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Hasta Oír Lo Infinito
release_menbd4bgsndpxp7a6ut5sgsoga
by
Gabriel Gálvez Silva
Published
in Logos: Revista de Lingüística, Literatura y Filosofía
by Universidad de La Serena.
2012 Volume 22
Abstract
RESUMEN
El arte musical de Occidente ha sido impelido por su propia evolución a un estado de ya irreversible informalidad. Este escrito constituye una reflexión sobre la inmanencia musical tras una historia caracterizada por la transformación permanente del pensamiento compositivo.
ABSTRACT
Western musical art has been driven by its own evolution to a state of irreversible informality. This paper constitutes a reflection about musical immanence after a history characterized by the permanent transformation of the composition althought.
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