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Gamut extension for cinema: psychophysical evaluation of the state of the art and a new algorithm

Syed Waqas Zamir, Javier Vazquez-Corral, Marcelo Bertalmío, Bernice E. Rogowitz, Thrasyvoulos N. Pappas, Huib de Ridder
2015 Human Vision and Electronic Imaging XX  
Wide gamut digital display technology, in order to show its full potential in terms of colors, is creating an opportunity to develop gamut extension algorithms (GEAs).  ...  First we report a psychophysical evaluation of GEAs specifically for cinema using a digital cinema projector under cinematic (low ambient light) conditions; to the best of our knowledge this is the first  ...  Last but not least, the authors would like to express their gratitude to Barco N.V. for their invaluable help, without which this work would not have been possible.  ... 
doi:10.1117/12.2081152 dblp:conf/hvei/ZamirVB15 fatcat:xfj3vqwts5dprcakj7ygogayce

21.3: New Metric for Display Color Gamut Evaluation

Moshe Ben Chorin, Dan Eliav, Shmuel Roth, Assaf Pagi, Ilan Ben-David
2007 SID Symposium Digest of Technical Papers  
We suggest a metric for evaluating color gamut of displays based on summing the probability of using a certain part of the display color gamut multiplied by an impact parameter for that color region.  ...  We further present methods for evaluating the probability of use, and the impact of color.  ...  In particular, for home cinema and TV applications a logical design target should be the cinema color gamut.  ... 
doi:10.1889/1.2785487 fatcat:hcaho5634jfl7lkqnn3e6wq4cq

Vision Models for Wide Color Gamut Imaging in Cinema

Syed Waqas Zamir, Javier Vazquez-Corral, Marcelo Bertalmio
2019 IEEE Transactions on Pattern Analysis and Machine Intelligence  
Our experiments also highlight the limitations of existing objective metrics for the gamut mapping problem.  ...  In this paper we propose a novel framework that is based on vision science models, performs both gamut reduction and gamut extension, is of low computational complexity, produces results that are free  ...  Special thanks to Dirk Maes from Barco N.V. and to Stephane Cattan from Deluxe-Spain for their invaluable help and unwavering support.  ... 
doi:10.1109/tpami.2019.2938499 pmid:31725369 fatcat:dh5tqae4xjfjzgty4e3nomggpy

SMPTE Digital Cinema White Gamut Practices Study Group Report

Rod Bogart, Rick Sayre
2009 SMPTE Motion Imaging Journal  
White Gamut This document seeks to define a White Gamut for use in digital cinema.  ...  DCP “G” compared with RP gamut 40 // SMPTE Motion Imaging Journal PROPOSAL We propose a defined White Gamut for digital cinema to provide for consistent and repeatable results from mastering through to  ... 
doi:10.5594/j15984 fatcat:s3w7e6hiqnh75gj4ykrvps4gyu

Gamut mapping for visual attention retargeting

Javier Vazquez-Corral, Marcelo Bertalmío
2017 Final program and proceedings (Color and Imaging Conference)  
In short, visual attention retargeting can be achieved by performing gamut extension in those regions that we want to highlight and gamut reduction in the other regions.  ...  In this work, we show that we can pose the visual retargeting problem in terms of gamut mapping.  ...  We run our method in RGB color space for gamut reduction and CIELAB color space for gamut extension with the parameters proposed in [20] and [18] , respectively.  ... 
doi:10.2352/issn.2169-2629.2017.25.313 fatcat:homrvhdsbze3zmxpf6wqkpv3de

High dynamic range imaging

Paul Debevec, Erik Reinhard, Greg Ward, Sumanta Pattanaik
2004 Proceedings of the conference on SIGGRAPH 2004 course notes - GRAPH '04  
-Widely used for still projection systems -Already in trials for digital cinema • Silicon Light Machines Grating Light Valve -Amazing dynamic range, widest gamut -Still in development -Promising  ...  digital photography • Extensions to MPEG?  ... 
doi:10.1145/1103900.1103914 dblp:conf/siggraph/DebevecRWP04 fatcat:hhtnq7x37bfmdnmqnysp355ojm

21.1:Invited Paper: The Hopeful Future of High Dynamic Range Imaging

Greg Ward
2007 SID Symposium Digest of Technical Papers  
Several years later, 24-bit and 32-bit LogLuv extensions were added to the TIFF library, covering the full visible color gamut and dynamic range [Ward Larson 98] .  ...  No theater owner wants to make an expensive upgrade that amounts to a backwards step in quality, so HDR could even be considered a prerequisite for digital cinema.  ... 
doi:10.1889/1.2785485 fatcat:7fu6p4alunce3jdkdnrgvush2q

Page 557 of SMPTE Motion Imaging Journal Vol. 109, Issue 7 [page]

2000 SMPTE Motion Imaging Journal  
research should be to establish a set of gamma curves for perceived intensity and a larger and possibly adapted color gamut for use in electronic cinema applications.  ...  MPEG Encoding for Electronic Cinema When considering MPEG encoders for electronic cinema many of the performance criteria are similar to that of a broadcast MPEG encoder.  ... 

Color Processing for Digital Cinema 1: Background, Encoding and Decoding Equations, Encoding Primaries, and the Exponent (1/2.6)

Thomas O. Maier
2007 SMPTE Motion Imaging Journal  
The Minimum D-Cinema Gamut primary set in Fig. 1 is the set that existed in the year 2000, in the DLP Cinema projector using filtered Xenon light.  ...  Location of the Encoding Primaries There are many ways in which a color gamut can be displayed; however, the most common method used in the discussions of the location of the primaries for D-Cinema was  ... 
doi:10.5594/j16048 fatcat:cl3xw52ayrevbp2uevpkm6nvxa

Page 47 of SMPTE Motion Imaging Journal Vol. 118, Issue 7 [page]

2009 SMPTE Motion Imaging Journal  
Sayre has also been involved extensively in theater and interactive art, and drew from this experience to develop an innovative animation input device, for which he received a Sci Tech Academy Award.  ...  Process ing for D-Cinema,” Chairman: Howard Lukk, Walt Disney Studios Secretary: Bill Kinder, Pixar Animation Studios Contributors: Rod Bogart, Pixar Animation Studios: Reine Doetzkies,  ... 

4.5: Multi-primary LCD for TV Applications

Shmuel Roth, Nir Weiss, Moshe Ben Chorin, Ilan Ben David, Ching Hung Chen
2007 SID Symposium Digest of Technical Papers  
Multi-primary technology is applied to get wide gamut high efficiency LCD panels, suitable for high quality TV applications.  ...  We will present trade-off analysis, experimental results and comparison to other gamut enhancement technologies.  ...  (a) (b) (c) (d ) (e) three dimensional color gamut of the display to as close as possible to cinema gamut.  ... 
doi:10.1889/1.2785219 fatcat:m5wfupgv4vde7hfbdkfxgglvyi

Page 585 of SMPTE Motion Imaging Journal Vol. 110, Issue 9 [page]

2001 SMPTE Motion Imaging Journal  
The fact that CRT phosphors have to compromise between produc- ing a wide color gamut and a pleasing- ly bright image is reflected in these reference primaries: the image signal will not yield any extension  ...  He is also involved in developing electronic imaging solu- tions for new applications such as digital cinema.  ... 

Full Issue PDF

2014 SMPTE Motion Imaging Journal  
) do not define a mandatory gamut mapping strategy for digital cinema pro jection.  ...  METHODS According to the SMPTE digital cinema standards, gamut mapping for digital cinema provides well-defined requirements and condi- tions.  ... 
doi:10.5594/j18491 fatcat:jwl2fxlrdzhbxa66nq2vdkgcti

Reports from the SMPTE Technology Committees

John Snow, Michael Zink, Dave Schnuelle, John C. Miller, Dean Bullock, Chis Witham, Michael A. Dolan, Brian Long, Bill Redmann, John Hurst, Michael DeValue, Paul Gardiner (+7 others)
2018 SMPTE Motion Imaging Journal  
It also specifies specific parameter values for FS-Gamut and FS-Log, and associated transfer characteristics for professional cameras that make use of FS-Gamut and FS-Log.  ...  This project is to develop a new standard ST 2115 to specify the general application of Free Scale Gamut (FS-Gamut) and FS logarithmic (FS-Log) transfer characteristics for cameras used in broadcast production  ...  He previously spent more than ten years at Fraunhofer, where he developed software for Digital Cinema and IMF mastering, worked with industry forums like ISDCF and IMF User Group and contributed to efforts  ... 
doi:10.5594/jmi.2018.2850380 fatcat:6eeyfvxrcfealkocmbpu24gi3i

Page 50 of SMPTE Motion Imaging Journal Vol. 123, Issue 6 [page]

2014 SMPTE Motion Imaging Journal  
Hwang, J x x 2 sf Large-area laser projection system using 2 white laser 4 r 71 P or - y POSIU VIGE € J Ipe VOI. z is a prominent engineering executive in cinema, broadcast and digital media, with extensive  ...  cinema.  ... 
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