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Eluding the Physical Constraints in a Nonlinear Interaction Sound Synthesis Model for Gesture Guidance

Etienne Thoret, Mitsuko Aramaki, Charles Gondre, Sølvi Ystad, Richard Kronland-Martinet
2016 Applied Sciences  
In this paper, a flexible control strategy for a synthesis model dedicated to nonlinear friction phenomena is proposed.  ...  Based on the perceptual stance that a sound is perceived as the result of an action on an object we propose a genuine source/filter synthesis approach that enables to elude physical constraints induced  ...  Acknowledgments: The first author is thankful to Simon Conan for the wide discussions and advices concerning the model implementation.  ... 
doi:10.3390/app6070192 fatcat:46kzqih6rvbwxc3647vxcibu5a

Design and Use of Some New Digital Musical Instruments [chapter]

Daniel Arfib, Jean-Michel Couturier, Loïc Kessous
2004 Lecture Notes in Computer Science  
Then, we introduce three examples of digital instruments we have created, focusing on their design and their musical use.  ...  Creating Instruments Making Modular Instruments One of the most important topics in the creation of our digital instrument is to use modularity: for a given synthesis method, changing a gesture controller  ...  This way is in continuity with a long work on synthesis models that use curves and triggering events.  ... 
doi:10.1007/978-3-540-24598-8_47 fatcat:prruni5bzncapijpkm3ol4mhsa

Physical Modeling Synthesis Update

Julius O. Smith
1996 Computer Music Journal  
Emphasis is placed on digital waveguide models and the musical acoustics research on which they are based.  ...  Recent research in physical modeling of musical instruments for purposes of sound synthesis is reviewed.  ...  Nevertheless, excellent singing voice quality based on a digital waveguide model has been achieved for isolated phrases by Perry Cook [12, 13] .  ... 
doi:10.2307/3681331 fatcat:acc2dy77dbfmhi2njfvrgnskhi

Adaptive digital audio effects (a-DAFx): a new class of sound transformations

V. Verfaille, U. Zolzer, D. Arfib
2006 IEEE Transactions on Audio, Speech, and Language Processing  
This consists of combining a sound transformation with an adaptive control.  ...  After covering the basics of sound perception and giving an overview of commonly used audio effects (using a perceptual categorization), we propose a new concept called adaptive digital audio effects (  ...  Favreau for discussions about creative phase vocoder effects, J.-C. Risset for discussions about creative use of effects in composition, and A. Sédès for spatialization experiments at MSH-Paris VIII.  ... 
doi:10.1109/tsa.2005.858531 fatcat:bjuqz2vianbtlgpna2fvumscu4

16th Sound and Music Computing Conference SMC 2019 (28–31 May 2019, Malaga, Spain)

Lorenzo J. Tardón, Isabel Barbancho, Ana M. Barbancho, Alberto Peinado, Stefania Serafin, Federico Avanzini
2019 Applied Sciences  
The SMC 2019 TOPICS OF INTEREST included a wide selection of topics related to acoustics, psychoacoustics, music, technology for music, audio analysis, musicology, sonification, music games, machine learning  ...  , serious games, immersive audio, sound synthesis, etc.  ...  A prototype digital model of a working acoustic wind machine is programmed, and the acoustic interface drives the digital model in performance, preserving the same tactile and kinesthetic feedback across  ... 
doi:10.3390/app9122492 fatcat:tcacoupffjewnpjhpw4oy7x6h4

The Effect of Timbre, Pitch, and Vibrato on Vocal Pitch-Matching Accuracy

Sirisha Duvvuru, Molly Erickson
2016 Journal of Voice  
Mark Hedrick for his contribution to my works and a friendly support throughout.  ...  These source signals were filtered using 5 formant patterns (A-E) of vowel /a/ constituting a total of 30 stimuli (5 formant patterns*3pitches*2 vibrato conditions).  ...  In certain singers, there was no significant difference in pitch matching ability based on whether the model was a child model, a female singing with vibrato, or a female singing without vibrato.  ... 
doi:10.1016/j.jvoice.2015.05.011 pmid:26094167 fatcat:pdreeq6vffd27jyonc26y4gp5y

Aeroacoustics of Musical Instruments

Benoit Fabre, Joël Gilbert, Avraham Hirschberg, Xavier Pelorson
2012 Annual Review of Fluid Mechanics  
Realtime numerical solution of the nonlinear physical models is used for sound synthesis in so-called virtual instruments.  ...  For personal use only. Presents a spectacular experimental demonstration of the validity of the analogy of Lighthill/Curle and a jet drive model. Powell A. 1961. On the edge tone.  ...  We thank Garry Settles for providing the spectacular schlieren photograph shown in Figure 1 .  ... 
doi:10.1146/annurev-fluid-120710-101031 fatcat:3bqp6b2jm5dtlmbhkjjruaajri

Martin Russ: Sound Synthesis and Sampling

Shlomo Dubnov
2000 Computer Music Journal  
Instead it aims to provide a solid source of information on the diverse and complex fi eld of sound synthesis.  ...  This is a book about sound synthesis and sampling. It is intended to provide a reference guide to the many techniques and approaches that are used in both commercial and research sound synthesizers.  ...  Another name for this model is the 'excitation and fi lter ' model, as used in speech synthesis.  ... 
doi:10.1162/comj.2000.24.3.71 fatcat:7dfyllgikzgzrkahh26sjrdnta

An Acoustical Study of Individual Voices in Choral Blend

Allen W. Goodwin
1980 Journal of research in music education  
Thirty sopranos were involved singing [CL], [0], [L ], [ s], and [ L ] on the pitches C 4 (261 Hz.), A 4 (440 Hz.), and F 5 (698 Hz).  ...  ., the frequency and relative intensity of the first, second, and third formants, and the frequency-variation characteristics of the fundamental frequency (vibrato rate and extent).  ...  Plotter, controlled by an IBM 360 digital computer.  ... 
doi:10.1177/002242948002800205 fatcat:424akjqpnzampgfysaa2usquu4

The Dysfunctions of MIDI

F. Richard Moore
1988 Computer Music Journal  
JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive.  ...  For more information about JSTOR, please contact support@jstor.org. . The MIT Press is collaborating with JSTOR to digitize, preserve and extend access to Computer Music Journal.  ...  It is based on the performer's subjective impression of the feedback control lag between the moment a sound is heard, a change is made by the performer, and the time when the effect of that control change  ... 
doi:10.2307/3679834 fatcat:bdshtojqf5db7eibjjmeib5uva

Physical modeling of the ancient Greek wind musical instrument Aulos: a double-reed exciter linked to an acoustic resonator

Spyros Polychronopoulos, Dimitra Marini, Konstantinos Bakogiannis, Georgios Th. Kouroupetroglou, Stelios Psaroudakes, Anastasia Georgaki
2021 IEEE Access  
The implementation is based on Digital Signal Processing and physical modeling techniques for the instrument's two parts: the excitation mechanism and the acoustic resonator with toneholes.  ...  We here provide a detailed model of a system comprised of a double-reed linked to an acoustic resonator with toneholes to sonify Aulos.  ...  ACKNOWLEDGMENT The authors would like to thank the musician Georgios Barbarekos for playing Aulos of Poseidonia.  ... 
doi:10.1109/access.2021.3095720 fatcat:avxc4pumkbhnllljhuqo3zt5ji

Gesture based synthesis of bowed string instruments

Alfonso Pérez, Xavier Serra
2006 Zenodo  
With physical models naturalness and expressivity can hardly be reached without the need of controlling a huge amount of parameters that require the instrument itself, as well as a mastery comparable with  ...  The aim of this work is to try to improve the quality in instrument sound synthesis, specifically for the violin family.  ...  We propose a classification with three main categories (sampled based, spectral models and physical models) and a fourth one for mixed or hybrid models.  ... 
doi:10.5281/zenodo.3743114 fatcat:3vlztnjzsffirajqri3hvxgbvy

Variational Parametric Models for Audio Synthesis

Krishna Subramani, Preeti Rao
2020 Zenodo  
With the advent of data-driven statistical modeling and abundant computing power, researchers are turning increasingly to deep learning for audio synthesis.  ...  We also investigate a parametric model for violin tones, in particular, the generative modeling of the residual bow noise to make for more natural tone quality.  ...  , followed by a nonlinear (log) transformation.  ... 
doi:10.5281/zenodo.3992678 fatcat:qd6oia3dkvgynf4mzwo4466bzu

Embouchure interaction model for brass instruments

Rares Stefan Alecu, Stefania Serafin, Silvin Willemsen, Emanuele Parravicini, Stefano Lucato
2020 Zenodo  
This approach, while yielding good quality timbre results for the synthesized audio, does not aid expressive sound synthesis.  ...  A common approach for simulating brass instrument sounds is that of a mass-spring system strongly coupled to an air tube resonator of a certain length.  ...  Acknowledgments This project was financially supported by NordicSMC and Audio Modeling, for which the authors express their gratitude.  ... 
doi:10.5281/zenodo.3898739 fatcat:k4owl7wvhnfs5luhpwtc747xq4

Overview [chapter]

2013 Musical Signal Processing  
A sound synthesis algorithm can be thought of as a digital model for a sound itself.  ...  model for the This tutorial gives an introduction to physical modeling synthesis based on digital waveguide models (Smith 1992 Figure 2 is given by horn.  ...  In a similar way, physical models for sound generation (see the chapter by Smith) may be controlled by gestures which are captured and ultimately represented by single symbolic entities.  ... 
doi:10.4324/9781315078120-11 fatcat:rylq5og6njbqbhe6idh2n7nksy
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