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The Distinctiveness Effect in the Recognition of Whole Melodies

Miriam Rainsford, Matthew A. Palmer, James D. Sauer
<span title="">2019</span> <i title="University of California Press"> <a target="_blank" rel="noopener" href="https://fatcat.wiki/container/gc5apd7uhrgjhnnnqil6jxxp34" style="color: black;">Music Perception</a> </i> &nbsp;
Using linear mixed-effects modeling, we found that greater pitch and interval range, wider intervals, varied contour, and ambiguous tonality within a Western diatonic framework predicted human perception  ...  Distinctiveness predicts the point of recognition of a melody (Bailes, 2010) , and the recognition of unique tones within a melody (Vuvan, Podolak, & Schmuckler, 2014 ), yet no studies have examined the  ...  Implicit tonality. A small-to-moderate positive correlation was also found between the tonalness of melodies and distinctiveness, representing strong support for the hypothesis.  ... 
<span class="external-identifiers"> <a target="_blank" rel="external noopener noreferrer" href="https://doi.org/10.1525/mp.2019.36.3.253">doi:10.1525/mp.2019.36.3.253</a> <a target="_blank" rel="external noopener" href="https://fatcat.wiki/release/wb67pm3rsfal7car5wxpko3raq">fatcat:wb67pm3rsfal7car5wxpko3raq</a> </span>
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Sensory, Cognitive, and Sensorimotor Learning Effects in Recognition Memory for Music

Brian Mathias, Barbara Tillmann, Caroline Palmer
<span title="">2016</span> <i title="MIT Press - Journals"> <a target="_blank" rel="noopener" href="https://fatcat.wiki/container/rvtepewc6vewtddjhxdnivd43q" style="color: black;">Journal of Cognitive Neuroscience</a> </i> &nbsp;
Early sensory (N1) and later cognitive (P3a) components elicited by pitch alterations correlated with predictions of sensory echoic and schematic tonality models, respectively, but only for the perception  ...  Skilled pianists learned one set of novel melodies by producing them and another set by perception only.  ...  Mathias et al. (2015) , we calculated mean ERP amplitudes for midline and lateral ROIs; we report here results for the midline ROIs only, as ERP voltages were larger at midline ROIs compared with lateral  ... 
<span class="external-identifiers"> <a target="_blank" rel="external noopener noreferrer" href="https://doi.org/10.1162/jocn_a_00958">doi:10.1162/jocn_a_00958</a> <a target="_blank" rel="external noopener" href="https://www.ncbi.nlm.nih.gov/pubmed/27027544">pmid:27027544</a> <a target="_blank" rel="external noopener" href="https://fatcat.wiki/release/774byedbtvgqbaujakw76gg7ra">fatcat:774byedbtvgqbaujakw76gg7ra</a> </span>
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Perceiving musical stability: The effect of tonal structure, rhythm, and musical expertise

Emmanuel Bigand
<span title="">1997</span> <i title="American Psychological Association (APA)"> <a target="_blank" rel="noopener" href="https://fatcat.wiki/container/56hvd5qfnjepfok2bljk5bfdsy" style="color: black;">Journal of Experimental Psychology: Human Perception and Performance</a> </i> &nbsp;
The results are interpreted within C. L. Krumhansl's (1990) model of tonal perception and Jones's theory of dynamic attending.  ...  The goal of this study was to investigate several factors that determine musical stability in unaccompanied tonal melodies. Following M. R.  ...  This suggests that other features should be included in a model of tonal hierarchy so as to account for the perception of melodies (Boltz, 1989b; Laden, 1994) .  ... 
<span class="external-identifiers"> <a target="_blank" rel="external noopener noreferrer" href="https://doi.org/10.1037/0096-1523.23.3.808">doi:10.1037/0096-1523.23.3.808</a> <a target="_blank" rel="external noopener" href="https://fatcat.wiki/release/ceiptkr7fvhabcuvnx74q3ru2a">fatcat:ceiptkr7fvhabcuvnx74q3ru2a</a> </span>
<a target="_blank" rel="noopener" href="https://web.archive.org/web/20170810103617/http://leadserv.u-bourgogne.fr/files/publications/000086-perceiving-musical-stability-the-effect-of-tonal-structure-rhythm-and-musical-expertise.pdf" title="fulltext PDF download" data-goatcounter-click="serp-fulltext" data-goatcounter-title="serp-fulltext"> <button class="ui simple right pointing dropdown compact black labeled icon button serp-button"> <i class="icon ia-icon"></i> Web Archive [PDF] <div class="menu fulltext-thumbnail"> <img src="https://blobs.fatcat.wiki/thumbnail/pdf/e6/1f/e61f75eeecf089f4c8811eb59a8b08b9ef0a5f36.180px.jpg" alt="fulltext thumbnail" loading="lazy"> </div> </button> </a> <a target="_blank" rel="external noopener noreferrer" href="https://doi.org/10.1037/0096-1523.23.3.808"> <button class="ui left aligned compact blue labeled icon button serp-button"> <i class="external alternate icon"></i> Publisher / doi.org </button> </a>

Perceiving musical stability: The effect of tonal structure, rhythm, and musical expertise

Emmanuel Bigand
<span title="">1997</span> <i title="American Psychological Association (APA)"> <a target="_blank" rel="noopener" href="https://fatcat.wiki/container/56hvd5qfnjepfok2bljk5bfdsy" style="color: black;">Journal of Experimental Psychology: Human Perception and Performance</a> </i> &nbsp;
The results are interpreted within C. L. Krumhansl's (1990) model of tonal perception and Jones's theory of dynamic attending.  ...  The goal of this study was to investigate several factors that determine musical stability in unaccompanied tonal melodies. Following M. R.  ...  This suggests that other features should be included in a model of tonal hierarchy so as to account for the perception of melodies (Boltz, 1989b; Laden, 1994) .  ... 
<span class="external-identifiers"> <a target="_blank" rel="external noopener noreferrer" href="https://doi.org/10.1037//0096-1523.23.3.808">doi:10.1037//0096-1523.23.3.808</a> <a target="_blank" rel="external noopener" href="https://www.ncbi.nlm.nih.gov/pubmed/9180045">pmid:9180045</a> <a target="_blank" rel="external noopener" href="https://fatcat.wiki/release/3znfeja4b5bslnbvvqvcm3cpam">fatcat:3znfeja4b5bslnbvvqvcm3cpam</a> </span>
<a target="_blank" rel="noopener" href="https://web.archive.org/web/20170810103617/http://leadserv.u-bourgogne.fr/files/publications/000086-perceiving-musical-stability-the-effect-of-tonal-structure-rhythm-and-musical-expertise.pdf" title="fulltext PDF download" data-goatcounter-click="serp-fulltext" data-goatcounter-title="serp-fulltext"> <button class="ui simple right pointing dropdown compact black labeled icon button serp-button"> <i class="icon ia-icon"></i> Web Archive [PDF] <div class="menu fulltext-thumbnail"> <img src="https://blobs.fatcat.wiki/thumbnail/pdf/e6/1f/e61f75eeecf089f4c8811eb59a8b08b9ef0a5f36.180px.jpg" alt="fulltext thumbnail" loading="lazy"> </div> </button> </a> <a target="_blank" rel="external noopener noreferrer" href="https://doi.org/10.1037//0096-1523.23.3.808"> <button class="ui left aligned compact blue labeled icon button serp-button"> <i class="external alternate icon"></i> Publisher / doi.org </button> </a>

Computational models of music perception and cognition II: Domain-specific music processing

Hendrik Purwins, Maarten Grachten, Perfecto Herrera, Amaury Hazan, Ricard Marxer, Xavier Serra
<span title="">2008</span> <i title="Elsevier BV"> <a target="_blank" rel="noopener" href="https://fatcat.wiki/container/heeeymk4efealkuyub22amtnsi" style="color: black;">Physics of Life Reviews</a> </i> &nbsp;
The first author also received support from a Juan de la Cierva scholarship from the Spanish Ministry of Education and Science.  ...  Acknowledgments Special thanks to Hugo Solis for contributing to the sections on melody in this article. We are grateful to Fabien Gouyon for useful comments.  ...  Melody Models The purpose of melody models is to describe the perception of melody by the listener.  ... 
<span class="external-identifiers"> <a target="_blank" rel="external noopener noreferrer" href="https://doi.org/10.1016/j.plrev.2008.03.005">doi:10.1016/j.plrev.2008.03.005</a> <a target="_blank" rel="external noopener" href="https://fatcat.wiki/release/ntr3a2smfjd3dfrfz3musk5dhm">fatcat:ntr3a2smfjd3dfrfz3musk5dhm</a> </span>
<a target="_blank" rel="noopener" href="https://web.archive.org/web/20180722212138/https://repositori.upf.edu/bitstream/handle/10230/34276/purwins_pjr_computII.pdf;jsessionid=D000717EB7C35DA08B3DB48C0E569E5E?sequence=1" title="fulltext PDF download" data-goatcounter-click="serp-fulltext" data-goatcounter-title="serp-fulltext"> <button class="ui simple right pointing dropdown compact black labeled icon button serp-button"> <i class="icon ia-icon"></i> Web Archive [PDF] <div class="menu fulltext-thumbnail"> <img src="https://blobs.fatcat.wiki/thumbnail/pdf/d5/32/d532cc5ea3ee60b7f4156e8fd611e8775e22b508.180px.jpg" alt="fulltext thumbnail" loading="lazy"> </div> </button> </a> <a target="_blank" rel="external noopener noreferrer" href="https://doi.org/10.1016/j.plrev.2008.03.005"> <button class="ui left aligned compact blue labeled icon button serp-button"> <i class="external alternate icon"></i> elsevier.com </button> </a>

Rhythm and "good endings": Effects of temporal structure on tonality judgments

Marilyn Boltz
<span title="">1989</span> <i title="Springer Nature"> <a target="_blank" rel="noopener" href="https://fatcat.wiki/container/icivrhnmgzcdjerqdqvofcj4xa" style="color: black;">Perception &amp; Psychophysics</a> </i> &nbsp;
The purpose of the present experiment was to investigate the influence of rhythmic structure on the perception of tonal relationships marking the end of a melody.  ...  The present results illustrate the need to incorporate dynamic pattern influences into models of tonal perception.  ...  pattern influences into models of tonal perception.  ... 
<span class="external-identifiers"> <a target="_blank" rel="external noopener noreferrer" href="https://doi.org/10.3758/bf03208069">doi:10.3758/bf03208069</a> <a target="_blank" rel="external noopener" href="https://www.ncbi.nlm.nih.gov/pubmed/2755767">pmid:2755767</a> <a target="_blank" rel="external noopener" href="https://fatcat.wiki/release/3msvk3vhurdvtd7ramymft3z6a">fatcat:3msvk3vhurdvtd7ramymft3z6a</a> </span>
<a target="_blank" rel="noopener" href="https://web.archive.org/web/20150726152809/http://download.springer.com:80/static/pdf/581/art%253A10.3758%252FBF03208069.pdf?originUrl=http%3A%2F%2Flink.springer.com%2Farticle%2F10.3758%2FBF03208069&amp;token2=exp=1437925688~acl=%2Fstatic%2Fpdf%2F581%2Fart%25253A10.3758%25252FBF03208069.pdf%3ForiginUrl%3Dhttp%253A%252F%252Flink.springer.com%252Farticle%252F10.3758%252FBF03208069*~hmac=c535ae833bc851b54dd337e82cf3fd8e32c9d66d9e2c218658206bd926cc0ba1" title="fulltext PDF download" data-goatcounter-click="serp-fulltext" data-goatcounter-title="serp-fulltext"> <button class="ui simple right pointing dropdown compact black labeled icon button serp-button"> <i class="icon ia-icon"></i> Web Archive [PDF] <div class="menu fulltext-thumbnail"> <img src="https://blobs.fatcat.wiki/thumbnail/pdf/c5/27/c527f487d20173b5e37a709e40ac2ca8f5b067c5.180px.jpg" alt="fulltext thumbnail" loading="lazy"> </div> </button> </a> <a target="_blank" rel="external noopener noreferrer" href="https://doi.org/10.3758/bf03208069"> <button class="ui left aligned compact blue labeled icon button serp-button"> <i class="external alternate icon"></i> Publisher / doi.org </button> </a>

Page 2343 of Psychological Abstracts Vol. 74, Issue 9 [page]

<span title="">1987</span> <i title="American Psychological Association"> <a target="_blank" rel="noopener" href="https://archive.org/details/pub_psychological-abstracts" style="color: black;">Psychological Abstracts </a> </i> &nbsp;
Results are interpreted in terms of a parallel self-terminating model of music cognition. It is suggested that a serial processing model would require a rhythm first, tonal second sequence. —J. V.  ...  Support for direct perception of local, short-term events and longer ones is discussed. Attention is also given to the way in which perception of a linguistic message guides a listener’s behavior.  ... 
<span class="external-identifiers"> </span>
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Toward A Better Understanding of Perceived Complexity in Music: A Commentary on Eerola (2016)

Elizabeth Hellmuth Margulis
<span title="2016-07-08">2016</span> <i title="The Ohio State University Libraries"> <a target="_blank" rel="noopener" href="https://fatcat.wiki/container/ogmywbttx5gklbyumjhwuuen2u" style="color: black;">Empirical Musicology Review</a> </i> &nbsp;
This commentary notes the deep relationship between these two phenomena, and argues for a more active partnership between computational and psychological approaches in understanding perceptions of musical  ...  Eerola (2016) evaluates models of musical complexity based on expectancy violation and information theory.  ...  For example, how might the ratings of complexity in sub-Saharan African folk melodies differ between a group of Western participants hearing them for the first time, a group of Western participants who  ... 
<span class="external-identifiers"> <a target="_blank" rel="external noopener noreferrer" href="https://doi.org/10.18061/emr.v11i1.5275">doi:10.18061/emr.v11i1.5275</a> <a target="_blank" rel="external noopener" href="https://fatcat.wiki/release/k7k6tvrd3veohc7ynexityq4sa">fatcat:k7k6tvrd3veohc7ynexityq4sa</a> </span>
<a target="_blank" rel="noopener" href="https://web.archive.org/web/20180721102010/http://emusicology.org/article/download/5275/4384" title="fulltext PDF download" data-goatcounter-click="serp-fulltext" data-goatcounter-title="serp-fulltext"> <button class="ui simple right pointing dropdown compact black labeled icon button serp-button"> <i class="icon ia-icon"></i> Web Archive [PDF] <div class="menu fulltext-thumbnail"> <img src="https://blobs.fatcat.wiki/thumbnail/pdf/5b/a1/5ba1059b8e38fce853d39617b07988ba78bbcfc1.180px.jpg" alt="fulltext thumbnail" loading="lazy"> </div> </button> </a> <a target="_blank" rel="external noopener noreferrer" href="https://doi.org/10.18061/emr.v11i1.5275"> <button class="ui left aligned compact blue labeled icon button serp-button"> <i class="unlock alternate icon" style="background-color: #fb971f;"></i> Publisher / doi.org </button> </a>

Expectancy effects in memory for melodies

Mark A. Schmuckler
<span title="">1997</span> <i title="American Psychological Association (APA)"> <a target="_blank" rel="noopener" href="https://fatcat.wiki/container/ntaevfubwjbujkbsv4qwmx7u54" style="color: black;">Canadian journal of experimental psychology</a> </i> &nbsp;
In Experiment 1, listeners rated the degree to which different endings confirmed their expectations for a set of melodies.  ...  The generation of expectations has been recognized as a central factor in listeners' perceptions of music.  ...  Memory Performance and Musical Tonality A final series of analyses examined the effect of musical tonality on listeners' memory for these melodies.  ... 
<span class="external-identifiers"> <a target="_blank" rel="external noopener noreferrer" href="https://doi.org/10.1037/1196-1961.51.4.292">doi:10.1037/1196-1961.51.4.292</a> <a target="_blank" rel="external noopener" href="https://fatcat.wiki/release/v6nhmxascjbn7nnrdz6amaomlm">fatcat:v6nhmxascjbn7nnrdz6amaomlm</a> </span>
<a target="_blank" rel="noopener" href="https://web.archive.org/web/20170808235551/http://www.brainmusic.org/EducationalActivitiesFolder/Schmuckler_melody1997.pdf" title="fulltext PDF download" data-goatcounter-click="serp-fulltext" data-goatcounter-title="serp-fulltext"> <button class="ui simple right pointing dropdown compact black labeled icon button serp-button"> <i class="icon ia-icon"></i> Web Archive [PDF] <div class="menu fulltext-thumbnail"> <img src="https://blobs.fatcat.wiki/thumbnail/pdf/f2/32/f232441b1274532561ef95d555364046f616bd08.180px.jpg" alt="fulltext thumbnail" loading="lazy"> </div> </button> </a> <a target="_blank" rel="external noopener noreferrer" href="https://doi.org/10.1037/1196-1961.51.4.292"> <button class="ui left aligned compact blue labeled icon button serp-button"> <i class="external alternate icon"></i> Publisher / doi.org </button> </a>

Expectancies generated by melodic intervals: Evaluation of principles of melodic implication in a melody-completion task

William Forde Thompson, Lola L. Cuddy, Cheryl Plaus
<span title="">1997</span> <i title="Springer Nature"> <a target="_blank" rel="noopener" href="https://fatcat.wiki/container/icivrhnmgzcdjerqdqvofcj4xa" style="color: black;">Perception &amp; Psychophysics</a> </i> &nbsp;
For each interval, the subjects were asked to compose a short melody on a piano keyboard, treating the interval provided as the first two notes of the melody.  ...  For each melody, the first response-the note immediately following the initial interval-was analyzed.  ...  Unlike the tonal hierarchy predictor, tonal region and tonal strength allow for a shifting interpretation of tonal structure for different continuation tones.  ... 
<span class="external-identifiers"> <a target="_blank" rel="external noopener noreferrer" href="https://doi.org/10.3758/bf03205521">doi:10.3758/bf03205521</a> <a target="_blank" rel="external noopener" href="https://www.ncbi.nlm.nih.gov/pubmed/9360479">pmid:9360479</a> <a target="_blank" rel="external noopener" href="https://fatcat.wiki/release/7eybdmoodzbrhl3eodol7hbzsa">fatcat:7eybdmoodzbrhl3eodol7hbzsa</a> </span>
<a target="_blank" rel="noopener" href="https://web.archive.org/web/20170830112353/https://rd.springer.com/content/pdf/10.3758%2FBF03205521.pdf" title="fulltext PDF download" data-goatcounter-click="serp-fulltext" data-goatcounter-title="serp-fulltext"> <button class="ui simple right pointing dropdown compact black labeled icon button serp-button"> <i class="icon ia-icon"></i> Web Archive [PDF] <div class="menu fulltext-thumbnail"> <img src="https://blobs.fatcat.wiki/thumbnail/pdf/20/3d/203d6aace82ebe29875afedab4c27a29e5e9a889.180px.jpg" alt="fulltext thumbnail" loading="lazy"> </div> </button> </a> <a target="_blank" rel="external noopener noreferrer" href="https://doi.org/10.3758/bf03205521"> <button class="ui left aligned compact blue labeled icon button serp-button"> <i class="external alternate icon"></i> Publisher / doi.org </button> </a>

Commentary on William Thomson's "Pitch Frames as Melodic Archetypes"

David Temperley
<span title="">2006</span> <i title="The Ohio State University Libraries"> <a target="_blank" rel="noopener" href="https://fatcat.wiki/container/ogmywbttx5gklbyumjhwuuen2u" style="color: black;">Empirical Musicology Review</a> </i> &nbsp;
Additionally, the commentary focuses on the question of whether the "pitch frame" is a temporal or atemporal construct.  ...  While the concept of the perceptual "pitch frame" resembles leading theories of pitch structure in music in some respects, it contains some innovative elements that are discussed in this commentary.  ...  Thomson also takes issue with models of music perception that "count notes."  ... 
<span class="external-identifiers"> <a target="_blank" rel="external noopener noreferrer" href="https://doi.org/10.18061/1811/24079">doi:10.18061/1811/24079</a> <a target="_blank" rel="external noopener" href="https://fatcat.wiki/release/r6h7wvu6pfcvliatgs6crk6kfe">fatcat:r6h7wvu6pfcvliatgs6crk6kfe</a> </span>
<a target="_blank" rel="noopener" href="https://web.archive.org/web/20170815062144/http://kb.osu.edu/dspace/bitstream/handle/1811/24079/EMR000012b-temperley.pdf;sequence=1" title="fulltext PDF download" data-goatcounter-click="serp-fulltext" data-goatcounter-title="serp-fulltext"> <button class="ui simple right pointing dropdown compact black labeled icon button serp-button"> <i class="icon ia-icon"></i> Web Archive [PDF] <div class="menu fulltext-thumbnail"> <img src="https://blobs.fatcat.wiki/thumbnail/pdf/57/06/5706a700af3003ae670f030f886fd7d989e45786.180px.jpg" alt="fulltext thumbnail" loading="lazy"> </div> </button> </a> <a target="_blank" rel="external noopener noreferrer" href="https://doi.org/10.18061/1811/24079"> <button class="ui left aligned compact blue labeled icon button serp-button"> <i class="unlock alternate icon" style="background-color: #fb971f;"></i> Publisher / doi.org </button> </a>

Tone language experience enhances sensitivity to melodic contour

Evan David Bradley
<span title="2012-04-08">2012</span> <i title="Linguistic Society of America"> <a target="_blank" rel="noopener" href="https://fatcat.wiki/container/nocmny2bazagdl4dvydtrvcmqq" style="color: black;">LSA Annual Meeting Extended Abstracts</a> </i> &nbsp;
Mandarin- and English-speaking non-musicians took a melody discrimination test.  ...  Tone speakers are expected to possess enhanced sensitivity to musical properties corresponding to properties of their tonal inventories.  ...  Melody perception can also be factored into several dimensions, which are analogous to those for tone: key -the range the melody is played in, analogous to height; contour -the direction of change between  ... 
<span class="external-identifiers"> <a target="_blank" rel="external noopener noreferrer" href="https://doi.org/10.3765/exabs.v0i0.612">doi:10.3765/exabs.v0i0.612</a> <a target="_blank" rel="external noopener" href="https://fatcat.wiki/release/5mlb374z75e2roddfxpkkkekgm">fatcat:5mlb374z75e2roddfxpkkkekgm</a> </span>
<a target="_blank" rel="noopener" href="https://web.archive.org/web/20180720011345/https://journals.linguisticsociety.org/proceedings/index.php/ExtendedAbs/article/download/612/523" title="fulltext PDF download" data-goatcounter-click="serp-fulltext" data-goatcounter-title="serp-fulltext"> <button class="ui simple right pointing dropdown compact black labeled icon button serp-button"> <i class="icon ia-icon"></i> Web Archive [PDF] <div class="menu fulltext-thumbnail"> <img src="https://blobs.fatcat.wiki/thumbnail/pdf/c9/55/c955bf843025cf23ba6aa4f1c470a7ce9a23d014.180px.jpg" alt="fulltext thumbnail" loading="lazy"> </div> </button> </a> <a target="_blank" rel="external noopener noreferrer" href="https://doi.org/10.3765/exabs.v0i0.612"> <button class="ui left aligned compact blue labeled icon button serp-button"> <i class="external alternate icon"></i> Publisher / doi.org </button> </a>

Dissociation of musical tonality and pitch memory from nonmusical cognitive abilities

W. R. Steinke, L. L. Cuddy, R. R. Holden
<span title="">1997</span> <i title="American Psychological Association (APA)"> <a target="_blank" rel="noopener" href="https://fatcat.wiki/container/ntaevfubwjbujkbsv4qwmx7u54" style="color: black;">Canadian journal of experimental psychology</a> </i> &nbsp;
The study provides further evidence of a functional specificity for musical pitch abilities.  ...  Factor analyses of data from 100 neurologically intact participants revealed a dissociation between music and nonmusic variables, both for the full data set and a set for which the possible contribution  ...  Preliminary results were presented at meetings of the Acoustical Society of America (1993), the Society for Music Perception and Cognition (1993), and the International Conference for Music Perception  ... 
<span class="external-identifiers"> <a target="_blank" rel="external noopener noreferrer" href="https://doi.org/10.1037/1196-1961.51.4.316">doi:10.1037/1196-1961.51.4.316</a> <a target="_blank" rel="external noopener" href="https://fatcat.wiki/release/mwsdw4wonrdblff2wqyb547d7y">fatcat:mwsdw4wonrdblff2wqyb547d7y</a> </span>
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The acquisition process of musical tonal schema: implications from connectionist modeling

Rie Matsunaga, Pitoyo Hartono, Jun-ichi Abe
<span title="2015-09-10">2015</span> <i title="Frontiers Media SA"> <a target="_blank" rel="noopener" href="https://fatcat.wiki/container/5r5ojcju2repjbmmjeu5oyawti" style="color: black;">Frontiers in Psychology</a> </i> &nbsp;
The implications of these results for the acquisition process of a tonal schema of listeners are as follows: (a) the acquisition process may entail small and incremental changes, rather than large and  ...  Compared to models of previous studies, our connectionist model (Learning Network for Tonal Schema, LeNTS) was better equipped to fulfill three basic requirements.  ...  the Japan Society for the Promotion of Science.  ... 
<span class="external-identifiers"> <a target="_blank" rel="external noopener noreferrer" href="https://doi.org/10.3389/fpsyg.2015.01348">doi:10.3389/fpsyg.2015.01348</a> <a target="_blank" rel="external noopener" href="https://www.ncbi.nlm.nih.gov/pubmed/26441725">pmid:26441725</a> <a target="_blank" rel="external noopener" href="https://pubmed.ncbi.nlm.nih.gov/PMC4564654/">pmcid:PMC4564654</a> <a target="_blank" rel="external noopener" href="https://fatcat.wiki/release/4tl427av7jemrbz3gwju2ce53u">fatcat:4tl427av7jemrbz3gwju2ce53u</a> </span>
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Page 254 of Contemporary Psychology Vol. 40, Issue 3 [page]

<span title="">1995</span> <i title="American Psychological Association"> <a target="_blank" rel="noopener" href="https://archive.org/details/pub_contemporary-psychology" style="color: black;">Contemporary Psychology </a> </i> &nbsp;
Each section is preceded by a helpful summary by one of the editors. The first section concerns the perception of melody.  ...  The crystallization of a cognitive psy- chology of music perception may be said to have occurred with the publication of Lerdahl and Jackendoff's A Generative Theory of Tonal Music (1983).  ... 
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