Plainsong and Medieval Music
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Cambridge University Press
Showing first 25 out of 549 results
Editorial endeavours: plainchant revision in early modern Italian printed graduals
MARIANNE C.E. GILLION
2020
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Plainsong and Medieval Music
doi:10.1017/s0961137120000066
PMM volume 26 issue 2 Cover and Back matter
2017 | Plainsong and Medieval Musicdoi:10.1017/s0961137117000134
PMM volume 18 issue 1 Cover and Back matter
2009 | Plainsong and Medieval Musicdoi:10.1017/s0961137109019020
PMM volume 21 issue 2 Cover and Back matter
2012 | Plainsong and Medieval Musicdoi:10.1017/s0961137112000083
PMM volume 30 issue 1 Cover and Front matter
2021 | Plainsong and Medieval Musicdoi:10.1017/s0961137121000085
PMM volume 25 issue 1 Cover and Front matter
2016 | Plainsong and Medieval Musicdoi:10.1017/s0961137115000297
PMM volume 28 issue 1 Cover and Front matter
2019 | Plainsong and Medieval Musicdoi:10.1017/s0961137119000019
Johannes de Grocheio on secular music: a corrected text and a new translation
Christopher Page
1993
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Plainsong and Medieval Music
doi:10.1017/s0961137100000401
What the Beneventans heard and how they sang
ALEJANDRO ENRIQUE PLANCHART
2013
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Plainsong and Medieval Music
doi:10.1017/s0961137113000028
PMM volume 19 issue 2 Cover and Front matter
2010 | Plainsong and Medieval Musicdoi:10.1017/s096113711000015x
Jennifer Saltzstein, The Refrain and the Rise of the Vernacular in Medieval French Music and Poetry, Gallica 30. Woodbridge: D.S. Brewer, 2013. xii+194 pp. £60. ISBN 978 1 84384 349 8.
ELIZABETH EVA LEACH
2014
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Plainsong and Medieval Music
doi:10.1017/s0961137113000168
PMM volume 20 issue 2 Cover and Front matter
2011 | Plainsong and Medieval Musicdoi:10.1017/s0961137111000167
PMM volume 31 issue 2 Cover and Front matter
2022 | Plainsong and Medieval Musicdoi:10.1017/s0961137122000146
Signposting mutation in some fourteenth- and fifteenth-century music theory treatises
ADAM WHITTAKER
2017
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Plainsong and Medieval Music
doi:10.1017/s0961137116000097
John Nádas and Andreas Janke (eds.), The San Lorenzo Palimpsest: Florence, Archivio del Capitolo di San Lorenzo, Ms. 2211, vol. 1: Introductory Study; vol. 2: Multispectral Images, Ars Nova, n.s. 4 (Lucca: Libreria Musicale Italiana, 2016). xiii pp.+ 123 fols (135 fols including blanks). €300. ISBN 978 88 7096 852 1. ERRATUM
MARGARET BENT
2018
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Plainsong and Medieval Music
doi:10.1017/s0961137118000062
Two unnoticed pieces of medieval polyphony
David Hiley
1992
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Plainsong and Medieval Music
doi:10.1017/s0961137100001753
The heptachordal basis of hexachordal theory: on the semiotics of musical notation in the Middle Ages
STEFANO MENGOZZI
2013
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Plainsong and Medieval Music
doi:10.1017/s0961137113000016
PMM volume 19 issue 1 Cover and Front matter
2010 | Plainsong and Medieval Musicdoi:10.1017/s096113711000001x
PMM volume 29 issue 1 Cover and Front matter
2020 | Plainsong and Medieval Musicdoi:10.1017/s0961137120000078
PMM volume 26 issue 1 Cover and Back matter
2017 | Plainsong and Medieval Musicdoi:10.1017/s096113711700002x
PMM volume 23 issue 1 Cover and Back matter
2014 | Plainsong and Medieval Musicdoi:10.1017/s0961137113000223
PMM volume 27 issue 2 Cover and Back matter
2018 | Plainsong and Medieval Musicdoi:10.1017/s096113711800013x
PMM volume 21 issue 1 Cover and Front matter
2012 | Plainsong and Medieval Musicdoi:10.1017/s0961137111000246
Johannes de Muris's <i>Musica speculativa</i> cited by Jacobus de Ispania
ELŻBIETA WITKOWSKA-ZAREMBA
2022
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Plainsong and Medieval Music
doi:10.1017/s0961137122000031
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