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A Cross-Version Approach for Harmonic Analysis of Music Recordings
2012
Dagstuhl Publications
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Finally, we demonstrate how this visualization facilitates a better understanding of classification errors and may be used by music experts as a helpful tool for exploring harmonic structures. ...
Here, the chord labeling is typically performed on a specific audio version of a piece of music, produced under certain recording conditions, played on specific instruments and characterized by individual ...
Acknowledgment We would like to express our gratitude to Michael Clausen, Cynthia Liem, and Matthias Mauch for their helpful and constructive feedback. ...
doi:10.4230/dfu.vol3.11041.53
dblp:conf/dagstuhl/KonzM12
fatcat:v42mkxesufdn7ml7fjweovsefa
Towards Cross-Version Harmonic Analysis of Music
2012
IEEE transactions on multimedia
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In this paper, we formulate the idea of a cross-version analysis for comparing and/or combining analysis results from different representations. ...
Each type of information allows for applying specialized, domain-specific approaches to music analysis tasks. ...
CROSS-VERSION CHORD LABELING EVALUATION Exploiting the availability of multiple versions of a given piece of music, we have suggested the general concept of a cross-version analysis for comparing and/or ...
doi:10.1109/tmm.2012.2190047
fatcat:5l2zxosownhzrftkqmuk2ljbt4
Freischutz digital: A multimodal scenario for informed music processing
2013
2013 14th International Workshop on Image Analysis for Multimedia Interactive Services (WIAMIS)
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In this paper, we give an overview of various informed approaches to music processing, where the availability of multiple sources of music-related information is used for supporting and improving the analysis ...
For example, in the case of an opera there typically exist digitized versions of the libretto, different editions of the musical score, as well as a large number of performances given as audio and video ...
Then, we indicate how the established cross-correlations may open up new ways for music analysis, navigation and retrieval. ...
doi:10.1109/wiamis.2013.6616168
dblp:conf/wiamis/MullerPBV13
fatcat:4df323zvs5hzng2y6fuhr2zteu
A Geometric Analysis Of The Harmonic Structure of "In My Life"
[article]
2020
arXiv
pre-print
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After our book---Mathematics and Music: Composition, Perception, and Performance, 2nd edition, CRC Press, 2020---was published, we found a striking example of the importance of the Tonnetz for analyzing ...
A lot of this harmonic rhythm lends itself well to a geometric description. ...
Our approach to this difficulty is to do an initial analysis on a basic template for the song found in the lead sheet version in [2] . ...
arXiv:2008.11749v1
fatcat:5zo7w23nyndjdboyrcahixvjam
Learning Pitch-Class Representations from Score-Audio Pairs of Classical Music
2021
Zenodo
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Previous approaches therefore use either synthetic audio, MIDI-piano recordings, or chord annotations for training. ...
Chroma or pitch-class representations of audio recordings are an essential tool in music information retrieval. ...
The International Audio Laboratories Erlangen are a joint institution of the Friedrich-Alexander-Universität Erlangen-Nürnberg (FAU) and Fraunhofer Institute for Integrated Circuits IIS. ...
doi:10.5281/zenodo.5624549
fatcat:2exatfaaojejzngfbvulwmkzm4
Multimodal Music Processing (Dagstuhl Seminar 11041)
2011
Dagstuhl Reports
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List of Authors ...
Konz and Müller show in their contribution how the harmonic analysis of audio recording can be improved and stabilized by exploiting multiple versions of the same piece of music. ...
Using a late-fusion approach by analyzing the harmonic properties of several audio versions synchronously, the authors show that consistencies across several versions indicate harmonically stable passages ...
doi:10.4230/dagrep.1.1.68
dblp:journals/dagstuhl-reports/MullerGD11
fatcat:qpuvecey6jhgdmp344uujkmcja
Heuristic approach for generic audio data segmentation and annotation
1999
Proceedings of the seventh ACM international conference on Multimedia (Part 1) - MULTIMEDIA '99
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Morphological and statistical analysis for temporal curves of these features are performed to show differences among different types of audio. ...
Audio recordings are segmented and classified into basic audio types such as silence, speech, music, song, environmental sound, speech with the music background, environmental sound with the music background ...
CONCLUSION AND FUTURE WORK We presented in this research a heuristic approach for the parsing and annotation of audio signals based on the analysis of audio features and a rule-based procedure. ...
doi:10.1145/319463.319471
dblp:conf/mm/ZhangK99
fatcat:couvd2icwzfyddwjc2cotmmr7q
Analyzing Measure Annotations For Western Classical Music Recordings
2016
Zenodo
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Third, cross-version analysis specifically uses the relation between different performances in order to stabilize analysis results [12] . ...
Dealing with an opera, for example, one may have different versions of musical scores, libretti, and audio recordings. ...
doi:10.5281/zenodo.1417448
fatcat:hjcxhnjiyjhefacrfikuwpcrxa
Remixing Stereo Music With Score-Informed Source Separation
2006
Zenodo
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For each segment of the harmonization chosen, we created three MIDI versions. The first version was an unaltered representation of the selected segment of the harmonization. ...
When the number of available audio channels (mixtures) equals or exceeds the number of individual sources (a quadraphonic recording of a trio, for example), one may use Independent component analysis ( ...
doi:10.5281/zenodo.1414898
fatcat:sybfbysilzegzi5rc3a4grvcs4
Pitch-informed solo and accompaniment separation towards its use in music education applications
2014
EURASIP Journal on Advances in Signal Processing
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We present a system for the automatic separation of solo instruments and music accompaniment in polyphonic music recordings. ...
Finally, we outline possible ways of optimizing our separation approach to better suit the requirements of music education applications. ...
In the case of musical signals, a possible sound source separation task would be to obtain independent signals for the saxophone, piano, bass, and percussion, given a recording or audio mixture of a jazz ...
doi:10.1186/1687-6180-2014-23
fatcat:jd7fajf2s5c4rooowwpb5ahxvq
Knowledge discovery-based identification of musical pitches and instruments in polyphonic sounds
2007
Engineering applications of artificial intelligence
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Conversely, successful detection of multiple pitches and timbres in polyphonic time-invariant music signals remains a challenge. ...
After retrieving a semantical match for that dominant instrument from the database, it creates a resulting foreign set of features to form a new synthetic basen signal which no longer bears the previously ...
This paper focuses on the separation of harmonic signals of musical instruments from a polyphonic domain for purpose of music information retrieval. ...
doi:10.1016/j.engappai.2006.11.006
fatcat:hvjxq5ux4fctrbo5b6gfdrz2gm
Cross-Version Singing Voice Detection In Classical Opera Recordings
2015
Zenodo
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The International Audio Laboratories Erlangen (AudioLabs) is a joint institution of the Friedrich-Alexander-Universität Erlangen-Nürnberg (FAU) and Fraunhofer IIS. ...
Furthermore, we describe a cross-version fusion approach [8] that can improve the results in case several versions of a music piece are available, which is a realistic assumption for opera and classical ...
First, we describe our approach to unsupervised bootstrap training of a classifier adapted to the recording under analysis. ...
doi:10.5281/zenodo.1416958
fatcat:un7zngoxtrc7xnbsrrzhc5jrnu
Biomimetic spectro-temporal features for music instrument recognition in isolated notes and solo phrases
2015
EURASIP Journal on Audio, Speech, and Music Processing
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for instrument recognition in solo recordings. ...
The study presents an approach for parsing solo performances into their individual note constituents and adapting back-end classifiers using support vector machines to achieve a generalization of instrument ...
Harmonicity parsing of solo recordings In order to test the use of harmonicity-based parsing of solo recordings, we ran a recognition experiment in a cross-domain setting (train on RWC, test on solo). ...
doi:10.1186/s13636-015-0070-9
pmid:30555520
pmcid:PMC6290678
fatcat:wfwyvhnurrgsrkqfz2ijbp2oey
The Influence of Different Structural Features on Felt Musical Tension in Two Piano Pieces by Mozart and Mendelssohn
2013
Music Perception
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To investigate the influence of different features on subjectively experienced musical tension, we compared continuous ratings of felt musical tension for original and modified versions of two piano pieces ...
Tension ratings for versions without dynamics, versions without agogics and without dynamics, and outer voice reductions correlated highly with ratings for the original versions for both pieces. ...
We would like to thank Yu Fukuda and Vienna Dönnie for helping with the preparation of the music stimuli. ...
doi:10.1525/mp.2013.31.2.171
fatcat:5d6cckqi45c43ohgoltn7n3wz4
Identifying `Cover Songs' with Chroma Features and Dynamic Programming Beat Tracking
2007
2007 IEEE International Conference on Acoustics, Speech and Signal Processing - ICASSP '07
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We describe a system that attempts to identify such a relationship between music audio recordings. ...
To compare two recordings, we simply cross-correlate the entire beat-by-chroma representation for two tracks and look for sharp peaks indicating good local alignment between the pieces. ...
Indeed, in pop music, the main purpose of recording a cover version is often to investigate a radically different interpretation of a song (although in different recordings of classical music the variations ...
doi:10.1109/icassp.2007.367348
dblp:conf/icassp/EllisP07
fatcat:xlptagw5tbegncuw7lt7oywnja
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