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Evaluation of Neurocinema as An Introduction to an Interdisciplinary Science

Abdorreza Naser Moghadasi
2020 CINEJ Cinema Journal  
As cinema is heavily influenced by technology, the quality of cinema and whatever it deals with, will vary to respond in advancements of technology.  ...  The mentioned science not only investigates this effect but also seeks to answer how a good movie takes control of the neural pathways.  ...  Furthermore, it can be mentioned that cinema acts as a kind of conscious experience because it has some effects on the brain and controls the neural functions of the brain during watching the movie.  ... 
doi:10.5195/cinej.2020.267 fatcat:ordcxvl32ngmfl5jkv3nmixdom

Enactive cinema paves way for understanding complex real-time social interaction in neuroimaging experiments

Pia Tikka, Aleksander Väljamäe, Aline W. de Borst, Roberto Pugliese, Niklas Ravaja, Mauri Kaipainen, Tapio Takala
2012 Frontiers in Human Neuroscience  
at particular brain regions of interest.  ...  We outline general theoretical and practical implications of what we promote as enactive cinema for the neuroscientific study of online socio-emotional interaction.  ...  ENACTIVE CINEMA FOR SOCIAL REAL-TIME NEUROSCIENCE Rather than studying the variation of brain responses as a function of a-priori fixed stimuli we suggest the study of brain activity as a function of dynamically  ... 
doi:10.3389/fnhum.2012.00298 pmid:23125829 pmcid:PMC3485651 fatcat:7c4qriv7evgohjvgppkf6pwnzm

The cinema-cognition dialogue: a match made in brain

Yadin Dudai
2012 Frontiers in Human Neuroscience  
My position is that the art of cinema is particularly suited to explore the intriguing dialogue between art and the brain.  ...  In parallel, it also provides a useful and promising device for investigating brain and cognition.  ...  ACKNOWLEDGMENTS I am grateful to Rina Dudai and Uri Hasson for enriching discussions of cinema, and to Aya Ben-Yakov, Micah Edelson, and Alex Pine for helpful comments.  ... 
doi:10.3389/fnhum.2012.00248 pmid:22969715 pmcid:PMC3432871 fatcat:lqfb56bibfbedpocygfgs3qgpi

Enheduanna – A Manifesto of Falling: first demonstration of a live brain-computer cinema performance with multi-brain BCI interaction for one performer and two audience members

Polina Zioga, Paul Chapman, Minhua Ma, Frank Pollick
2016 Digital Creativity  
However, the field of live brain-computer cinema and mixed-media performances is rather new, compared to installations and music performances that involve multi-brain BCIs.  ...  We discuss Enheduanna -A Manifesto of Falling, the first demonstration of a live braincomputer cinema performance that enables the real-time brain-activity interaction of one performer and two audience  ...  The passive derive their outputs from 'arbitrary brain activity without the purpose of voluntary control', in contrast to 'active' BCIs where the outputs are derived from brain activity 'consciously controlled  ... 
doi:10.1080/14626268.2016.1260593 fatcat:vfmq6uyi7jhwlo62k5tshpvn4a

The Illusion of Continuity: Active Perception and the Classical Editing System

Todd Berliner, Dale J. Cohen
2011 Journal of Film and Video  
Our experience of the physical world exists in our brains, and a controlled stimulus can cue our brains to experience a world that is virtually physical.  ...  By contrast, controlled systems require both conscious control and focused attention. Figure 2 provides demonstrations of automatic and controlled processing.  ... 
doi:10.1353/jfv.2011.0008 fatcat:rmsgt5jyyjgqnep7bucjm3xyuy

The Neuro-Image: a Deleuzian Film-Philosophy of Digital Screen Culture, by Patricia Pisters

Thorsten Botz-Bornstein, Pierluigi Ercole
2012 Alphaville: Journal of Film and Screen Media  
The screen (wherever it is supposed to be) "is a manipulative force that has the power to create (new) circuits in the brain", but the "brain itself has certain controlling powers as well" (96).  ...  Deleuze and Guattari refer to basic connections between the brain and cinema and, more precisely, between rhizomatic thinking and neuroscientific studies of the brain.  ... 
doi:10.33178/alpha.4.10 fatcat:2dntrotadvfevjbo2t7c425lg4

The representation of segmental information: An fMRI investigation of the consonant-vowel distinction

G MICELI
2004 Brain and Language  
The experimental set consisted of 20 pictures, whose names corresponded to 6-letter, simple-CV words without repeated letters (e.g., cinema). Serial position was controlled for consonants and vowels.  ...  The experimental task consisted of four conditions in which the target letter could be a vowel in position 2 or 4 (e.g., cinema) or a consonant in position 3 or 5 (e.g., cinema).  ... 
doi:10.1016/j.bandl.2004.06.021 fatcat:2k54bx7px5fpbjtyvg6qlt6oay

Page 57 of Psychological Bulletin Vol. 39, Issue 1 [page]

1942 Psychological Bulletin  
Objective methods for the analysis of human brain cases. 2. Charting the visual fields with direct control of ocular fixation. Chicago: Univ. Chicago, 1938. 400 ft., silent, monochrome, $5.00 rental.  ...  Bethlehem, Pa.: Psychological Cinema Register, 1457 Main St., 1941. 310 ft., silent, monochrome, $15.50 sale. HARRIMAN, P. L. Hypnotic induction of color vision anomalies.  ... 

Page 57 of Psychological Bulletin Vol. 39, Issue 1 [page]

1942 Psychological Bulletin  
Objective methods for the analysis of human brain cases. 2. Charting the visual fields with direct control of ocular fixation. Chicago: Univ. Chicago, 1938. 400 ft., silent, monochrome, $5.00 rental.  ...  Bethlehem, Pa.: Psychological Cinema Register, 1457 Main St., 1941. 310 ft., silent, monochrome, $15.50 sale. 119. HARRIMAN, P, L. Hypnotic induction of color vision anomalies.  ... 

The Closure of the 'Gold Window': From 'Camera-Eye' to 'Brain-Screen'

Morgan M Adamson
2013 Film-Philosophy  
The outer machine (the cinema as industry) and the inner machine (the spectator's psychology) are not just metaphorically related, the latter a facsimile of the former...  ...  (Metz 1982, 8) The cinema as art itself lives in relation with a permanent plot, an international conspiracy that conditions it from within, as the most intimate and most indispensable enemy.  ...  The true significance of the brain as screen that Deleuze hints at in Cinema 2, it seems, is only realized five years later, in this short, enigmatic piece on control.  ... 
doi:10.3366/film.2013.0014 fatcat:oxmrtdkhjvafnkz3hj2eaxlwfa

Enslaving Central Executives: Toward A Brain Theory of Cinema

Yadin Dudai
2008 Projections: The Journal for Movies and Mind  
This article proposes that a major drive in the fast evolution of cinema is that film uniquely fits, exploits and expands the potential of a specialized cognitive machinery in the human brain.  ...  Cultural revolutions, involving social and technological innovations, can occur in no 2 2 / P R O J E C T I O N S The human mind has adapted cinema so rapidly and successfully because the human brain has  ...  My research on encoding, consolidation, and persistence of memory in the brain, including the use of movies as real-life like stimuli, is supported by the Minerva Foundation and by the Israeli Science  ... 
doi:10.3167/proj.2008.020203 fatcat:ll27s37dpnav7k7fyjcpvl4bhu

Neurocinematics: The Neuroscience of Film

Uri Hasson, Ohad Landesman, Barbara Knappmeyer, Ignacio Vallines, Nava Rubin, David J. Heeger
2008 Projections: The Journal for Movies and Mind  
Our results demonstrate that some films can exert considerable control over brain activity and eye movements.  ...  However, this was not the case for all types of motion picture sequences, and the level of control over viewers' brain activity differed as a function of movie content, editing, and directing style.  ...  study of mind and cinema.  ... 
doi:10.3167/proj.2008.020102 fatcat:tur76na6izcwbidp5mkde3ws4y

'A work of art does not contain the least bit of information': Deleuze and Guattari and Contemporary Art

Stephen Zepke
2017 Performance Philosophy  
Equally awkward is Deleuze's ontological and political dislike of photography, which produces a 'snapshot' or representation of becoming, placing cliched images directly into our brains, controlling our  ...  and with it our interfaced brains.  ...  Despite Deleuze's celebration of the sublime time-images produced by Modernist cinema in Cinema 2, "the brain is the screen" also has a dark side, and is also responsible for the worst aspects of our control  ... 
doi:10.21476/pp.2017.33145 fatcat:t44kc6253vcctdvnk3zsp2beve

Cinema, biopolitics and "cinematic operative model"

Carlos Natalio
2015 La Deleuziana  
It may be the case that after the (long proclaimed) "death of cinema", cinema has just begun at a much more complex and wider level.  ...  Firstly, this article will try to grasp certain dimensions of the biopolitical in cinema.  ...  The spectator does not only voyeuristically control without being seen but he is also being controlled without knowing it.  ... 
doaj:8f305b967a8f430e978fdbd33ebbc97f fatcat:sihnrqyhfnblbdbhk5x6zm2a74

Mircea Valeriu Deaca, The Control Cycle in Film. Circular Coupling from Brain to Culture, Berlin : Sciendo, 2020

Laurent Jullier
2022 Mise au Point  
Mircea Valeriu Deaca, The Control Cycle in Film .  ...  Quant au « cycle de contrôle » de Langacker, qui donne son titre au livre de M. V.  ... 
doi:10.4000/map.5443 fatcat:lmdxoddr35dmtaolmfjd4lecv4
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