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Napster: Infinite Digital Jukebox or Pirate Bazaar?

Matthew Rimmer
2001 Media International Australia: Incorporating Culture & Policy  
The debate over Napster and file-sharing programs has been dominated by American copyright owners, users and distributors.  ...  The controversy over the file-sharing program Napster has been a focal point for debate among copyright users, distributors and creators.  ...  In response to the claims of copyright infringement, Napster declared its intention to comply with the Digital Millennium Copyright Act 1998 (US).  ... 
doi:10.1177/1329878x0109800106 fatcat:fcivbwa4bjbdbpekdtsuhzkjtq

Copyright Use and Excuse on the Internet

Jane C. Ginsburg
2000 Social Science Research Network  
Because Napster "samples" are "full, free and permanent," they also compete with the copyright owner's digital download market.  ...  But if copyright management information-less copies circulate without the link to their proprietor's information, then the goals of a copyright management information system -to facilitate licensing and  ... 
doi:10.2139/ssrn.239747 fatcat:3nrggagaafh7vlu2kum3vkcjjq

CAN HEATHER GILLETTE SAVE YOUTUBE? INTERNET SERVICE PROVIDERS AND COPYRIGHT LIABILITY

2007 Issues in Information Systems  
But YouTube's future success is contingent upon its ability to avoid copyright liability lawsuits that destroyed an earlier generation of online firms like Napster and Grokster.  ...  This paper describes YouTube's products and technology, summarizes the potential legal case against YouTube, discusses the relevant legal precedents, and concludes with an assessment of YouTube's future  ...  Rights of reproduction and distribution -two of the exclusive rights of copyright holders -were deemed to have been infringed.  ... 
doi:10.48009/2_iis_2007_225-231 fatcat:wcgibsljjnbibnnpiidmbtvd6q

Hukum dan Teknologi: Model Kolaborasi Hukum dan Teknologi dalam Kerangka Perlindungan Hak Cipta di Internet

Budi Agus Riswandi
2016 JURNAL HUKUM IUS QUIA IUSTUM  
Third, the instrument of the copyright protection in internet collaborates between the technology and legal approach as seen in the regulation in Article 11 and 18 WIPO Internet Treaties and in some other  ...  Second, how is the development of the copyright protection recently? Third, is the collaboration of law and technology as the model of copyright protection on internet?  ...  Copyrights Law and Practice, Butterworths LexisNexis, United Kingdom, 2002, hlm. 10 4 Emilija Arsenova, "Technical aspects of Digital Rights Management," Seminar: Digital Rights Management, hlm. 3.  ... 
doi:10.20885/iustum.vol23.iss3.art1 fatcat:amacmygssrgxpcffqoaomkwjba

Disruptive Technology and Common Law Lawmaking: A Brief Analysis of A&M Records, Inc. v. Napster, Inc

Michael W. Carroll
2003 Social Science Research Network  
The result in Napster I and Napster II would probably not have been different had Napster constrained itself contractually from terminating user accounts, or perhaps given users a role in managing the  ...  Statutory Defenses Napster also asserted statutory defenses under the Audio Home Recording Act and the Digital Millennium Copyright Act.  ... 
doi:10.2139/ssrn.376920 fatcat:egqcegk2sfbldaqqxcliz5j37a

Copyright, Prevention, and Rational Governance: File-Sharing and Napster

Michael A. Einhorn
2002 Social Science Research Network  
The difficulties of making assessments will compound further yet, as other music services come into existence, and labels deploy digital rights management and other protection strategies in order to protect  ...  In addition to digital documents, software, and photographs, file-sharing can enable the unauthorized transfer and copying of copyrighted music, books, and movie files.  ... 
doi:10.2139/ssrn.342901 fatcat:nwgxkysycvgo5pjkocfpcwnemi

Rip, Mix, Burn: The politics of peer to peer and copyright law (originally published in August 2002)

Kathy Bowrey, Matthew Rimmer
2005 First Monday  
Copyright law, through regulation of content, had a role in managing the relationship between these parties or perspectives of the digital agenda.  ...  "The Next Economy Of Ideas: Will Copyright Survive The Napster Bomb?" Wired, volume 8, number 10 (October), p. 240. 5. See Part 1. 6. Digital Millennium Copyright Act 1998, s1201 (U.S.).  ... 
doi:10.5210/fm.v0i0.1456 fatcat:sw5wgdjw3nbqplocpybp5z4hxi

Rip, Mix, Burn: The Politics of Peer to Peer and Copyright Law

Kathy Bowrey, Matthew Rimmer
2002 First Monday  
Acknowledgments The authors would like to thank Valerie Kerruish and Lloyd Sharp for their insights and support. Notes  ...  Copyright law, through regulation of content, had a role in managing the relationship between these parties or perspectives of the digital agenda.  ...  The motivation is that of understanding how copyright law has managed its "representativeness" and the practical implications of the mismanagement of social diversity.  ... 
doi:10.5210/fm.v7i8.974 fatcat:opft2szmw5hn5b25maackm7zw4

Copyright and the Internet: The case of Napster

Gülbin Kıranoğlu
2016 Journal of human sciences  
In the postindustrial world, information is not only a revolutionary phenomenon but also a valuable commodity of exchange, thereby protected by intellectual property rights, copyrights and patents.  ...  This article aims to understand the turn-of-the-21st-century tension between the record industry and the innovative technology of Napster, regarding the question of validity of the legal concept of copyright  ...  by intellectual property rights, copyrights, and patents 2 .  ... 
doi:10.14687/jhs.v13i2.3839 fatcat:u4v6dkfxtnczxn6jquivjmeyqi

A Preliminary Economic Analysis of Napster: Internet Technology, Copyright Liability, and the Possibility of Coasean Bargaining

Alfred C. Yen
2001 Social Science Research Network  
The cost of inducing Napster, Inc.'s cooperation is probably not high enough to deter a firm with the assets of Sony or Time-Warner from acting. Napster, Inc. is a  ...  REV. 1329, ). 13 See Julie Cohen, A Right to Read Anonymously: A Closer Look at "Copyright Management" in Cyberspace, 28 Conn. L.  ...  of Napster. 62 Regardless of how courts decide the case, the party with the most efficient use for Napster will eventually manage to buy the necessary rights in a freely negotiated 58 Theorem and  ... 
doi:10.2139/ssrn.259550 fatcat:iobtagc3a5g5zc2hru5yafravu

Copyright and the architecture of digital delivery

Dan L. Burk
2014 First Monday  
“Materiality and textuality in digital rights management,” Computers and Composition , volume 27, number 3, pp. 225–234. doi: http://dx.doi.org/10.1016/j.compcom.2010.06.007, accessed 10 September 2014  ...  — such rights were dispositive to the Napster case itself, and to the its legacy of designing around copyright doctrines.  ... 
doi:10.5210/fm.v19i10.5544 fatcat:f2j63z44ufdbjl7ozh445f2lya

Page 154 of SMPTE Motion Imaging Journal Vol. 111, Issue 4 [page]

2002 SMPTE Motion Imaging Journal  
The Digital Millennium Copyright Act (DMCA) has done little to promote a sensible and practical examination of the hot-button issue of digital rights management (DRM).  ...  An intelligent approach to digital rights management on the internet should address business and technological issues though a software- based, flexible, rapid-response security solution. he rapidly converging  ... 

The Creative Destruction of Copyright: Napster and the New Economics of Digital Technology

Raymond Shih Ray Ku
2002 The University of Chicago Law Review  
for digital content With respect to the creation of music this Article argues that exclusive rights to reproduce and distribute copies provide little if any incentive for creation, and that digital technology  ...  To determine whether sharing music over peer-to-peer networks such as Napster should be considered copyright infringement, we must first conclude that digital works are entitled to copyright protection  ...  Bell, Fair Use v& Fared Use: The Impact of Automated Rights Management on Copyright's Fair Use Doctrine, 76 NC L Rev 557,564-67 (1998) (arguing that an automated rights management system enabling providers  ... 
doi:10.2307/1600355 fatcat:3yx44ami7ngptav2fvgtoyysla

The Creative Destruction of Copyright: Napster and the New Economics of Digital Technology

Raymond Shih Ray Ku
2001 Social Science Research Network  
for digital content With respect to the creation of music this Article argues that exclusive rights to reproduce and distribute copies provide little if any incentive for creation, and that digital technology  ...  To determine whether sharing music over peer-to-peer networks such as Napster should be considered copyright infringement, we must first conclude that digital works are entitled to copyright protection  ...  Bell, Fair Use v& Fared Use: The Impact of Automated Rights Management on Copyright's Fair Use Doctrine, 76 NC L Rev 557,564-67 (1998) (arguing that an automated rights management system enabling providers  ... 
doi:10.2139/ssrn.266964 fatcat:q5j6ud7ierhjdnhddwuvsj5lpe

The Escalating Copyright Wars

Peter K. Yu
2003 Social Science Research Network  
rights management tools that help enable and manage transactions made in the online world.  ...  : Napster and the New Economics of Digital Technology, 69 U.  ... 
doi:10.2139/ssrn.436693 fatcat:r5y3clhuvjhjnezdxmgjsynz6y
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