzvqim

Desert loess: a selection of relevant topics

Ian Smalley, John Marshall, Kathryn Fitzsimmons, W. Brian Whalley, Samson Ngambi
2019 Geologos  
The Whalley group material had been wrongly assigned to the Heller & Liu paper. The Whalley group paper should be third on the desert loess listing.  ...  The quotation is a critical statement from Whalley et al. (1982) .  ... 
doi:10.2478/logos-2019-0007 fatcat:2kntz2hoqfhkhdvyonkwp3sm7u

Charles O. Nussbaum: The Musical Representation: Meaning, Ontology, and Emotion

Ian Whalley
2009 Computer Music Journal  
doi:10.1162/comj.2009.33.3.65 fatcat:2ojhdnmdefeitkzw5xexdrbzkq

HIEMPA: Hybrid Instruments from Electroacoustic Manipulation and Models of Pütorino and Aquascape

Ian Whalley
2008 Organised Sound  
COMPOSITIONAL THEME Following this work Ian Whalley and Buddy Te Whare discussed a cultural and environmental basis to tie together a collection of compositions.  ...  Finally, Ian Whalley, the Digital Music Studio Director at the University of Waikato, acted as the project director. He aided the collection of all sound material, and subsequent audio analysis.  ... 
doi:10.1017/s1355771808000356 fatcat:q33qtamfobhene6ptph6s5hvwy

Server virtualization in autonomic management of heterogeneous workloads

Malgorzata Steinder, Ian Whalley, David Chess
2008 ACM SIGOPS Operating Systems Review  
Server virtualization opens up a range of new possibilities for autonomic datacenter management, through the availability of new automation mechanisms that can be exploited to control and monitor tasks running within virtual machines. This offers not only new and more flexible control to the operator using a management console, but also more powerful and flexible autonomic control, through management software that maintains the system in a desired state in the face of changing workload and
more » ... d. This paper explores in particular the use of server virtualization technology in the autonomic management of data centers running a heterogeneous mix of workloads. We present a system that manages heterogeneous workloads to their performance goals and demonstrate its effectiveness via realsystem experiments and simulation. We also present some of the significant challenges to wider usage of virtual servers in autonomic datacenter management.
doi:10.1145/1341312.1341329 fatcat:4groubta7bhcbhe72inhfwjrae

Traditional New Zealand Mäori Instruments, Composition and Digital Technology: some recent collaborations and processes

2005 Organised Sound  
Extending this approach and using similar production techniques, but manipulating the source material extensively to create new instruments and sonic textures, Ian Whalley (2002) used a range of samples  ...  The group incorporated Polynesian rhythms played on purposely constructed and tuned percussion instruments made from PVC plastic pipes (Dart, Elmsly and Whalley 2001; Whalley 2004a) .  ... 
doi:10.1017/s1355771805000671 fatcat:ithfd247yvhs7mlmhkjhpmiy7a

Improving processor efficiency by statically pipelining instructions

Ian Finlayson, Brandon Davis, Peter Gavin, Gang-Ryung Uh, David Whalley, Magnus Själander, Gary Tyson
2013 SIGPLAN notices  
A new generation of applications requires reduced power consumption without sacrificing performance. Instruction pipelining is commonly used to meet application performance requirements, but some implementation aspects of pipelining are inefficient with respect to energy usage. We propose static pipelining as a new instruction set architecture to enable more efficient instruction flow through the pipeline, which is accomplished by exposing the pipeline structure to the compiler. While this
more » ... ach simplifies hardware pipeline requirements, significant modifications to the compiler are required. This paper describes the code generation and compiler optimizations we implemented to exploit the features of this architecture. We show that we can achieve performance and code size improvements despite a very low-level instruction representation. We also demonstrate that static pipelining of instructions reduces energy usage by simplifying hardware, avoiding many unnecessary operations, and allowing the compiler to perform optimizations that are not possible on traditional architectures.
doi:10.1145/2499369.2465559 fatcat:ntxqjagaibchvojzqdefk7bz6u

Work in Progress: Availability-Aware Self-Configuration in Autonomic Systems [chapter]

David M. Chess, Vibhore Kumar, Alla Segal, Ian Whalley
2004 Lecture Notes in Computer Science  
The Unity project is a prototype autonomic system demonstrating and validating a number of ideas about self-managing computing systems. We are currently working to enhance the self-configuring and self-optimizing aspects of the system by incorporating the notion of component availability into the system's policies, and into its models of itself.
doi:10.1007/978-3-540-30184-4_22 fatcat:r7h7mzmxcjd7lli2tdqa3ijxnm
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