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Analysing musical performance through functional data analysis: rhythmic structure in Schumann'sTräumerei
2009
Connection science
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To demonstrate this suitability, we consider tempo data for 28 performances of Schumann's Träumerei and analyse them by means of functional principal component analysis (one of the most powerful descriptive ...
tools included in Functional Data Analysis). ...
Repp who provided us with the Träumerei tempo data set. This research is partially supported by the Spanish Ministry of Education and Science and FEDER, MTM2006-09920. ...
doi:10.1080/09540090902733848
fatcat:ii36be6ikrhzzo5rqnfx7jmc3a
Diversity and commonality in music performance: An analysis of timing microstructure in Schumann's ''Träumerei''
1992
Journal of the Acoustical Society of America
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These data were subjected to a variety of statistical analyses, including principal components analysis of longer stretches of music and curve fitting to series of lOIs within brief melodic gestures. ...
Intertone onset intervals (lOIs) were measured in 28 recorded performances. ...
GENERAL DISCUSSION The present comprehensive analysis of expressive timing patterns in 28 performances of Schumann's "Traumerei" provides an objective view of the commonalities and differences among great ...
doi:10.1121/1.404425
pmid:1479119
fatcat:vhwqblvbmnflfaurd26zldf7gq
Expressive timing in Schumann's ''Träumerei:'' An analysis of performances by graduate student pianists
1995
Journal of the Acoustical Society of America
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Statistical analyses were conducted on the expressive timing patterns of performances of Schumann's "Traumerei" by 10 graduate student pianists who played from the score on a Yamaha Disclavier after a ...
This demonstrates that precision in expressive timing does not require extensive study and practice of the music at hand, only general musical and technical competence. ...
The most extensive analysis of this kind included 28 recorded performances of Robert Schumann's well-known piano piece, "Traumerei" (Repp, 1992a) . ...
doi:10.1121/1.413276
pmid:7593927
fatcat:db3yiuuv5ngtpke2j4r4r2jt4e
The Kinematics of Musical Expression in the Spatiotemporal Dimension
2013
Empirical Musicology Review
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During performance, musicians are known to move their bodies in rhythmic and expressive displays. ...
Third, the periodic nature of performers’ motion profiles may lend themselves to frequency-based analyses that may reveal an underlying musical ‘pulse’ or pulses of the performer. ...
This quality opens the data up to a range of analyses that may yield insight into the rhythmic and repeating nature of performers' movements. ...
doi:10.18061/emr.v8i2.3931
fatcat:shk6wyw42fhz5htlt5n5fh54tu
Relational invariance of expressive microstructure across global tempo changes in music performance: An exploratory study
1994
Psychological Research
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Two pianists played Schumann's "Traumerei" three times at each of three tempi on a digital piano, and the performance data were recorded in MIDI format. ...
This study addressed the question of whether the expressive microstructure of a music performance remains relationally invariant across moderate (musically acceptable) changes in tempo. ...
Methods
The music The score of Schumann's "Traumerei" is shown in Figure 1 ; its layout highlights the hierarchical structure of the piece. ...
doi:10.1007/bf00419657
pmid:8090862
fatcat:kvw2g3fom5ec5jrhehz4fcfy5a
The dynamics of expressive piano performance: Schumann's ''Träumerei'' revisited
1996
Journal of the Acoustical Society of America
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Ten graduate.student pianists were recorded playing Robert Schumann's "Traumerei" three times on a Yamaha Disklavier. Their expressive dynamics were analyzed at the level of hammer (MIDI) velocities. ...
Individual differences in expressive dynamics were not striking and were only weakly related to individual differences in expressive timing. ...
The music A computer-generated score of Schumann's "Traumerei" is shown in Figure 1 . The layout on the page illuminates the phrase structure, which is discussed in more detail in Repp (1992) . ...
doi:10.1121/1.415889
pmid:8675852
fatcat:wul6ejuaxjcvll4unewukwdwjy
Logical Representation Of Musical Concepts (For Analysis And Composition Tasks Using Computers)
2004
Proceedings of the SMC Conferences
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To over- on the analysis tasks we have performed. ...
Process structuring and music theory. In S. ...
doi:10.5281/zenodo.849190
fatcat:hjwklptgona5toxcjvndw66mia
Timing microstructure in Schumann's "Träumerei" as an expression of harmony, rhythm, and motivic structure in music performance
2000
Computers and Mathematics with Applications
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We give statistical evidence that specific rhythmic, melodic, and harmonic analyses are dominating shaping structures for the agogical streams from 28 performances of Schumann's "Tr/iumerei", as measured ...
These analyses are provided by the Rubato analysis and performance workstation. ...
There is strong statistical evidence for the timing microstructure in 28 fanmus performances of Schumann's "Triiumerei" as being an expression solely of harmonic, melodic, and rhythmic structures furnished ...
doi:10.1016/s0898-1221(00)00049-3
fatcat:452u3ceagffflb4tmohqa66u5m
Towards an Evolution Model of Expressive Music Performance
2006
Sixth International Conference on Intelligent Systems Design and Applications
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In previous work [19] , we have shown that GA can evolve suitable pulse sets for musical performance. ...
the hierarchical pulse sets for music interpretation, where the fitness of GA is derived from the structure of the music to be performed. ...
Selected musical structures Music performance mainly functions to communicate the music idea of a piece with listeners, by performers. ...
doi:10.1109/isda.2006.253781
dblp:conf/isda/ZhangM06
fatcat:uncensmyzngubcfnj5b5xl54a4
Expressive Meaning and the Empirical Analysis of Musical Gesture
2018
Music Theory Online
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By presenting short musical gestures to listeners, a bottom-up, data-driven analysis of the expressive meaning of musical gestures and topics in the movement is possible. ...
An exploratory case study illustrates the progressive exposure method through an analysis of the expressive meaning of the second movement of Beethoven'sPathétiqueSonata. ...
In this study, Repp averaged together the mictrotiming decisions of ten different performances of Schumann's Traumerei and compared this "average" performance to the original ten recordings. ...
doi:10.30535/mto.24.3.1
fatcat:odrdf5a4ebem3khdjqbohdlgea
Comparative analysis of expressivity in recorded violin performances. Study of the Sonatas and Partitas for solo violin by J. S. Bach
2007
Zenodo
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Bach, as by the shining difficulty in its interpretation. In regard to the data we will work from real audio recordings. ...
Expressive performance characterization is traditionally based on the analysis of the main differences between performances, players, playing styles and emotional intentions. ...
The most common methods are through analysis by measurement and analysis by synthesis: the first one is based on deviation analysis from musical notation measured in recorded human performances. ...
doi:10.5281/zenodo.3743187
fatcat:3okf6wnrxrhtxb5w4w4jkob6pe
Attempts to Reproduce a Pianist?s Expressive Timing with Director Musices Performance Rules
2003
Journal of New Music Research
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The Director Musices generative grammar of music performance is a system of context dependent rules that automatically introduces expressive deviation in performances of input score files. ...
It is found that rules reflecting the phrase structure produced high correlations in some sections. ...
the performance analysed. ...
doi:10.1076/jnmr.32.3.317.16867
fatcat:vx54audw5nfz3nwttare7craoi
Computational Models of Expressive Music Performance: The State of the Art
2004
Journal of New Music Research
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This contribution gives an overview of the state of the art in the field of computational modeling of expressive music performance. ...
Their basic principles and assumptions are explained and, wherever possible, empirical evaluations of the models on real performance data are reported. ...
in Science and Technology). ...
doi:10.1080/0929821042000317804
fatcat:n536ua3c4zeyjmflq72rhwxrue
Pedal Timing and Tempo in Expressive Piano Performance: A Preliminary Investigation
1996
Psychology of Music
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The timing of pedal depressions and releases was measured relative to key depressions and releases in two pianists' performances of Robert Schumann's "Traumerei" on an electronic instrument. ...
Each pianist provided 9 complete performances, 3 at each of 3 tempi, which were analyzed by examining in detail those positions in the music in which the pedal was used consistently. ...
Method
The music The score of Schumann's "Traumerei" is shown in Figure 2 , laid out on the page so that structurally similar parts are aligned vertically. ...
doi:10.1177/0305735696242011
fatcat:cr4vvl47jvdvlc5dsfmdws4czu
Effect of tempo on relative note durations in a performed samba groove
2020
Journal of New Music Research
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In the present study, we investigated the influence of tempo on such sixteenth-note patterns in a performed samba groove.The results revealed an uneven duration pattern in all tempi. ...
We suggest that the differences in relative durations between tempi reflect the need to maintain the samba sixteenth note 'template' in all tempi: producing the samba 'feel' requires that relative durations ...
Acknowledgements The authors would like to thank the samba performers for their participation in the study, Georgios Sioros and Victor Evaristo Gonzalez Sanchez for assistance during the recordings, and ...
doi:10.1080/09298215.2020.1767655
fatcat:223eaijw6relxn5x5mxakrowuq
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