Acoustics in the early Royal Society 1660-1680
release_3gmx7v6rrnaofokyxle4na5xf4
by
Penelope M. Gouk
References
NOTE: currently batch computed and may include additional references sources, or be missing recent changes, compared to entity reference list.Showing 1 - 30 of 121 references (in 79ms) | ||
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International Congress for the History of Science, Bucharest, 26 August-3 September 1981. I should like to thank the Royal Society for a generous grant which enabled me to attend the Congress.
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General histories dealing with the early years of the Royal Society include: Sir Henry Lyons, The Royal Society 1660-1940 (Cambridge, 1944);
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H. Hartley ed., The Royal Society: its Origins and Founders (London, i960);
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M. Purver, The Royal Society: Concept and Creation (London, 1967). For a more comprehensive bibliography, see M. Hunter, Science and Society in Restoration England (Cambridge, 1981), pp. 203-206; and for a complete list of Fellows in the period under discussion, idem., 'The Social Basis and Changing Fortunes of an Early Scientific Institution: An Analysis of the Membership of the Royal Society, 1660-1685', Notes & Records R.Soc. Lond., 31 (1976), 9-114.
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Musical theory in the earlyphilosophical transactions
Ll. S. Lloyd 1940 Notes and Records: the Royal Society journal of the history of science doi:10.1098/rsnr.1940.0020 |
web.archive.org
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See, for example, C. A. Truesdell, 'The Theory of Aerial Sound 1687-1788', Euleri Opera Omnia, 2nd series, vol. 13 (Lausanne, 1955, pp. XIX-XXIV;
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idem., 'The Rational Mechanics of Flexible or Elastic Bodies 1638-1788', Euleri Opera Omnia, 2nd series, vol. 11 pt. 2 (Turin, i960), pp. 15-141. Truesdell traces the earlier developments in these fields in order to place the achieve ments of Euler in a historical context.
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One of the few works which deals with theories of the nature of sound and hearing is A. C. Crombie, 'The Study of the Senses in Renaissance Science', Proceedings of the 10th International Congress for the History of Science, Ithaca, N. Y., 1962, vol. 1 (Paris, 1964), pp. 93-117.
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For a general account of the mechanical philosophy, see E. J. Dijkterhuis, The Mechanization of the World Picture, translated by C. Dikshoorne, (Oxford, 1961); for a discussion of the mechanical philosophy in relation to sound, P. M. Gouk, 'Music in the Natural Philosophy of the Early Royal Society', Ph.D. dissertation, University of London (forthcoming).
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C. Webster, The Great Instauration: Science, Medicine and Reform 1626-1660 (London, 1975), pp. 1-31.
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J. Thewlis, Concise Dictionary of Physics (Oxford, 1973), p. 4.
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The importance of these two works and their influence on later natural philoso phers has been overlooked in the past but has now been recognized. See G. Rees, 'An Unpublished Manuscript by Francis Bacon: Sylva Sylvarum and Other Working Notes', A nn.Sci., 38 (1981), 377-412.
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Truesdell, 'Rational Mechanics';
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S. Dostrovsky, 'The Origins of Vibration Theory: the Scientific Revolution and the Nature of Music', Ph.D. dis sertation, University of Princeton (1969); idem., 'Early Vibration Theory: Physics and Music in the Seventeenth Century', Archs Hist. Exact Sci., 14 (1975), 169-218.
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P. E. Ariotti, 'Aspects of the Conception and Development of the Pendulum in the Seventeenth Century', Archs Hist. Exact Sci., 8 (1971-2), 329-416;
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P. M. Gouk, 'Christiaan Huygens and the Royal Society: the Cross-Fertilization of Ideas on Strings, Pendulums and Harmonic Motion 1661-1665 , unpublished paper read at the Symposium on Christiaan Huygens, Amsterdam, 22-25 August 1979.
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Hunter, Science and Society, pp. 32-58.
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K. T. Hoppen, 'The Nature of the Early Royal Society', Br. Hist. 9 (1976), 1-24, 243-73, provides a balanced view of the various activities of the early Royal Society.
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A. R. Hall and M. B. Hall, eds., The Correspondence of Henry Oldenburg (Madison and London, 1965-);
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R. S. Latham and W. Matthews, eds., The Diary Samuel Pepys (London, 1970-);
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E. S. de Beer, ed., The Diary of John Evelyn, 6 vols. (Oxford, 1955);
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H. W. Robinson and W. Adams, eds., The Diary of Robert Hooke 1672-80 (London, 1935).
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T. Sprat, The History of the Royal Society of London (London, 1667);
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Webster, Great Instauration, pp. 88-99.
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Gouk, 'Music in the . . . Early Royal Society', Chapter 1: 'Changing Theories of Sound in Seventeenth Century England'. On Mersenne, see C. C. Gillispie, ed., Dictionary of Scientific Biography, 15 vols. (New York, 1970-78), vol. 9, pp. 316-22;
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R. Lenoble, Mersenne, ou la Naissance du Mecanisme (Paris, 1943; reprint 1971);
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F. V. Hunt, Origins in Acoustics: The Science of Sound From Antiquity to the Age of Newton (New Haven and London, 1978), pp. 82-100.
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R. Waller, Essayes of Natural Experiments made in the Accademia del Cimento (London, 1684). On the Accademia, see W. C. K. Middleton, The Experimenters: A Study of the Accademia del Cimento (London and Baltimore, I971)-
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R. L. Colie, 'Dean Wren's Marginalia and Early Science at Oxford', Bodleian Library Record, 6 (i960), 541-51.
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Hunt, Origins in Acoustics, pp. 109-12;
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