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A Cross-Version Approach for Harmonic Analysis of Music Recordings

Verena Konz, Meinard Müller, Marc Herbstritt
2012 Dagstuhl Publications  
Finally, we demonstrate how this visualization facilitates a better understanding of classification errors and may be used by music experts as a helpful tool for exploring harmonic structures.  ...  Here, the chord labeling is typically performed on a specific audio version of a piece of music, produced under certain recording conditions, played on specific instruments and characterized by individual  ...  Acknowledgment We would like to express our gratitude to Michael Clausen, Cynthia Liem, and Matthias Mauch for their helpful and constructive feedback.  ... 
doi:10.4230/dfu.vol3.11041.53 dblp:conf/dagstuhl/KonzM12 fatcat:v42mkxesufdn7ml7fjweovsefa

Towards Cross-Version Harmonic Analysis of Music

Sebastian Ewert, Meinard Muller, Verena Konz, Daniel Mullensiefen, Geraint A. Wiggins
2012 IEEE transactions on multimedia  
In this paper, we formulate the idea of a cross-version analysis for comparing and/or combining analysis results from different representations.  ...  Each type of information allows for applying specialized, domain-specific approaches to music analysis tasks.  ...  CROSS-VERSION CHORD LABELING EVALUATION Exploiting the availability of multiple versions of a given piece of music, we have suggested the general concept of a cross-version analysis for comparing and/or  ... 
doi:10.1109/tmm.2012.2190047 fatcat:5l2zxosownhzrftkqmuk2ljbt4

Freischutz digital: A multimodal scenario for informed music processing

Meinard Muller, Thomas Pratzlich, Benjamin Bohl, Joachim Veit
2013 2013 14th International Workshop on Image Analysis for Multimedia Interactive Services (WIAMIS)  
In this paper, we give an overview of various informed approaches to music processing, where the availability of multiple sources of music-related information is used for supporting and improving the analysis  ...  For example, in the case of an opera there typically exist digitized versions of the libretto, different editions of the musical score, as well as a large number of performances given as audio and video  ...  Then, we indicate how the established cross-correlations may open up new ways for music analysis, navigation and retrieval.  ... 
doi:10.1109/wiamis.2013.6616168 dblp:conf/wiamis/MullerPBV13 fatcat:4df323zvs5hzng2y6fuhr2zteu

A Geometric Analysis Of The Harmonic Structure of "In My Life" [article]

James S. Walker, Gary W. Don
2020 arXiv   pre-print
After our book---Mathematics and Music: Composition, Perception, and Performance, 2nd edition, CRC Press, 2020---was published, we found a striking example of the importance of the Tonnetz for analyzing  ...  A lot of this harmonic rhythm lends itself well to a geometric description.  ...  Our approach to this difficulty is to do an initial analysis on a basic template for the song found in the lead sheet version in [2] .  ... 
arXiv:2008.11749v1 fatcat:5zo7w23nyndjdboyrcahixvjam

Learning Pitch-Class Representations from Score-Audio Pairs of Classical Music

Christof Weiss, Johannes Zeitler, Tim Zunner, Florian Schuberth, Meinard Müller
2021 Zenodo  
Previous approaches therefore use either synthetic audio, MIDI-piano recordings, or chord annotations for training.  ...  Chroma or pitch-class representations of audio recordings are an essential tool in music information retrieval.  ...  The International Audio Laboratories Erlangen are a joint institution of the Friedrich-Alexander-Universität Erlangen-Nürnberg (FAU) and Fraunhofer Institute for Integrated Circuits IIS.  ... 
doi:10.5281/zenodo.5624549 fatcat:2exatfaaojejzngfbvulwmkzm4

Multimodal Music Processing (Dagstuhl Seminar 11041)

Meinard Müller, Masataka Goto, Simon Dixon, Marc Herbstritt
2011 Dagstuhl Reports  
List of Authors  ...  Konz and Müller show in their contribution how the harmonic analysis of audio recording can be improved and stabilized by exploiting multiple versions of the same piece of music.  ...  Using a late-fusion approach by analyzing the harmonic properties of several audio versions synchronously, the authors show that consistencies across several versions indicate harmonically stable passages  ... 
doi:10.4230/dagrep.1.1.68 dblp:journals/dagstuhl-reports/MullerGD11 fatcat:qpuvecey6jhgdmp344uujkmcja

Heuristic approach for generic audio data segmentation and annotation

Tong Zhang, C.-C. Jay Kuo
1999 Proceedings of the seventh ACM international conference on Multimedia (Part 1) - MULTIMEDIA '99  
Morphological and statistical analysis for temporal curves of these features are performed to show differences among different types of audio.  ...  Audio recordings are segmented and classified into basic audio types such as silence, speech, music, song, environmental sound, speech with the music background, environmental sound with the music background  ...  CONCLUSION AND FUTURE WORK We presented in this research a heuristic approach for the parsing and annotation of audio signals based on the analysis of audio features and a rule-based procedure.  ... 
doi:10.1145/319463.319471 dblp:conf/mm/ZhangK99 fatcat:couvd2icwzfyddwjc2cotmmr7q

Analyzing Measure Annotations For Western Classical Music Recordings

Christof Weiß, Vlora Arifi-Müller, Thomas Prätzlich, Rainer Kleinertz, Meinard Müller
2016 Zenodo  
Third, cross-version analysis specifically uses the relation between different performances in order to stabilize analysis results [12] .  ...  Dealing with an opera, for example, one may have different versions of musical scores, libretti, and audio recordings.  ... 
doi:10.5281/zenodo.1417448 fatcat:hjcxhnjiyjhefacrfikuwpcrxa

Remixing Stereo Music With Score-Informed Source Separation

John F. Woodruff, Bryan Pardo, Roger B. Dannenberg
2006 Zenodo  
For each segment of the harmonization chosen, we created three MIDI versions. The first version was an unaltered representation of the selected segment of the harmonization.  ...  When the number of available audio channels (mixtures) equals or exceeds the number of individual sources (a quadraphonic recording of a trio, for example), one may use Independent component analysis (  ... 
doi:10.5281/zenodo.1414898 fatcat:sybfbysilzegzi5rc3a4grvcs4

Pitch-informed solo and accompaniment separation towards its use in music education applications

Estefanía Cano, Gerald Schuller, Christian Dittmar
2014 EURASIP Journal on Advances in Signal Processing  
We present a system for the automatic separation of solo instruments and music accompaniment in polyphonic music recordings.  ...  Finally, we outline possible ways of optimizing our separation approach to better suit the requirements of music education applications.  ...  In the case of musical signals, a possible sound source separation task would be to obtain independent signals for the saxophone, piano, bass, and percussion, given a recording or audio mixture of a jazz  ... 
doi:10.1186/1687-6180-2014-23 fatcat:jd7fajf2s5c4rooowwpb5ahxvq

Knowledge discovery-based identification of musical pitches and instruments in polyphonic sounds

Rory A. Lewis, Xin Zhang, Zbigniew W. Raś
2007 Engineering applications of artificial intelligence  
Conversely, successful detection of multiple pitches and timbres in polyphonic time-invariant music signals remains a challenge.  ...  After retrieving a semantical match for that dominant instrument from the database, it creates a resulting foreign set of features to form a new synthetic basen signal which no longer bears the previously  ...  This paper focuses on the separation of harmonic signals of musical instruments from a polyphonic domain for purpose of music information retrieval.  ... 
doi:10.1016/j.engappai.2006.11.006 fatcat:hvjxq5ux4fctrbo5b6gfdrz2gm

Cross-Version Singing Voice Detection In Classical Opera Recordings

Christian Dittmar, Bernhard Lehner, Thomas Prätzlich, Meinard Müller, Gerhard Widmer
2015 Zenodo  
The International Audio Laboratories Erlangen (AudioLabs) is a joint institution of the Friedrich-Alexander-Universität Erlangen-Nürnberg (FAU) and Fraunhofer IIS.  ...  Furthermore, we describe a cross-version fusion approach [8] that can improve the results in case several versions of a music piece are available, which is a realistic assumption for opera and classical  ...  First, we describe our approach to unsupervised bootstrap training of a classifier adapted to the recording under analysis.  ... 
doi:10.5281/zenodo.1416958 fatcat:un7zngoxtrc7xnbsrrzhc5jrnu

Biomimetic spectro-temporal features for music instrument recognition in isolated notes and solo phrases

Kailash Patil, Mounya Elhilali
2015 EURASIP Journal on Audio, Speech, and Music Processing  
for instrument recognition in solo recordings.  ...  The study presents an approach for parsing solo performances into their individual note constituents and adapting back-end classifiers using support vector machines to achieve a generalization of instrument  ...  Harmonicity parsing of solo recordings In order to test the use of harmonicity-based parsing of solo recordings, we ran a recognition experiment in a cross-domain setting (train on RWC, test on solo).  ... 
doi:10.1186/s13636-015-0070-9 pmid:30555520 pmcid:PMC6290678 fatcat:wfwyvhnurrgsrkqfz2ijbp2oey

The Influence of Different Structural Features on Felt Musical Tension in Two Piano Pieces by Mozart and Mendelssohn

Moritz Lehne, Martin Rohrmeier, Donald Gollmann, Stefan Koelsch
2013 Music Perception  
To investigate the influence of different features on subjectively experienced musical tension, we compared continuous ratings of felt musical tension for original and modified versions of two piano pieces  ...  Tension ratings for versions without dynamics, versions without agogics and without dynamics, and outer voice reductions correlated highly with ratings for the original versions for both pieces.  ...  We would like to thank Yu Fukuda and Vienna Dönnie for helping with the preparation of the music stimuli.  ... 
doi:10.1525/mp.2013.31.2.171 fatcat:5d6cckqi45c43ohgoltn7n3wz4

Identifying `Cover Songs' with Chroma Features and Dynamic Programming Beat Tracking

Daniel P.W. Ellis, Graham E. Poliner
2007 2007 IEEE International Conference on Acoustics, Speech and Signal Processing - ICASSP '07  
We describe a system that attempts to identify such a relationship between music audio recordings.  ...  To compare two recordings, we simply cross-correlate the entire beat-by-chroma representation for two tracks and look for sharp peaks indicating good local alignment between the pieces.  ...  Indeed, in pop music, the main purpose of recording a cover version is often to investigate a radically different interpretation of a song (although in different recordings of classical music the variations  ... 
doi:10.1109/icassp.2007.367348 dblp:conf/icassp/EllisP07 fatcat:xlptagw5tbegncuw7lt7oywnja
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