2017-11-22
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A Comparison between Horizontal and Vertical Interchannel Decorrelation
published
| article-journal
doi:10.3390/app7111202
|
2017-03-14
|
The Reduction of Vertical Interchannel Crosstalk: The Analysis of Localisation Thresholds for Natural Sound Sources
published
| article-journal
doi:10.3390/app7030278
|
2019-04-26
|
Automatic Spatial Audio Scene Classification in Binaural Recordings of Music
published
| article-journal
| CC-BY
doi:10.3390/app9091724
|
2019-10-06
|
3D Microphone Array Recording Comparison (3D-MARCo)
published
| dataset
| 1.0.1
| CC-BY
doi:10.5281/zenodo.3474285
|
2019-10-06
|
3D Microphone Array Recording Comparison (3D-MARCo)
published
| dataset
| 1.0.0
| CC-BY
doi:10.5281/zenodo.3474286
|
2019-10-06
|
3D Microphone Array Recording Comparison (3D-MARCo)
published
| dataset
| 1.0.1
| CC-BY
doi:10.5281/zenodo.3477602
|
2019-10-12
|
Psychoacoustics of 3D Sound Recording and Reproduction
published
| article-journal
| CC-BY
doi:10.5281/zenodo.3483752
|
2019-10-12
|
Psychoacoustics of 3D Sound Recording and Reproduction
published
| article-journal
| CC-BY
doi:10.5281/zenodo.3483753
|
2019-10-22
|
AES147 3D-MARCo Session
published
| article-journal
| CC-BY
doi:10.5281/zenodo.3516141
|
2019-10-22
|
AES147 3D-MARCo Session
published
| article-journal
| CC-BY
doi:10.5281/zenodo.3516142
|
2019-10-22
|
AES147 Immersive Recording Demo at the Genelec room
published
| article-journal
| CC-BY
doi:10.5281/zenodo.3516187
|
2019-10-22
|
AES147 Immersive Recording Demo at the Genelec room
published
| article-journal
| CC-BY
doi:10.5281/zenodo.3516188
|
2019-10-24
|
The Influences of Microphone System, Video, and Listening Position on the Perceived Quality of Surround Recording for Sport Content
published
| article-journal
| CC-BY
doi:10.5281/zenodo.3518144
|
2019-10-24
|
The Influences of Microphone System, Video, and Listening Position on the Perceived Quality of Surround Recording for Sport Content
published
| article-journal
| CC-BY
doi:10.5281/zenodo.3518145
|
2019-11-20
|
ESMA-3D Immersive Soundscape Recordings
published
| article
| CC-BY
doi:10.5281/zenodo.3549050
|
2019-11-21
|
Capturing 360° VR Audio using Equal Segment Microphone Array (ESMA)
published
| article-journal
| CC-BY
doi:10.5281/zenodo.3550216
|
2019-11-21
|
Capturing 360° VR Audio using Equal Segment Microphone Array (ESMA)
published
| article-journal
| CC-BY
doi:10.5281/zenodo.3550217
|
2019-11-20
|
ESMA-3D Immersive Soundscape Recordings
published
| article
| CC-BY
doi:10.5281/zenodo.3549049
|
2020-07-30
|
Spatial Unmasking Effect on Speech Reception Threshold in the Median Plane
published
| article-journal
| CC-BY
doi:10.3390/app10155257
|
2020-08-06
|
Immersive Recording Techniques based on Psychoacoustics
published
| article-journal
| CC-BY
doi:10.5281/zenodo.3973762
|
2020-08-06
|
Immersive Recording Techniques based on Psychoacoustics
published
| article-journal
| CC-BY
doi:10.5281/zenodo.3973763
|
2020-08-28
|
A Comparison of Human against Machine-Classification of Spatial Audio Scenes in Binaural Recordings of Music
published
| article-journal
| CC-BY
doi:10.3390/app10175956
|
2020-09-07
|
3D Microphone Array Comparison (3D MARCo): An Open-Access Database and Objective Analyses
published
| article-journal
| 1.0.0
| CC-BY
doi:10.5281/zenodo.4018010
|
2020-09-07
|
3D Microphone Array Comparison (3D MARCo): An Open-Access Database and Objective Analyses
published
| article-journal
| 1.0.0
| CC-BY
doi:10.5281/zenodo.4018009
|
2020-09-13
|
A Conceptual Model of Immersive Experience in Extended Reality
unknown status
| post
| CC-BY
doi:10.31234/osf.io/sefkh
|
2020-10-20
|
HULTI-GEN v2
published
| article
| v2.0.0
doi:10.5281/zenodo.4108976
|
2020-10-20
|
HULTI-GEN v2
published
| article
| v2.0.0
doi:10.5281/zenodo.4108977
|
2020-10-26
|
HULTI-GEN v2
published
| article
| v2.0.1
doi:10.5281/zenodo.4133863
|
2020-10-29
|
HULTI-GEN v2.0.2
published
| article
| v2.0.2
doi:10.5281/zenodo.4154855
|
2020-11-11
|
HULTI-GEN v2.0.3
published
| article
| 2.0.3
doi:10.5281/zenodo.4267874
|
2020-12-01
|
HULTI-GEN v2.0.4
published
| article
| v2.0.4
doi:10.5281/zenodo.4299964
|
2020-12-02
|
HULTI-GEN v2.0.5
published
| article
| v2.0.5
doi:10.5281/zenodo.4302080
|
2020-09-07
|
3D Microphone Array Recording Comparison (3D MARCo): Objective Measurements
published
| article-journal
| 1.0.0
| CC-BY
doi:10.5281/zenodo.4477630
|
2021-02-09
|
Listener-Position and Orientation Dependency of Auditory Perception in an Enclosed Space: Elicitation of Salient Attributes
published
| article-journal
| CC-BY
doi:10.3390/app11041570
|
2021-05-21
|
Soundscape recording techniques for ecologically valid lab studies
published
| article-journal
| CC-BY
doi:10.5281/zenodo.4780560
|
2021-06-28
|
Dimensions of Immersive Auditory Experience
published
| article-journal
| CC-BY
doi:10.5281/zenodo.5036913
|
2021-11-25
|
The Effect of Direct-to- Reverberant Energy Ratio on Front-Back Confusion in Binaural Reproduction
published
| article-journal
| CC-BY
doi:10.5281/zenodo.5728223
|
2022-06-18
|
Dimensions of Immersive Audio Experience
published
| article-journal
| CC-BY
doi:10.5281/zenodo.6659881
|
2022-06-18
|
Dimensions of Immersive Audio Experience
published
| article-journal
| CC-BY
doi:10.5281/zenodo.6659880
|
2020-07-14
|
VHAP (Virtual Hemispherical Amplitude Panning)
published
| article
| v1.1.6
| CC-BY
doi:10.5281/zenodo.3945065
|
2021-02-24
|
Perceptual Punch Tool (VST and AU Plugins)
published
| article
| v1.1.0
| CC-BY-NC
doi:10.5281/zenodo.4560084
|
2021-06-28
|
Dimensions of Immersive Auditory Experience
published
| article-journal
| CC-BY
doi:10.5281/zenodo.5036914
|
2021-11-11
|
3D Microphone Array Comparison: Objective Measurements - JAES paper presentation
published
| article-journal
| CC-BY
doi:10.5281/zenodo.5675384
|
2021-11-25
|
The Effect of Direct-to- Reverberant Energy Ratio on Front-Back Confusion in Binaural Reproduction
published
| article-journal
| CC-BY
doi:10.5281/zenodo.5728222
|
2024-05-09
|
Rendered Stimuli for "Spatial Analysis and Synthesis Methods: Subjective and Objective Evaluations Using Various Microphone Arrays in the Auralization of a Critical Listening Room"
published
| dataset
| 1.0
| CC-BY
doi:10.5281/zenodo.11165055
|
2020-07-14
|
VHAP (Virtual Hemispherical Amplitude Panning)
published
| article
| v1.1.6
| CC-BY
doi:10.5281/zenodo.3945066
|
2021-02-24
|
Perceptual Punch Tool (VST and AU Plugins)
published
| article
| v1.1.0
| CC-BY-NC
doi:10.5281/zenodo.4560083
|
2021-05-21
|
Soundscape recording techniques for ecologically valid lab studies
published
| article-journal
| CC-BY
doi:10.5281/zenodo.4780561
|
2021-11-11
|
3D Microphone Array Comparison: Objective Measurements - JAES paper presentation
published
| article-journal
| CC-BY
doi:10.5281/zenodo.5675385
|
2022-02-01
|
Spatial Audio Scene Characterization (SASC): Automatic Localization of Front-, Back-, Up-, and Down-Positioned Music Ensembles in Binaural Recordings
published
| article-journal
| CC-BY
doi:10.3390/app12031569
|
2024-05-09
|
Rendered Stimuli for "Spatial Analysis and Synthesis Methods: Subjective and Objective Evaluations Using Various Microphone Arrays in the Auralization of a Critical Listening Room"
published
| dataset
| 1.0
| CC-BY
doi:10.5281/zenodo.11165056
|
2024
|
Spatial Analysis and Synthesis Methods: Subjective and Objective Evaluations Using Various Microphone Arrays in the Auralization of a Critical Listening Room
published
| article-journal
| CC-BY
doi:10.1109/taslp.2024.3449037
|